Red Sea Film Foundation movies to light up Venice Film Festival

Update Red Sea Film Foundation movies to light up Venice Film Festival
Shivani Pandya, managing director, left, Jomana Alrashid, chairwoman of the Red Sea Film Foundation, Mohammed Asseri, CEO, and producer Mohammed Al-Turki, right. (Instagram)
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Updated 30 August 2024
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Red Sea Film Foundation movies to light up Venice Film Festival

Red Sea Film Foundation movies to light up Venice Film Festival
  • 4 Red Sea Fund-supported films to screen at Venice festival
  • Fund backed over 250 movie projects in Mideast, Africa, Asia

VENICE: The Red Sea Film Foundation will light up this year’s Venice Film Festival with four Red Sea Fund-supported productions selected for screening.

The RSFF-backed films “Aïcha” and “Seeking Haven for Mr. Rambo” will screen in the Orizzonti and Orizzonti Extra selections respectively.

This is alongside two titles in the Venice Production Bridge’s Final Cut initiative supported by the Red Sea Fund: “Aisha Can’t Fly Away Anymore” and “In This Darkness I See You.”

Also screening in Venice’s Giornate degli Autori sidebar are two films supported by the Red Sea Fund: Hind Meddeb’s documentary “Sudan, Remember Us,” and from Northeast Asia “To Kill a Mongolian Horse” by Chinese director Xiaoxuan Jiang.

Mehdi Barsaoui’s “Aïcha” is a Tunisian drama feature which won a Red Sea Souk development prize at the 2021 edition of the Red Sea International Film Festival and will now screen in the prestigious Orizzonti section.

The production, “Seeking Haven for Mr. Rambo,” is a drama feature by Egyptian director Khaled Mansour that was selected for the Red Sea Lodge development program in 2021.

It gained support from the Red Sea Fund in 2023 and premieres in the Orizzonti Extra section — marking the return of Egyptian cinema to the festival after a decade-long hiatus.

For the third consecutive year, the RSFF is partnering with the Final Cut program in Venice, offering a €5,000 prize ($5.538) for a winning film in its post-production phase.

The projects supported through the Final Cut program are Egyptian director Morad Mostafa’s “Aisha Can’t Fly Away Anymore,” which won a Red Sea Souk Production Award in 2022 at the Red Sea International Film Festival; and the Lebanese thriller “In This Darkness I See You,” directed by Nadim Tabet.

The RSFF will be continuing its support of the Venice Film Festival amfAR Gala as the presenting sponsor for the fourth consecutive year.




Jomana Alrashid, Chairwoman of the Red Sea Film Foundation and Giuseppe Tornatore, Red Sea International Film Festival 21 jury president. (Instagram)

Jomana Al-Rashid, chairwoman of the RSFF, will chair the gala.

Among the industry leaders and celebrities expected to attend are Achille Boroli, Willem Dafoe, Matteo Fantacchiotti, Alejandra Gere, Andrei Gillott, Harry Goodwins, T. Ryan Greenawalt and Lucien Laviscount.

In addition, Julian Lennon, Tony Mancilla, Kevin Mcclatchy, Catherine O’Hara, Vin Roberti, Caroline Scheufele, David Tait, Emir Uryar and Jon Watts will be present.

Al-Rashid said: “This year in Venice, the Foundation is supporting four films that demonstrate the importance and power of Arab, Asian and African cinema and encapsulate the pillars of the Foundation — creativity, diversity and cultural exchange.

“We’re honored to have played a part in their journey to the festival, as well as to be continuing our partnership with the influential Final Cut program with two incredible projects from talented filmmakers from across the region.

“At this year’s festival we are also notably underscoring our expansion to Asia with our support of Chinese director Xiaoxuan Jiang, which marks our first project from the country.”

The Final Cut in Venice program has been providing support since 2013 for films from African countries. It has also backed productions from five Middle East nations: Iraq, Jordan, Lebanon, Palestine and Syria.

This is one of the projects launched by the Venice Production Bridge of the 81st Venice International Film Festival, which runs from Aug. 28 to Sept. 7, directed by Alberto Barbera and organized by La Biennale di Venezia.

The program offers the opportunity to present films still in the production phase to international professionals, in order to facilitate post-production and market access.

The program consists of three days of activities (Sept. 1 to 3) on the Venice Lido, in which the working copies of a maximum of four selected films are presented to producers, buyers, distributors and festival programmers.

The Red Sea Film Foundation is a contributing partner in the initiative.

Since its inception in 2021, the Red Sea Fund has backed more than 250 film projects across the Arab world, Africa and Asia, while also spearheading numerous initiatives aimed at enhancing storytelling and filmmaking in the region.

The third edition of the Red Sea International Film Festival will run in Jeddah from Dec. 5 to 14.


MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence

MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence
Updated 29 January 2025
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MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence

MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence

ABU DHABI: MENA’s 50 Best Restaurants awards returned to Abu Dhabi for its 2025 edition on Tuesday night, celebrating the finest dining establishments across the Middle East and North Africa. The event, held at Erth Abu Dhabi, brought together the region’s most acclaimed chefs, restaurateurs, and industry experts for a night that highlighted innovation, craftsmanship, and cultural heritage in gastronomy.

The No.1 spot was awarded to Orfali Bros Bistro (Dubai) for the third consecutive year, recognizing its bold reinterpretation of Middle Eastern flavors with global techniques. The list featured restaurants from 11 cities, showcasing the diversity of culinary experiences across the region, from fine-dining institutions in Dubai and Cairo to rising stars in Riyadh, Beirut, and Amman.

The No.1 spot was awarded to Orfali Bros Bistro (Dubai) for the third consecutive year. (Supplied)

The United Arab Emirates led the rankings with 22 restaurants, followed by Egypt (7), Jordan (6), Saudi Arabia (5), and Morocco (5).

Marble: A journey from pop-up to culinary excellence

Founded in 2018, No. 16 on the list was Marble, which started as a humble pop-up on Prince Turki Road before evolving into one of Riyadh’s most sought-after dining destinations. The restaurant’s focus on high-quality meats, expert butchery, and open-flame cooking has cemented its reputation among steak lovers and food critics alike. It was the highest ranking restaurant in Saudi Arabia. 

Aseeb. (Supplied)

The restaurant is led by Chef Abdulrahman Al-Sowailem, along with CEO Meshal Al-Akeel and Creative Director Omar Al-Dayel, who have played pivotal roles in shaping Marble’s identity and culinary direction. 

Speaking to Arab News, Chef Abdulrahman Al-Sowailem expressed his pride in the achievement, “We are proud that Marble is the number one restaurant in Saudi Arabia, and we are delighted to see Saudi restaurants being recognized among the top 50 in the Middle East and North Africa.”

Lunchroom. (Supplied)

Al-Sowailem, known for his meticulous approach to meat selection and minimal seasoning techniques, credits Saudi Arabia’s evolving culinary landscape for creating opportunities for innovation.

“The influx of international restaurants has improved ingredient availability in Saudi Arabia, allowing us to source better products and refine our offerings,” he said.

Myazu. (Supplied)

Marble’s menu blends classic butchery with subtle nods to Saudi flavors, featuring Saudi coffee gelato and fried dates as part of its evolving lineup. Al-Sowailem also hinted at plans to further explore traditional Saudi cuisine in an elevated, modern context.

Kuuru. (Supplied)

In addition to Marble, four other Saudi restaurants were named on the list:
•    Kuuru (Jeddah) – No. 30: A contemporary fine-dining concept that fuses global culinary techniques with Saudi ingredients.
•    Lunch Room (Riyadh) – No. 31: A modern dining space blending casual elegance with high-end gastronomy.
•    Aseeb (Riyadh) – No. 39: A new entry to the list, offering a creative interpretation of traditional Saudi dishes with a modern twist.
•    Myazu (Riyadh) – No. 49: A high-end Japanese restaurant known for its refined take on traditional Japanese flavors, incorporating Saudi influences.

Marble. (Supplied)

The top 10 restaurants of MENA’s 50 Best 2025 list represent a mix of heritage, innovation, and global influence:
1.    Orfali Bros Bistro – Dubai (Best Restaurant in MENA)
2.    Trèsind Studio – Dubai
3.    Kinoya – Dubai
4.    Khufu’s – Cairo (Best Restaurant in Egypt)
5.    Ossiano – Dubai (Art of Hospitality Award)
6.    Fusions by Tala – Manama (Best Restaurant in Bahrain)
7.    Jun’s – Dubai
8.    Shams El Balad – Amman (Best Restaurant in Jordan)
9.    Em Sherif – Beirut (Best Restaurant in Lebanon)
10.    Moonrise – Dubai


Loli Bahia opens star-studded Chanel show in Paris

Loli Bahia opens star-studded Chanel show in Paris
Updated 29 January 2025
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Loli Bahia opens star-studded Chanel show in Paris

Loli Bahia opens star-studded Chanel show in Paris

DUBAI: French Algerian model Loli Bahia opened Chanel’s runway show during Paris Haute Couture Week in an ensemble that combined the house’s signature tweed with pastel quilting. 

The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. The jacket was detailed with front pockets and Chanel’s signature buttons.

The in-demand model also wore a white tweed mini skirt, paired with a slim black belt featuring a gold buckle. The outfit was completed with two-tone Mary Jane heels in black and white, secured with gold buckle-adorned ankle straps.

The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. (Getty Images)

Bahia was joined by Mona Tougaard, a Danish model of Turkish, Somali and Ethiopian descent, who walked the runway in a white gown with layered textures and embellishments.

The sleeveless dress featured a beaded trim along the neckline and transitioned into a flowing sheer skirt with subtle embellishments. Her hair was styled in soft waves, and she showed off a deep red lip color.

Mona Tougaard walked the runway in a white gown with layered textures and embellishments. (Getty Images)

Other runway pieces struck a balance between whimsy and drama. Beyond the house’s bread-and-butter tweed skirt suits, leg-of-mutton sleeves brought historical grandeur, evoking a sense of Victorian elegance. Sequins and paillettes shimmered under the bright lights of the Grand Palais, the iconic Parisian museum. Silk trains in bold red injected a sense of drama. Playful neckties hinted at a 1970s influence.

But the devil at Chanel couture is in the detail — the buttons. 

Buttons in rock crystal, metal, and rhinestone ones adorned jackets, skirts, and dresses, adding a quiet brilliance to the vibrant collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by CHANEL (@chanelofficial)

The audience was a testament to Chanel’s unmatched global power, boasting one of the most prestigious guestlists of the week — and not just Kylie Jenner perched atop the double-C decor. Global ambassadors Jennie, the K-pop superstar from BLACKPINK, G-Dragon and Lily-Rose Depp sat alongside Dua Lipa, Marion Cotillard and actresses Elsa Zylberstein and Antonia Desplat.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jwana Karim (@jwanagram)

Among the star-studded crowd, Pamela Anderson, who has been seen at shows all week was flanked by teams of menacing security guards.

From the Arab world, Iraqi influencer Jwana Karim, known for her appearance in season three of Netflix’s “Dubai Bling,” was also in attendance.


Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’

Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’
Updated 29 January 2025
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Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’

Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’

DUBAI: Set to run until Feb. 22, Dubai’s ICD Brookfield Place is playing host to an exhibition that explores the sense of wonder that accompanies being in awe.

“The Sublime Nature of Being” is curated by Ambika Hinduja Macker, who brought together the work of 15 international artists to lead visitors on a journey through moments of awe and reverence inspired by the grandeur of nature.

“The sublime is an overwhelming sense of wonder, a feeling that transcends words and logic, pulling us into a moment of pure awe and connection. It’s what happens when we encounter something so profound, so vast, that it stirs both our soul and our senses, leaving us simultaneously humbled and uplifted. ‘The Sublime Nature of Being’ is my attempt to offer a tangible glimpse of this elusive feeling,” Macker told Arab News.

Is it a reimagining of her 2022 immersive art experience of the same name and the curator — who is the founder and creative director of art and design firm Impeccable Imagination — describes the experience as an alchemic sonic environment, one that “blends ancient techniques of sound healing with cutting-edge technologies to create an immersive soundscape rooted in reflection and renewal.”

Specially commissioned artists include US contemporary artist Jacob Hashimoto, French designer Mathieu Lehanneur, Belgian sculptor and contemporary artist Fred Eerdekensm Lebanese multi-disciplinary artist Nadim Karam and Brazilian artist Janaina Mello, among others.

“As a curator, my role is to weave these diverse expressions into a cohesive yet ephemeral narrative, creating an environment where materials, mediums, and artistic visions engage in dialogue with one another,” Macker explained.

The exhibition features a celebration of the five elements — “water, fire, earth, air, and spirit permeate the venue, each with its own curated space and featured works, all within a larger, interconnected environment,” the curator noted.

Works include several sculptures by Lebanese artist Karam, including “Silent Thinker” (2024), a polished stainless steel piece.

“(Karam) has developed a distinctive artistic language rooted in memory, space, and collective identity,” Macker explained. “His work embodies profound, ongoing reflections on societal diversity and pressing global issues, yet he seamlessly juxtaposes these important themes with playful, even absurdist, touches.”

A short walk away is “The Aquifer” (2024) by Hashimoto, a wall-hanging work featuring bamboo, acrylic, paper, wood and dacron.

Colourful, pattern-printed discs are suspended by wire between pegs in the mesmerizing work that is just one of the many emotive pieces on show.

Despite the effort involved in bringing together 15 artists, Macker says the most challenging aspect of bringing “The Sublime Nature of Being” to fruition “was transforming a vibrant public hub without disrupting its accessibility or the daily rhythms of those who frequent it.”


Jordanian royal couple reunite with Brunei royals in London

Jordan’s Prince Hussein and his wife, Princess Rajwa, are pictured in London with Brunei’s Prince Abdul Mateen and his wife.
Jordan’s Prince Hussein and his wife, Princess Rajwa, are pictured in London with Brunei’s Prince Abdul Mateen and his wife.
Updated 29 January 2025
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Jordanian royal couple reunite with Brunei royals in London

Jordan’s Prince Hussein and his wife, Princess Rajwa, are pictured in London with Brunei’s Prince Abdul Mateen and his wife.

LONDON: Jordan’s Crown Prince Hussein bin Abdullah II and Princess Rajwa Al-Hussein had a heartwarming reunion with longtime friends Prince of Brunei Abdul Mateen and his wife, Princess Yang Mulia Anisha Rosnah, in London this week.

The crown prince and Prince Abdul Mateen both trained at the Royal Military Academy Sandhurst.

 

 

Crown Prince Hussein took to Instagram to celebrate the reunion. In the photo, Saudi-born Princess Rajwa looked stylish in a sleek, all-black ensemble, while Princess Anisha was dressed in a pale blue tweed blazer and black trousers.

“With our dear friends Prince Abdul Mateen and Princess Anisha Rosnah of Brunei,” Crown Prince Hussein captioned the post.

The meeting took place during Crown Prince Hussein’s private diplomatic visit to the UK, where Prince William welcomed the Jordanian royal to Windsor Castle.

Crown Prince Hussein shared images of their reunion, writing: "With my dear friend His Royal Highness, The Prince of Wales, at Windsor Castle today." 

 

 

Prince William, 42, added: "Welcoming The Crown Prince of Jordan, Al Hussein bin Abdullah II, to Windsor this morning." 

Mateen, 33, and Anisha Rosnah, 30, tied the knot in a lavish 10-day wedding in Bandar Seri Begawan, the capital of Brunei, in January 2024. The princess wore a gown by Lebanese designer Zuhair Murad at the wedding reception.

Meanwhile, Crown Prince Hussein and Princess Rajwa tied the knot in June 2023. The royal couple welcomed a baby daughter, Princess Iman, last August.

In 2023, Prince Mateen and his father Sultan Hassanal Bolkiah attended Crown Prince Hussein and Princess Rajwa's wedding in Jordan.


Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah

Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah
Updated 28 January 2025
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Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah

Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah
  • Ancient edict, prayer carpet fragment, religious manuscript among artifacts
  • Event explores ways faith is experienced, celebrated

JEDDAH: Historic Islamic artifacts are being displayed by the King Abdulaziz Center for World Culture at the second edition of the Islamic Arts Biennale currently underway in Jeddah.

Running until May 25 at the iconic Western Hajj Terminal, this year’s biennale, titled “And All That Is In Between,” explores the profound ways faith is experienced, expressed and celebrated.

Pieces on display include an edict from the Ottoman Sultan Mustafa III, who reigned from 1757 to 1774, regarding the Prophet Muhammad’s tomb; a prayer carpet fragment; a tafsir (interpretation of the Qur’an) manuscript; a folding manuscript stand; a mosque lamp; and a large wooden minbar (pulpit).

Ithra, which is renowned as a global leader in Islamic arts and heritage, will feature its pieces in the biennale’s Al-Madar section. This exhibition brings together contributions from prominent local and international institutions, emphasizing the richness and diversity of Islamic culture.

Farah Abushullaih, the head of the museum at Ithra, said: “It is a privilege for Ithra’s Islamic collection to be featured once again at this prestigious biennale, which celebrates the diversity and depth of Islamic arts.

“Our participation underscores our ongoing commitment to preserving and sharing the rich heritage of Islamic art with a global audience while expanding knowledge of key concepts of Islamic traditions that have shaped and continue to shape Islamic identities today.”

The artifacts on display, which were carefully curated in collaboration with Heather Ecker and Marika Sardar from Al-Madar’s curatorial team, reflect the theme of waqf. This fundamental Islamic concept involves dedicating assets for communal benefit, supporting religious, educational, or charitable initiatives.

Ithra’s participation aligns with its mission to inspire, enrich and foster appreciation for Islamic heritage through various initiatives, including its triennial Islamic Art Conference and major exhibitions. Its current “In Praise of the Artisan" exhibition showcases over 130 historic and contemporary works, many of which are on public display for the first time.

With its robust programming of lectures, workshops, and live demonstrations, Ithra continues to honor the past and present, positioning Islamic craftsmanship as a living tradition. Its efforts underscore the institution’s role as a global champion of cultural exchange and creativity.

The Islamic Arts Biennale, hosted by the Diriyah Biennale Foundation, provides a platform for exploring Islamic arts and traditions.

The event’s first edition in 2023, at which Ithra also participated, attracted more than 600,000 visitors.