Barclays suspends UK festival sponsorships after backlash over ties to Israel

Barclays suspends UK festival sponsorships after backlash over ties to Israel
This photo posted on X by the Palestine Action movement shows a branch of Barclays in London that had been vandalized apparently by activists protesting the bank's investments in Israel's weapons trade. (X: @Pal_action)
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Updated 15 June 2024
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Barclays suspends UK festival sponsorships after backlash over ties to Israel

Barclays suspends UK festival sponsorships after backlash over ties to Israel
  • Mass boycott of acts leads to suspension of relationship between bank, event organizer Live Nation
  • Move comes as protesters target Barclays bank branches across Britain

LONDON: Barclays and Live Nation have suspended a sponsorship agreement for the events group’s festivals for 2024 after a number of artists announced they would be boycotting them over the bank’s involvement.

Download, Latitude, and the Isle of Wight festivals are among those worst affected by the boycotts, with acts and fans critical of Barclays’ business relationships with companies supplying arms to Israel.

Comedians Joanne McNally, Sophie Duker, Grace Campbell and Alexandra Haddow said they would not be attending Latitude, as well as musical acts CMAT, Pillow Queens, Mui Zyu and Georgia Ruth.

The bands Pest Control, Ithaca, Scowl, Speed and Zulu all confirmed they would pull out of Download.

It follows a mass boycotting by more than 100 acts of the Barclaycard-sponsored Great Escape festival in Brighton in May.

“Following discussion with artists, we have agreed with Barclays that they will step back from sponsorship of our festivals,” a Live Nation spokesperson said.

It came after activists targeted Barclays earlier in the week, with the UK-based Palestine Solidarity Campaign demanding a boycott over the bank’s “complicity in Israel’s attacks on Palestinians.”

PSC also claimed that Barclays “now holds over £2 billion ($2.536 billion) in shares, and provides £6.1 billion in loans and underwriting” to companies selling weapons to Israel.

The group Palestine Action targeted 20 bank branches with paint and rocks earlier this week, while the Boycott, Divestment and Sanctions movement has labeled it a “divestment and exclusion” target.

A spokesperson for the bank said in a statement: “Barclays was asked and has agreed to suspend participation in the remaining Live Nation festivals in 2024. 
“Barclays customers who hold tickets to these festivals are not affected and their tickets remain valid.

“The protesters’ agenda is to have Barclays debank defence companies which is a sector we remain committed to as an essential part of keeping this country and our allies safe.”

The protest group Bands Boycott Barclays said in a statement: “This is a victory for the Palestinian-led global BDS movement. As musicians, we were horrified that our music festivals were partnered with Barclays, who are complicit in the genocide in Gaza through investment, loans and underwriting of arms companies supplying the Israeli military. “Hundreds of artists have taken action this summer to make it clear that this is morally reprehensible, and we are glad we have been heard.

“Our demand to Barclays is simple: divest from the genocide, or face further boycotts. Boycotting Barclays, also Europe’s primary funder of fossil fuels, is the minimum we can do to call for change.”

Leeds-based band Pest Control said in a statement: “We cannot sacrifice the principles held by this band and by the scene we come from and represent, just for personal gain.”

Ithaca said in a statement: “Once we were made aware of Barclays’ involvement in Download we knew we could no longer participate. This moment of solidarity is an opportunity for festival organisers to reflect carefully on who they take money from and see that the younger generation of bands will no longer be silent.”

Comedian McNally wrote in an Instagram post last week: “I’m getting messages today about me performing at Latitude when it’s being sponsored by Barclays.

“I’m no longer doing Latitude. I was due to close the comedy tent on the Sunday night, but I pulled out last week.”

Fellow comedian Duker said in a statement: “I am committed to minimising my complicity in what I consider to be a pattern of abhorrent, unlawful violence.”

On its website, Barclays said: “We have been asked why we invest in nine defence companies supplying Israel, but this mistakes what we do.

“We trade in shares of listed companies in response to client instruction or demand and that may result in us holding shares. 
“Whilst we provide financial services to these companies, we are not making investments for Barclays and Barclays is not a ‘shareholder’ or ‘investor’ in that sense in relation to these companies.”

In relation to its dealings with Israeli defense company Elbit, Barclays said: “We may hold shares in relation to client driven transactions, which is why we appear on the share register, but we are not investors.”

Barclays signed a sponsorship deal with Live Nation for five years in 2023. There has been no suggestion yet that the suspension will affect festival sponsorship under the agreement in future years.
 


REVIEW: ‘Severance’ returns with more pleasurable mind bending 

REVIEW: ‘Severance’ returns with more pleasurable mind bending 
Updated 23 January 2025
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REVIEW: ‘Severance’ returns with more pleasurable mind bending 

REVIEW: ‘Severance’ returns with more pleasurable mind bending 
  • Season two of Apple’s sci-fi thriller remains wonderfully weird

LONDON: Despite the fact it’s been nearly three years since viewers last got to see inside the world of “Severance,” Apple’s sort-of-sci-fi show picks up pretty much where it left off. We rejoin the story just a few moments after Mark S (Adam Scott) and his team of Lumon data refiners managed to break free of their ‘severed’ floor — where work and out-of-work memories and personalities are controlled and delineated by a chip embedded in their brains — and alert the outside world to the cruelties of their working conditions. Mark reawakens in the hellish officescape without his team of escapees — Helly (Britt Lower), Dylan (Zach Cherry) and Irving (John Turturro) — and immediately sets about trying to find out what happened to them. This means getting the best of returning supervisor Milchick (Tramell Tillman), his new teenage assistant Miss Huang (Sarah Bock), and a trio of new coworkers. 

Creator Dan Erickson and director Ben Stiller waste no time in rediscovering the subtle blend of tangible oddness and sinister dystopian creepiness that made the first season such an uncomfortable joy. And, perhaps emboldened by season one’s success, drop greater hints at just how weird the wider world of Lumen and its mysteriously enigmatic founder Kier Eagan might be. Mark and his team are told that their escape has led to sweeping reform across the company, but with Mark having learned that his wife on the outside may be trapped somewhere in the building — rather than being dead, as his ‘outie’ personality had been led to believe — the setup for more convoluted reveals is in place by the end of this season’s first episode. 

In all the best ways, “Severance” feels the same as it did. The surreal nightmare of its setting is as terrifying as ever, and the sharp juxtaposition of Mark and the others’ personalities remains joyfully jarring. The pace of plot revelation actually appears to have slowed even further — but while this is surface-level frustrating, it’s also a big part of why the show is so engaging. Is this new season likely to answer all your questions from three years ago? It is not. In fact, by the end of episode one, there’s more mystery, rather than less. But “Severance” remains the most captivating of headscratchers. 


Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love

Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love
Updated 23 January 2025
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Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love

Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love

RIYADH: Parea Greek Brasserie, newly opened at the Hilton Riyadh Olaya, aims “to present Greek cuisine in a way that respects tradition but also embraces innovation,” head chef Garnaras Giorgos tells Arab News. 

“Parea offers a unique experience, not only through the stunning scenery and view but also through my personal take on Greek cuisine. I bring flavors and memories from across Greece — from Cyprus to the Zagori mountains and northern Greece. What I aim to offer my guests is a taste of my journey, along with a deep appreciation for Santorini, where I spent five years learning to respect nature and use exceptional ingredients.” 

Parea Greek Brasserie head chef Garnaras Giorgos. (Supplied)

The Greek chef says his grandfathers were his first mentors. “I vividly remember when I was four, standing alongside both my grandfathers — Panayioti and Yiorgo (whom I was named after). They were showing me how to prepare a whole lamb on the spit for our family celebrations. It’s a cherished memory I’ll never forget,” he explains. 

“I’ve been in love with food since a very young age, and that passion is the main driving force behind my career,” he adds. 

Here, he talks to Arab News about his time in Saudi Arabia, his top tip for amateur chefs and his management style. 

 

What has it been like living and working in Saudi Arabia so far? 

Having lived in various countries, what stands out most to me here is the sense of safety. I’ve never felt more secure. I’m still taking time to integrate into the local culture, which I deeply admire. I make it a point to explore new places in my free time. 

 

What’s your top tip for amateurs? 

Focus on using fresh, local, and seasonal ingredients. When you cook with what’s available at the right time of year, the results will always be delicious. 

 

What one ingredient can instantly improve any dish? 

Love! When you cook with love, the food is guaranteed to be full of flavor and soul. 

 

When you go out to eat, do you find yourself critiquing the food?  

I try to simply enjoy the moment and savor the flavors. I focus on the positives and appreciate the effort that goes into the dish, rather than being overly critical. 

 

What’s your favorite cuisine to order?  

It really depends on my mood. I can go from street food to a fine dining experience — I’m always eager to try something new. 

 

What’s your go-to dish if you have to cook something quickly at home? 

Trahanas — a traditional Greek hearty soup. It’s quick, healthy and full of flavor. I actually make my version of it at Parea. 

 

What customer request most annoys you? 

I’m usually able to accommodate any request. The key is understanding the guest’s needs and finding a way to deliver. 

 

What’s your favorite dish to cook and why? 

There’s no one particular dish — I love the ones that bring back memories, especially those with a story behind them. So I’d say anything hearty with personal significance. 

 

What’s the most difficult dish for you to get right? 

The whole quail. It’s a dish that always presents a challenge — but it’s also an opportunity to perfect my technique. 

 

Pare

Relaxed? Quite the opposite! While we do have our fun moments, when it’s busy there’s no room for democracy in the kitchen. It’s all about precision, teamwork and getting the job done efficiently. 


French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision
Updated 22 January 2025
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French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision
  • French Algerian model attends menswear show in Paris
  • Williams teams up with Japanese fashion designer Nigo

DUBAI: French Algerian model Loli Bahia continues to strengthen her ties with Louis Vuitton, months after walking for the brand, by showing support for its menswear creative director Pharrell Williams.

This week, Bahia attended the menswear Fall/Winter 2025/2026 show during Paris Fashion Week, which runs through Jan. 26.

Williams hosted the event in a rear courtyard of the Louvre Museum after dark, setting the stage for a vibrant fall-winter collection that reimagined streetwear.

Models strode around the set to marching music, parading chunky wool suits, short bomber jackets, leather bermudas and coats in pastels, autumn tones and psychedelic renditions of the brand’s signature logo patterns.

There were colorful speedy bags, lobster-claw charms, pearl embellishments, thick jewelry and utility pockets in suede leather.

Bahia shared highlights from the show on Instagram, offering her followers a glimpse of the night’s fashion and energy.

For this collection, Williams, who is also famous as a musician, teamed up with his longtime collaborator, Japanese fashion designer Nigo, currently creative director of another LVMH-owned label, Kenzo.

The pair have been active in street culture for decades, founding the label Billionaire Boys Club in 2003 and playing a role in streetwear’s rise to prominence with their blend of music and fashion.

In the front row, LVMH CEO Bernard Arnault sat between his wife, Helene Mercier, and NBA basketball player Victor Wembanyama, who was seen tapping his foot to the music.

The show was also attended by Hollywood stars Adrien Brody and Bradley Cooper, K-pop sensations J-Hope and Jackson Wang, and rap legends Travis Scott, J Balvin and Future.

Bahia last walked for Louis Vuitton in October, showcasing their spring/summer collection.

She graced the runway wearing a black jumpsuit with a relaxed, tailored fit and a deep V-neckline, allowing a metallic, iridescent top to peek through underneath. The shiny fabric of the top, visible on the sleeves and chest, contrasted with the matte texture of the jumpsuit.

​​​​​​​

Beyond the runway, Bahia has also appeared in Louis Vuitton’s campaigns, including the Spring/Summer 2024 campaign released in February 2024.

In the promotional clip, she showcased the brand’s creations, pairing a vibrant orange Dauphine bag crafted from supple leather with an oversized blazer dress featuring multiple buttons.

The look was completed with white stockings and heels.


Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’
Updated 22 January 2025
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Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’
  • Syrian-American rapper blends classic hip-hop, Arab poetry
  • Trying to challenge ‘stereotypes’ of Arabs, Muslims, he says

DUBAI: Returning to the UAE after his debut performance in AlSerkal in 2009, Syrian-American artist Omar Offendum will take to the stage at the Quoz Arts Fest on Jan. 25.

Speaking to Arab News recently, the New-York based rapper said he was excited about performing in the Arab world, and being able to say he is “from a free Syria” for the first time.

Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller.

“When I’m on stage, I’m not just singing songs or just reciting poetry, I’m bridging all of that with storytelling. And I find myself really comfortable in theater spaces now.

“As much as I love a big festival, I find what’s really unique about theater is people enter the space with the understanding that you are being sort of transported into an imaginary time and place,” he said.

Drawing inspiration from artists including Bob Marley, Sade, Sabah Fakhri and Feyrouz, Offendum’s music blends classic hip-hop and elements from traditional Arab culture.

“What was unique to me in my upbringing was that it wasn’t just musicians, it was poets. Nizar Qabbani, for me, was foundational. Every album I’ve made, there’s been translations of Nizar Qabbani’s work.

I’m always reciting his poetry on stage. I think what’s really special about being an artist is that when you do it with a desire to be authentic and genuine.”

Offendum’s music is often a form of social commentary reflecting on current or past events. He said sometimes “you need a spoonful of sugar to help the medicine go down” and his music does that.

“I think music speaks to a different dimension in our heart and in our mind. There’s emotion and there’s meaning in music just as much as there are in words,” he explained.

But success did not come easy for the Saudi Arabia-born rapper. Offendum said he faced many challenges as an Arab after moving to Los Angeles.

He recalled an experience where he was offered voice-over work that depicted harmful stereotypes of Arabs.

“My friend was shocked that I rejected a large sum of money but I said of course not. I’m actively trying to use my voice to change the perception of Arabs and Muslims in the media,” he said.

Offendum said he remains full of passion and drive. “The fact that I’m 43 and I’m still doing what I love and I’m excited and passionate about it ... tells me that I’ve made it.”

Although New York holds a special place in Offendum’s heart, he hopes to perform in his birthplace of Saudi Arabia and homeland of Syria.


Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity
Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”