Ismail Kadare: A bright light in Albania’s darkest days

Ismail Kadare: A bright light in Albania’s darkest days
Albanian writer Ismail Kadare stands in the Playfair Library before accepting the inaugural Man Booker International literary prize in Edinburgh, June 27, 2005. (Reuters)
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Updated 01 July 2024
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Ismail Kadare: A bright light in Albania’s darkest days

Ismail Kadare: A bright light in Albania’s darkest days
  • Ismail Kadare: ‘Literature has often produced magnificent works in dark ages as if it was seeking to remedy the misfortune inflicted on people’
  • Kadare was often tipped to win a Nobel prize for his towering body of work which delved into his country’s myths and history

TIRANA: Novelist Ismail Kadare — who has died aged 88 — used his pen as a stealth weapon to survive Albania’s paranoid communist dictator Enver Hoxha.
His sophisticated storytelling — often likened to that of George Orwell or Franz Kafka — used metaphor and irony to reveal the nature of tyranny under Hoxha, who ruled Albania from 1946 until his death in 1985.
“Dark times bring unpleasant but beautiful surprises,” Kadare told AFP.
“Literature has often produced magnificent works in dark ages as if it was seeking to remedy the misfortune inflicted on people,” he said.
He was often tipped to win a Nobel prize for his towering body of work which delved into his country’s myths and history to dissect the mechanisms of totalitarianism.
Kadare’s novels, essays and poems have been translated into more than 40 languages, making him the Balkans’ best-known modern novelist.
The prolific writer broke ranks with isolated Albania’s communists and fled to Paris a few months before the government collapsed in the early 1990s.
He wrote about his disillusionment in his book “The Albanian Spring — The Anatomy of Tyranny.”
Born in Gjirokaster in southern Albania on January 28, 1936, Kadare was inspired by Shakespeare’s “Macbeth” as a child and counted the playwright, as well as Dante and Cervantes, among his heroes.
Ironically, the dictator Hoxha hailed from the same mountain town.
Kadare studied languages and literature in Tirana before attending the Gorky Institute of World Literature in Moscow.
After returning to Albania in 1960, he initially won acclaim as a poet before publishing his first novel “The General of the Dead Army” in 1963, a tragicomic tale that was later translated into dozens of other languages.
His second novel, “The Monster,” about townspeople who live in a permanent state of anxiety and paranoia after a wooden Trojan horse appears outside the town, was banned.
His 1977 novel “The Great Winter,” though somewhat favorable toward the regime, angered Hoxha devotees who deemed it insufficiently laudatory and demanded the “bourgeois” writer’s execution.
Yet while some writers and other artists were imprisoned — or even killed — by the government, Kadare was spared.
Hoxha’s widow Nexhmije said in her memoirs that the Albanian leader, who prided himself on a fondness for literature, saved the internationally acclaimed author several times.
Archives from the Hoxha era show that Kadare was often close to being arrested, and after his poem “Red Pashas” was published in 1975 he was banished to a remote village for more than a year.
Kadare, for his part, denied any special relationship with the brutal dictator.
“Against whom was Enver Hoxha protecting me? Against Enver Hoxha?” Kadare told AFP in 2016.
Academics have often pondered whether Kadare was a darling of Hoxha or a brave author risking prison and death?
“Both are true,” suggested French publisher Francois Maspero, who raised the question in his book “Balkans-Transit.”
Writing such work under a government in which a single word could be turned against its author “requires, above all, determination and courage,” Maspero wrote.
“My work obeyed only the laws of literature, it obeyed no other law,” Kadare said.
In one of his last interviews in October, when he was clearly frail, Kadare told AFP that writing transformed “the hell of communism... into a life force, a force which helped you survive and hold your head up and win out over dictatorship.
“I am so grateful for literature, because it gives me the chance to overcome the impossible.”
In 2005 Kadare won the inaugural Man Booker International Prize for his life’s work. He was described by judge John Carey as “a universal writer in a tradition of storytelling that goes back to Homer.”
A father of two, Kadare told AFP that he enjoyed seeing his name “mentioned among the candidates” for the Nobel prize, even if the topic “embarrasses” him.
“I am not modest because... during the totalitarian regime, modesty was a call to submission. Writers don’t have to bow their heads.”


Hail museums: Treasure troves of history and heritage

Hail museums: Treasure troves of history and heritage
Updated 23 January 2025
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Hail museums: Treasure troves of history and heritage

Hail museums: Treasure troves of history and heritage
  • Samia Suleiman Al-Jabri: Museums play a vital role in preserving heritage, protecting it from extinction, and connecting generations to their civilizational and cultural legacy
  • Al-Jabri: They (museums) provide an information-rich environment that enhances historical and scientific knowledge for both international visitors and tourists

Hail’s museums offer visitors a journey through time, bringing to life the ancient stories of the region’s ancestors.

A number of museums in the city highlight historical ways of life, traditional craftsmanship and an array of archaeological artifacts.

“Museums play a vital role in preserving heritage, protecting it from extinction, and connecting generations to their civilizational and cultural legacy,” Samia Suleiman Al-Jabri, associate professor of modern history at Hail University, told the Saudi Press Agency.

“They provide an information-rich environment that enhances historical and scientific knowledge for both international visitors and tourists, including students, researchers and cultural enthusiasts.

“Moreover, museums are key tourist destinations that promote cultural tourism, offering visitors access to diverse collections of rare heritage artifacts, which in turn significantly boosts the local economy.”

Al-Jabri said that Saudi Arabia’s leadership was committed to enhancing the role of museums nationally, which strengthened national identity by showcasing the Kingdom’s cultural heritage.

The Authenticity Museum is one of the most prominent cultural, heritage and tourist landmarks in Hail.

It features a diverse collection of artifacts and tools that provide insight into the past.

The museum also highlights traditional furniture, from historical majlis (sitting rooms), heritage seating, and intricately hand-crafted cabinets once used in traditional homes.

Ali Bakhrisa, owner of the “Asalah” Museum, said: “Among the most notable items on display are ancient heritage tools, including pottery, cooking implements and hunting gear.

“The museum also showcases a collection of traditional clothing worn by the region’s tribes, featuring men’s garments such as the sadiriyya, dagla, kut and bisht, alongside women’s attire, which is hand-embroidered and woven, including the dagla, sabah, burqas and dara’a once worn by Hail’s women.

“In addition, the museum proudly exhibits a selection of classic cars from various manufacturers.”

The museum, which Bakhrisa said took 20 years to curate through extensive research trips across the Kingdom and beyond, boasts a rich collection of traditional weapons, including swords, daggers and antique rifles.

It also features an exquisite array of traditional jewelry and ornaments, historically worn by women on social occasions and renowned for their authentic heritage designs.

The museum also highlights traditional architecture once common in the region, showcasing distinctive architectural styles and locally sourced building materials.

One of the most renowned museums in Hail is the Found Influence from the Past Museum, housed in a clay structure more than a century old.

Its owner, Khaled Al-Matroud, has carefully transformed this historic home into a museum that showcases a remarkable collection of more than 2,000 artifacts, elegantly arranged across its wings and corridors.

A standout feature is the heritage majlis, known for its soaring ceilings — reaching up to eight meters — and its impressive 15-meter width, reflecting the region’s architectural style.

This majlis was ingeniously designed to adapt to seasonal needs, with distinct shapes for summer and winter.

The museum also preserves the charm of a traditional Hail house, featuring numerous rooms and an open courtyard that facilitates natural ventilation, further enhanced by the lush greenery of palm, orange and lemon trees at its entrance.

Fadi Al-Abdullah, a passionate admirer of historical artifacts, praised these museums for preserving and documenting the intricate details of a past era.

Antar Al-Kilani, an Egyptian resident, views these museums as a gateway to discovering the cultural and historical heritage of the region.


Saudi content creators win big at TikTok Awards in Dubai 

Saudi content creators win big at TikTok Awards in Dubai 
Updated 23 January 2025
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Saudi content creators win big at TikTok Awards in Dubai 

Saudi content creators win big at TikTok Awards in Dubai 

DUBAI: Two Saudi content creators made a mark at the TikTok Awards ceremony on Wednesday.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TikTok MENA (@tiktokmena)

Mohammed Hemex was honored with the Sports Creator of the Year Award, while Emad Ramen earned the title of Food Creator of the Year.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TikTok MENA (@tiktokmena)

The event drew a star-studded crowd, including US-Iraqi entrepreneur and fragrance mogul Mona Kattan, accompanied by her co-stars from Netflix’s “Dubai Bling.” Among them were Ebraheem Alsamadi, who decorated the venue with centerpieces from his brand Forever Rose, Safa Siddiqui, Danya Mohammed, Marwan Al-Awadhi (DJ Bliss), and Jwana Karim. Also in attendance were “Love is Blind Habibi” stars Mohammed AlKiswani and Nour El-Hajj.

The Creator of the Year award was presented to Yara Aziz. (AN/ Mohammed Fawzy) 

The Creator of the Year award was presented to Yara Aziz. Ahead of her win, Aziz, who boasts 6.5 million TikTok followers, told Arab News: “I started everything on TikTok. It’s been five years now, and this is my first award ever with them. I am nervous, I am excited, I am happy, I am content and I am grateful.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TikTok MENA (@tiktokmena)

Originally a medical student, the TikToker attended the event wearing a dress handmade by her grandmother, a process she documented on TikTok for her followers. 

Reflecting on the experience, Aziz described the process as “extremely stressful.” She explained, “Honestly, it was stressful for my grandma, she felt like she was under pressure to make something quick and fast. But honestly, it turned out perfect.”

Before the announcement, Aziz mentioned that winning this award would mark the most memorable moment of her social media career — and it did.

The night included performances by Haitian-French artist Naika, known for the viral hit “Sauce,” and Egyptian rapper Marwan Moussa, a TikTok favorite, who thrilled the audience with tracks such as “Tesla,” “Batal Alam” and “Hob Khenaa,” joined by co-singer Nourine Abouseada for the latter.

Egyptian rapper Marwan Moussa thrilled the audience with tracks such as “Tesla,” “Batal Alam” and “Hob Khenaa.” (AN/ Mohammed Fawzy) 

The night celebrated other talents including Syrian Canadian Osama Marwah, who won the Video of the Year, while Egyptian singer Tul8te was named Breakthrough Artist of the Year. Lebanese chef Abir El Saghir received the Visionary Content Award, Abdullah Annan was honored as Changemaker of the Year, Shihab Al-Hashemy won Education Creator of the Year, and Nouran El-Sayed took home the Fashion & Beauty Creator of the Year award.


Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity
Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”


Italian sculptress Arianna Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

Italian sculptress Arianna Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 
Updated 23 January 2025
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Italian sculptress Arianna Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

Italian sculptress Arianna Palmieri contemplates world’s cyclicity at Tuwaiq Sculpture 

RIYADH: With the theme “Then and Now: Joy in the Struggle of Making,” the sixth edition of the Tuwaiq Sculpture symposium has brought together 30 sculpture artists from around the world.

Among them is Italian artist Arianna Palmieri, whose piece “Motion of Revolution” was inspired by the movement of the solar system around the sun. Depicting the inevitable cycles of birth and death, the work contemplates the notion that birth is conditioned by assured fatality. 

Adriana Palmieri at her Tuwaiq Sculpture symposium booth. (Instagram)

“It’s all about the circularity of life — you are born, you are a child, then you are an adolescent, then you grow older, and then you die. But your life will continue after this, and we give life to other things. So it’s more about how everything is connected and a circularity of life; as humans move within the planets, the planets are moving around the sun,” Palmieri told Arab News. 

Originally from Milan, Palmieri moved to Carrara, a town known worldwide for its white marble, to study sculpting. She graduated in 2023 and the 26-year-old is one of the youngest artists amongst the group at the symposium.

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@palmieri.sculpture)

 

She says it is an opportunity to learn and grow as an artist. 

“It’s like a dream. I didn't think they would choose me because I am so young,” she said. “The last edition was more about people that had experience. This edition, they tried to concentrate more (on) the artwork and the background of the artist,” she said. 

The finished works will be exhibited from Feb. 12-24 and moved to various locations across the city as part of Riyadh Art’s initiative to beautify the capital.

“Public art is the main thing that our sculptures can achieve because you can do big stuff and they will be like a journal in some way. I’m really, really happy that I can do something so big that will stay there so much longer than me,” she said. 

 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by (@palmieri.sculpture)

 

Palmieri’s work is not merely a reflection of planetary movement but contemplates the existence of the human race and its role within a larger picture. Her work itself is a representation of this thought: As every human diminishes, remnants of them and their work on earth will be set in stone — waiting to be discovered by another. 

“I thought about nature a lot, and all of humanity. I hope at least that my art can get through this idea, to connect all the people,” she said.


Ian McDiarmid, Hideo Ishikawa to headline Middle East Film & Comic Con 2025

Ian McDiarmid, Hideo Ishikawa to headline Middle East Film & Comic Con 2025
Updated 18 January 2025
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Ian McDiarmid, Hideo Ishikawa to headline Middle East Film & Comic Con 2025

Ian McDiarmid, Hideo Ishikawa to headline Middle East Film & Comic Con 2025

DUBAI: Scottish actor and director Ian McDiarmid, known for his portrayal of Emperor Palpatine in the “Star Wars” saga, has been announced as the first confirmed celebrity guest for the Middle East Film & Comic Con (MEFCC) 2025.

The region’s largest pop culture event will take place from April 18 to 20, 2025, at the Abu Dhabi National Exhibition Centre (ADNEC).

In addition to his role as the “Star Wars” saga, McDiarmid is also known for his performances in films such as “Sleepy Hollow” and “Dirty Rotten Scoundrels,” as well as his extensive work in theater, including his Olivier Award-winning role in “Faith Healer.”

Anime fans are also in for a treat with the announcement of Japan’s leading voice actor, Hideo Ishikawa, best known as the voice of Itachi Uchiha from “Naruto.”

His notable roles include Toyotomi Hideyoshi in “Samurai Warriors,” Kyo-ya Onizuka in “Aesthetica of a Rogue Hero,” Ray Penber and Hideki Ide in “Death Note,” and Squall Leonhart, Auron, and Cait Sith in the “Final Fantasy” series.

Loy Pinheiro, show director of MEFCC said in a statement: “MEFCC 2025 is set to be our most diverse and engaging event yet. From casual fans to devoted collectors, we’ve created an experience that celebrates every aspect of pop culture with something for everyone.”

The event is organized in partnership with the Department of Culture and Tourism in Abu Dhabi.