Asteri Beauty, the Saudi brand inspired by sisterhood  

Asteri Beauty, the Saudi brand inspired by sisterhood  
Saudi entrepreneur Sara Al-Rashed says Asteri is deeply rooted in the bond she shares with her two older sisters. (Supplied)
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Updated 04 July 2024
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Asteri Beauty, the Saudi brand inspired by sisterhood  

Asteri Beauty, the Saudi brand inspired by sisterhood  

DUBAI: Asteri Beauty is one of the fastest-growing brands in the Middle East. Its founder, Saudi entrepreneur Sara Al-Rashed, says Asteri is deeply rooted in the bond she shares with her two older sisters. When they were growing up, makeup was more than just a way of enhancing beauty — it was a way of expressing individuality.  

“Before going to any event, I always passed by their rooms to make sure that I looked good or check if my makeup needed any fixing,” she said. “We always get ready together when we have a big event such as family weddings. We’ll get ready in the same space with a professional team doing our hair and makeup, and whenever any of us is done we ask the others’ opinions and share our input and change or fix the look.”  

Shopping for cosmetics together and experimenting with new products was a cherished activity for the sisters, particularly on their holidays to the south of France. “On our travels, we always dedicated a day to shop for makeup and perfumes,” Al-Rashed told Arab News, adding that one of her fondest makeup memories was being glammed up by a professional team for her sister’s wedding. “It was such a treat,” she recalled. 

But it’s not just makeup advice that Al-Rashed looks for from her sisters.  

“Our relationship is very close; we’re not just sisters but best friends,” she said. “We spend a lot of time together inside and outside of work environments. Friends always make fun of us because we’re always together. Our favorite getaway is to travel and go to the beach to switch off.  

“I consider my sisters my mentors — I always seek their advice when I feel stuck somewhere. We always push and support each other when things get difficult,” she continued. “We’re all different, so when one of us faces a difficulty, the others always support and give advice.”  

After working in the UK as an interior architect, Al-Rashed returned to Saudi Arabia, where she ran the creative and design team at an events company the sisters had founded. But she had a vision for her own venture, even if that meant taking the tough decision to split up their professional partnership. 

Fortunately, though, she says her sisters remained “very supportive” of her decision to pursue her passion.  

“They helped me by mentoring me and guiding me through the difficult moments I had,” she said. “It’s crucial to have a support system every step of the way. The most critical step for me was the moment I launched the brand. It was a scary moment to show people what I had been working on for two years.”  

Her sisters are not the only family members to have inspired her, either. Al-Rashed spoke fondly of her father’s influence on her personality.  

“He always inspired me with how hard he works and how dedicated he is. His commitment to work, no matter the circumstances, taught us the importance of commitment to our duties,” she said. 

It took Al-Rashed three years to bring her idea to market. Asteri Beauty hit the market in May 2023. Its products — made in Italy, Germany and Korea — are billed as vegan and cruelty-free and formulated without potentially harmful ingredients like mineral oils, microplastics, talc, parabens, and sulfates, she said. 

But the major selling point of Al-Rashed’s products is that they are “desert-proof” — meaning they are specifically formulated to handle the region’s tricky climate, from high winds and excessive humidity to air-conditioning and ultra-dry heat.  

Al-Rashed launched Asteri with a selection of more than 20 products — an unusual approach for a startup in the cosmetics industry. These initial offerings included bronzer, concealer, highlighter, eyeliner, lip balm, lipstick, lip gloss, lip liner, eyeshadow, mascara, kohl, brow gel, and blush, as well as tools such as eyelash combs and makeup pouches. 

In the relatively short time since its launch, Asteri’s products have expanded to include tinted serums, foundations, concealers, color correctors, creamy blushes, blotting papers, tote bags and more. 

“We have a great team dedicated to product development. Development takes a lot of time, so launching a product means that we have been working on it for 18 to 24 months beforehand,” Al-Rashed explained.  

That time includes an intensive testing period during which Al-Rashed’s sisters, among others, review each new product and help her revise it, before laboratory testing ensures its stability. 

“After going through all of that we work on the design and the name, then we start manufacturing,” Al-Rashed explained. “The development process is very complicated; it includes a lot of different stakeholders — from formulators to packaging and manufacturers. We make sure that with each product we give it as much time as possible to make sure the quality is perfect and that we love the product.” 

Asteri’s Saudi heritage shines through in the little details. The juicy pomegranate flavor of Sweet Oasis Lip Gloss — a subtle nod to one of the region’s best-loved fruits. Throughout the Asteri Beauty collection, there are also shades and names inspired by the desert’s landscape and wildlife.  

Al-Rashed’s powder products, including the bronzer and highlighter, incorporate Arabic calligraphy into their designs. The phrase “Sisters under the stars” (in Arabic) is stamped into pressed powders and adorns packaging and accessories.  

“We aim for the best. I’m proud of what we achieved as a team so far, but I aim for more,” Al-Rashed said. “We’re aiming to open more stores and be more available for our customers, building more brand awareness locally and regionally. 

“We have received a lot of good reviews, thankfully; customers have expressed a lot of pride that the brand is Saudi. Our customers love our products and enjoy their experience in our stores,” she continued. 

Her ultimate goal is for Asteri to be “a global brand and to be the leaders in A-beauty on the global stage,” she said. “We hope to be viewed as on par with the international luxury brands available in stores all over the world.” 


Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial

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Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial

Man charged in 2020 killing of rapper Pop Smoke pleads guilty to manslaughter to avoid trial
Corey Walker, 24, pleaded guilty Wednesday to voluntary manslaughter
He was accused of leading the group to the rented mansion where the 20-year-old New York rapper Pop Smoke was killed

LOS ANGELES: A man charged in the 2020 killing of rapper Pop Smoke during a robbery at a Hollywood Hills mansion accepted a plea deal, averting a trial on a murder charge that was to have started Thursday.
Corey Walker, 24, pleaded guilty Wednesday to voluntary manslaughter and two counts of robbery in exchange for a sentence of 29 years in prison, which he will receive at a later hearing.
He was the only adult charged in the case along with three who were juveniles at the time of the crime, including a then-15-year-old gunman. All have already reached separate deals.
An email sent to Walker’s lawyers seeking comment was not immediately answered.
He was accused of leading the group to the rented mansion where the 20-year-old New York rapper Pop Smoke, whose legal name was Bashar Barakah Jackson, was killed on Feb. 19, 2020, during what was to be a four-day trip to Los Angeles. A 911 call from a friend of someone in the house reported armed intruders inside, police said.
The robbers knew the address because a day earlier, Pop Smoke had posted a photograph on social media of a gift bag he had received and the address was on a label, authorities said.
The rapper was in the shower when masked robbers confronted him. During a struggle, the 15-year-old, pistol-whipped him and shot him three times in the back, according to court testimony.
The attackers stole his diamond-studded Rolex watch and sold it for $2,000, a detective testified.
Born and raised in Brooklyn, Pop Smoke arrived on the hip-hop scene in 2018 and broke out with “Welcome to the Party” an anthem with boasts about shootings, killings and drugs that became a huge sensation, and prompted Nicki Minaj to drop a verse on a remix.
He had several other hits, including the album “Shoot for the Stars Aim for the Moon,” which was released posthumously.


Pop Smoke was killed during a Los Angeles home-invasion robbery on Feb. 19, 2020. (AFP/File)

Is Azian Hauz really the best Thai in Riyadh?

Is Azian Hauz really the best Thai in Riyadh?
Updated 10 min 23 sec ago
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Is Azian Hauz really the best Thai in Riyadh?

Is Azian Hauz really the best Thai in Riyadh?

Any restaurant claiming to provide the “best Thai food in Riyadh” should be ready to stand up to comparison.

Plucky The Villa, hyped-up Thai Soi, and well-loved Baan Thai are some contenders that might take issue with the declaration.

But Azian Hauz, whose social media accounts are emblazoned with the assertion of being No. 1, might turn out to be worthy competition.

A fairly unassuming exterior in the city’s Yarmuk district gives way to an airy, bright interior replete with what feels like a forest of admittedly artificial greenery.

While the service cannot be faulted, the uninspiring chicken satay did not get us off on the right foot.  

The skewered meat lacked panache and the sauce was thinner than I would have preferred.

At the same time, our lumpia rolls delivered several satisfying crunches of flavor.

For the main course, a red curry lamb shank emerged, a delectable Thai take on a slow-cooked favorite.

But the absolute standout was my companion’s beef sisig. Admittedly not a Thai dish, this incredible concoction of Filipino origin alone makes the restaurant a must-visit.

The salty, sizzling, umami-laden plate was made complete tableside by an egg freshly cracked and stirred into the liver, steak and onions to create an almost transcendent course.

This was capped off by an obligatory round of mango sticky rice, which delivered everything that could be asked of it.

So, does Azian Hauz live up to its bold claim to serve the best Thai food in Riyadh?

I think more culinary research is required before a conclusion is drawn.

Nonetheless, the restaurant is a solid all-round choice with some outstanding areas and I would not hesitate to recommend it.
 


A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra
Updated 06 February 2025
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A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra

A timeless tribute: Celebrating Mohammed Abdul Wahab at Ithra
  • Event promises a masterful blend of classical and contemporary arrangements, breathing new life into Abdul Wahab’s most iconic compositions
  • Concert includes Amal Hayati, a song immortalized by the legendary Umm Kalthoum in 1965 with lyrics by Ahmed Shafeek Kamel

DHAHRAN: The King Abdulaziz Center for World Culture, or Ithra, is honoring the legendary composer and singer Mohammed Abdul Wahab with a multi-day grand musical event, “Abdul Wahab: A Tribute to a Legend.”

The first show was held on Wednesday evening and will be performed live nightly until Feb. 8 at the Ithra Theater.

With a career spanning more than six decades, the Egyptian icon famously bridged the authenticity and rich heritage of Arabic music for generations — decades after his death.

Under the direction of Maestro Hisham Gabr, the event promises a masterful blend of classical and contemporary arrangements, breathing new life into Abdul Wahab’s most iconic compositions.

Archival footage played on a screen as the musicians performed live.

The performance featured a selection of Abdul Wahab’s timeless works, including “Khayef Aool Elly Fe Alby,” a 1929 classic with lyrics by Ahmed Abdel Mageed, originally performed by the composer himself. Another beloved piece, “Ya Mesafer Wahdak,” first performed in 1942 with lyrics by Hussein Elsayed, was also brought to the stage.

The concert includes “Amal Hayati,” a song immortalized by the legendary Umm Kalthoum in 1965 with lyrics by Ahmed Shafeek Kamel. The poetic masterpiece “Aghadan Alqak,” written by Alhady Adam and performed by Umm Kalthoum in 1971, further highlights Abdul Wahab’s remarkable ability to compose for the greatest voices of his time. A lighter, yet equally memorable piece, originally performed by Fouad Al-Mohandes in 1966 with lyrics by Hussein El-Sayed, adds a touch of charm to the evening’s repertoire.

The audience was treated to three Egyptian soloists; Mohamed Shatta, Ahmed Nasser and Hanan Essam, who came together for the grand finale song which got the entire crowd on their feet.

They ended with the romantic ballad “Ahwak,” made famous by Abdelhalim Hafez in the late 1950s, and which showcases the deep emotional resonance of Abdul Wahab’s compositions.

“I was singing along — we love Abdul Wahab. I always enjoyed his music,” attendee Amira Kashgary told Arab News after the show.

“I really enjoyed tonight’s concert because it was an opportunity to see Abdul Wahab, who represents an icon in Arabic culture, Arabic music. I grew up with his music. He is a musician for all generations.

“The performance was great, excellent in so many ways. The orchestra was fantastic,” she said.

“Ithra is really a cultural establishment that nourishes our souls and minds, and bodies as well,” she added.


Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series

Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series
Updated 06 February 2025
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Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series

Jennifer Lopez to perform in Abu Dhabi as part of Saadiyat Nights concert series

DUBAI: US singing sensation Jennifer Lopez has been announced as the latest addition to the lineup of performers for Saadiyat Nights.

The global superstar is set to take the stage in the UAE capital on Feb. 20.

 

 

Fans can look forward to chart-topping tracks such as “If You Had My Love,” “Jenny From The Block,” “Love Don’t Cost A Thing” and “On The Floor.”

Fresh off her critically acclaimed Sundance world premiere of “Kiss of The Spider Woman,” Lopez is joining a star-studded lineup for the second edition of Saadiyat Nights, including Robbie Williams, Michael Buble, and Boyz II Men, with much-anticipated performances still to come from Christina Aguilera on Feb. 15, Gwen Stefani on Feb. 21 and Lionel Richie on Feb. 22.

 

 


Hammer time: Highlights from the Kingdom’s first international auction 

Hammer time: Highlights from the Kingdom’s first international auction 
Refik Anadol, Machine Hallucinations Mars (Infinite AI Data Painting), 2021 (estimate $800,000-1,200,000) - in situ
Updated 06 February 2025
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Hammer time: Highlights from the Kingdom’s first international auction 

Hammer time: Highlights from the Kingdom’s first international auction 
  • From local legends to international icons, Sotheby’s Feb. 8 sale is packed with classics 

RIYADH: On Feb. 8, the auction house Sotheby’s will host “Origins” in Riyadh. The sale is billed as “the first international auction in Saudi Arabia’s history.” Many of the lots have already been on display in the accompanying week-long exhibition in Diriyah’s Bujairi Terrace, which ends tomorrow. 

Here, Ashkan Baghestani, Sotheby’s head of contemporary day sale, contemporary art, New York and Middle East, talks us through some of the highlights from the artworks up for sale in “Origins.” 

Abdulhalim Radwi 

‘Untitled’ 

He played a crucial role in the development of Saudi modernism, alongside Mohammed Alsaleem and a few others. He was actually one of the first artists to be sent abroad by the Kingdom to study in Europe, and he’s one of the rare artists who blends European traditions like cubism and expressionism with Saudi traditions. Personally, he’s one of my favorite Saudi modernists — maybe because of his European influences. This particular work hasn’t actually been seen since the Eighties. It was acquired directly by the current owner from the artist himself. We selected this one from a few others we were offered because we felt it really described Saudi culture and the color palette is quite rare for Radwi. You see a lot of his work with blue hues or green tones, but rarely with red.  

Abdulhalim Radwi, Untitled (estimate $150,000-200,000). (Supplied)

Monir Farmanfarmaian 

‘Variations of Hexagon’ 

No one created works like Monir — blending Western abstraction with Persian traditions — she’s so distinctively unique; a lot of her practice and technique was very much informed by traditional Persian craftsmanship that you would find in mosques and palaces from the Safavid era up to the Qajar era. The specific technique is called aina-kari, which is mirror work. So she brought some of these sophisticated American techniques of construction and building and architecture and sculpture into traditional Persian craftsmanship with mirror works like this one.  

Monir Farmanfarmaian, Variations of Hexagon, 2008 (estimate $120,000-180,000). (Supplied)

René Magritte 

‘L’État de Veille’ 

Magritte may be the most celebrated European surrealist of all. He’s broken records season after season. He’s of Belgium origin. He died in 1967. This work is from 1958, so later in his career, but very much informed by his most iconic motifs — the architectural blend with the environment. This is a gouache that depicts the bright blue skies dotted with cottony clouds, and what seem very close to old Belgian facades. And there’s always this idea of trompe l’oeil with Magritte, where you’re not really sure what you’re looking at or when you’re looking at it.  

René Magritte, L'État de veille (estimate $1,000,000-1,500,000). (Supplied)

Refik Anadol 

‘Machine Hallucinations: Mars’ 

Anadol embraces new technology, but his works are deeply human-centric, exploring emotions and the interplay between people and their environments. “Machine Hallucinations” is his best-known body of work. He collaborated with NASA, feeding millions of pictures from satellites and spacecraft of deep space into an algorithm which generated these images that are constantly morphing and transcend any understanding of what we’re seeing. They’re extremely abstract. They’re also very spiritual. They’re constantly in flux. This one is blends images from the International Space Station, the Hubble Telescope, and the Mars Reconnaissance Orbiter. One of the reasons I really wanted a digital artwork is that I thought it was a perfect nod to a country that’s heavily invested not only in many forms of traditional art but also in the art of the future.  

Refik Anadol, Machine Hallucinations Mars (Infinite AI Data Painting), 2021 (estimate $800,000-1,200,000) - in situ. (Supplied)

Louay Kayyali 

‘Then What ??’ 

This is probably the most important iconic Arab modern work ever to come to auction. It’s a very important moment for us and for the market. Kayyali is regarded as one of the most socialist artists in the region, alongside Mahmoud Sabri, and he was really committed to representing ‘normal people.’ He was deeply angered and moved by the Naqba — the exile of the Palestinians — and the title of this painting asks: After the exile, what is left? There’s real psychological depth and a real division in the canvas. On the left, looking at the past, and on the right looking towards God and the future.  

Louay Kayyali, Then What__, 1965 (estimate $500,000-700,000). (Supplied)

Asim Abu Shakra 

‘Untitled’ 

Abu Shakra died aged 28. He painted a cactus most of his life, and his works are always in these earthy colors — greens, browns, gray. They have a certain nostalgic tone to them. And the brush strokes are sudden, they’re very spontaneous. They sort of sit in nothingness.  Abu Shakra was living in Israel as an Arab artist, so there’s this analogy of a cactus surviving in arid conditions in the desert, without much help. It doesn’t need a lot of water. It has the needles to protect it from exterior harm. It’s a symbol for dislocation and endurance but also a deeply personal reckoning with the artist’s own mortality. The cactus offered hope because some actually produce flowers when they’re about to die, which is a beautiful analogy.  

Asim Abu Shakra, Untitled (est. $60,000-80,000). (Supplied)

Fernando Botero 

‘Society Woman’ 

Botero has transcended every generational guideline and every geographical region; he speaks to such a wide audience. His works became iconic in the Nineties. They are easy and playful, but they’re also serious paintings. Botero anchors himself in the tradition of Old Master paintings, but gives them a twist: most of his paintings and sculptures are always a bit inflated. And regardless of the size and the scale, they have an elegant, commanding posture. He showed that even if you’re voluptuous, you can have grace, femininity, confidence and celebrate your fullness. He often highlights the contrast between the soft sensuality of the body and the sculptural qualities of the human form. He really reconsidered conventional ideals of beauty and proportion.  

Fernando Botero, Society Woman (estimate $800,000-1,200,000). (Supplied)