Gaza-based artist Reem Harazin’s threads of resilience 

Gaza-based artist Reem Harazin’s threads of resilience 
A model, left, shows off apparel designed by Gaza-based Palestinian artist Reem Harazin, right. (Supplied)
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Updated 26 September 2024
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Gaza-based artist Reem Harazin’s threads of resilience 

Gaza-based artist Reem Harazin’s threads of resilience 
  • The designer and artist discusses ‘Native,’ her new fashion collection 

DUBAI: Amid the ruins and chaos of Gaza, artist and designer Reem Harazin continues to weave the vibrant threads of Palestinian history into her work.  

Her latest project, “Native” — a collaboration with the lifestyle brand Palestinian Hustle, is more than a collection of garments, it is an intricate portrayal of her people’s past and present, drawing on motifs that reflect and highlight the essence of Palestinian culture. 

“Every element represents a unique facet of Palestinian history and civilization, woven together to form a vibrant narrative,” she tells Arab News. “These elements are inseparable, like the threads of a tapestry, intertwining to tell a continuous story that stretches from the past to the present.” 




Her latest designs depict Palestine as it was before the 1948 occupation. (Supplied)

Her latest designs depict Palestine as it was before the 1948 occupation, showing cities unmarred by checkpoints or settlements, where people moved freely from the river to the sea.  

The outer border of the “Native” T-shirt and hoodie line mirrors the walls of Jerusalem, while olive leaves like those in the pattern of the Keffiyeh — used to symbolize strength and resilience — form the inner frame.  

Within the word “Native,” a fishnet pattern represents Palestinian heritage. The map of Palestine is laced with barbed wire to signify the barriers of separation across the country, alongside the keys of return held by Palestinian families and the Palestinian Liberation peace hand below.  

To Harazin, the cultural elements reflected in her work are just a small part of the Palestinian people’s deep-rooted history, which she describes as being “as complex and interconnected as the branches of a tree.”




Within the word “Native,” a fishnet pattern represents Palestinian heritage. (Supplied)

 

She continues: “These roots are deeply embedded in the land, passed down from one generation to the next, carrying the Palestinian story forward.”  

Behind the beauty of Harazin’s designs lies the harsh reality of survival in Gaza. The ongoing conflict has left her and countless others with an ever-present sense of danger.  

“There’s no safe place here, not even in our own homes. Death is always lurking, a shadow that could swallow us whole in an instant,” she says.  

Just days ago, she was injured while trying to escape a fresh round of violence. “It was a small injury, but it felt like a symbol of the chaos and fear we live with every day.” 

Despite the constant turmoil, Harazin has found solace in her art. 

“Art has been a lifeline for me,” she says. “Whenever war breaks out, I turn to drawing. It helps me process the fear, the pain, the constant barrage of negative thoughts. It’s a way to express what words can’t. It helps me remember who I was before the war; before everything changed.” 

Harazin recalls picking up a pencil for the first time as a child, playing on the streets of Gaza. From those early, messy scribbles to the drawings that now capture her life story, art has always been an integral part of her life. 

“I can still picture my first drawing — a strong Palestinian woman wearing traditional clothes and standing tall like a symbol of resistance. And next to her, always, was the map of our homeland, the place we dreamed of being free,” she says. That image — the strong Palestinian woman — remains a recurring theme in Harazin’s work today. 

Her designs also use the rich, ancient patterns of traditional Palestinian clothing, known for bold reds, intricate embroidery, and symbols of resilience.  

For Harazin, the connection between art and resistance is undeniable.  

“Art is our voice, our way of saying, ‘We’re here. We matter,’” she says. “When words fail us, art speaks for us. It shows our pain, our struggles, and our unwavering spirit. Even in the darkest of times, art reminds us that there’s still beauty in the world.” 

As the conflict intensifies, leaving Gaza has become nearly impossible for Harazin. She had planned to flee to Egypt, but the closure of the Rafah crossing and ongoing military operations in the area have eliminated that possibility. 

“Our fate remains uncertain, and we don’t know what the future holds. All we can do is hope and pray,” she says. “In the darkest of times, we cling to our faith. It’s the only thing that keeps us going.” 


REVIEW: ‘Severance’ returns with more pleasurable mind bending 

REVIEW: ‘Severance’ returns with more pleasurable mind bending 
Updated 23 January 2025
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REVIEW: ‘Severance’ returns with more pleasurable mind bending 

REVIEW: ‘Severance’ returns with more pleasurable mind bending 
  • Season two of Apple’s sci-fi thriller remains wonderfully weird

LONDON: Despite the fact it’s been nearly three years since viewers last got to see inside the world of “Severance,” Apple’s sort-of-sci-fi show picks up pretty much where it left off. We rejoin the story just a few moments after Mark S (Adam Scott) and his team of Lumon data refiners managed to break free of their ‘severed’ floor — where work and out-of-work memories and personalities are controlled and delineated by a chip embedded in their brains — and alert the outside world to the cruelties of their working conditions. Mark reawakens in the hellish officescape without his team of escapees — Helly (Britt Lower), Dylan (Zach Cherry) and Irving (John Turturro) — and immediately sets about trying to find out what happened to them. This means getting the best of returning supervisor Milchick (Tramell Tillman), his new teenage assistant Miss Huang (Sarah Bock), and a trio of new coworkers. 

Creator Dan Erickson and director Ben Stiller waste no time in rediscovering the subtle blend of tangible oddness and sinister dystopian creepiness that made the first season such an uncomfortable joy. And, perhaps emboldened by season one’s success, drop greater hints at just how weird the wider world of Lumen and its mysteriously enigmatic founder Kier Eagan might be. Mark and his team are told that their escape has led to sweeping reform across the company, but with Mark having learned that his wife on the outside may be trapped somewhere in the building — rather than being dead, as his ‘outie’ personality had been led to believe — the setup for more convoluted reveals is in place by the end of this season’s first episode. 

In all the best ways, “Severance” feels the same as it did. The surreal nightmare of its setting is as terrifying as ever, and the sharp juxtaposition of Mark and the others’ personalities remains joyfully jarring. The pace of plot revelation actually appears to have slowed even further — but while this is surface-level frustrating, it’s also a big part of why the show is so engaging. Is this new season likely to answer all your questions from three years ago? It is not. In fact, by the end of episode one, there’s more mystery, rather than less. But “Severance” remains the most captivating of headscratchers. 


Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love

Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love
Updated 23 January 2025
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Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love

Recipes for Success: Chef Garnaras Giorgos of Parea Greek Brasserie talks cooking with love

RIYADH: Parea Greek Brasserie, newly opened at the Hilton Riyadh Olaya, aims “to present Greek cuisine in a way that respects tradition but also embraces innovation,” head chef Garnaras Giorgos tells Arab News. 

“Parea offers a unique experience, not only through the stunning scenery and view but also through my personal take on Greek cuisine. I bring flavors and memories from across Greece — from Cyprus to the Zagori mountains and northern Greece. What I aim to offer my guests is a taste of my journey, along with a deep appreciation for Santorini, where I spent five years learning to respect nature and use exceptional ingredients.” 

Parea Greek Brasserie head chef Garnaras Giorgos. (Supplied)

The Greek chef says his grandfathers were his first mentors. “I vividly remember when I was four, standing alongside both my grandfathers — Panayioti and Yiorgo (whom I was named after). They were showing me how to prepare a whole lamb on the spit for our family celebrations. It’s a cherished memory I’ll never forget,” he explains. 

“I’ve been in love with food since a very young age, and that passion is the main driving force behind my career,” he adds. 

Here, he talks to Arab News about his time in Saudi Arabia, his top tip for amateur chefs and his management style. 

 

What has it been like living and working in Saudi Arabia so far? 

Having lived in various countries, what stands out most to me here is the sense of safety. I’ve never felt more secure. I’m still taking time to integrate into the local culture, which I deeply admire. I make it a point to explore new places in my free time. 

 

What’s your top tip for amateurs? 

Focus on using fresh, local, and seasonal ingredients. When you cook with what’s available at the right time of year, the results will always be delicious. 

 

What one ingredient can instantly improve any dish? 

Love! When you cook with love, the food is guaranteed to be full of flavor and soul. 

 

When you go out to eat, do you find yourself critiquing the food?  

I try to simply enjoy the moment and savor the flavors. I focus on the positives and appreciate the effort that goes into the dish, rather than being overly critical. 

 

What’s your favorite cuisine to order?  

It really depends on my mood. I can go from street food to a fine dining experience — I’m always eager to try something new. 

 

What’s your go-to dish if you have to cook something quickly at home? 

Trahanas — a traditional Greek hearty soup. It’s quick, healthy and full of flavor. I actually make my version of it at Parea. 

 

What customer request most annoys you? 

I’m usually able to accommodate any request. The key is understanding the guest’s needs and finding a way to deliver. 

 

What’s your favorite dish to cook and why? 

There’s no one particular dish — I love the ones that bring back memories, especially those with a story behind them. So I’d say anything hearty with personal significance. 

 

What’s the most difficult dish for you to get right? 

The whole quail. It’s a dish that always presents a challenge — but it’s also an opportunity to perfect my technique. 

 

Pare

Relaxed? Quite the opposite! While we do have our fun moments, when it’s busy there’s no room for democracy in the kitchen. It’s all about precision, teamwork and getting the job done efficiently. 


French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision
Updated 22 January 2025
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French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision

French Algerian model Loli Bahia celebrates Pharrell Williams’ fashion vision
  • French Algerian model attends menswear show in Paris
  • Williams teams up with Japanese fashion designer Nigo

DUBAI: French Algerian model Loli Bahia continues to strengthen her ties with Louis Vuitton, months after walking for the brand, by showing support for its menswear creative director Pharrell Williams.

This week, Bahia attended the menswear Fall/Winter 2025/2026 show during Paris Fashion Week, which runs through Jan. 26.

Williams hosted the event in a rear courtyard of the Louvre Museum after dark, setting the stage for a vibrant fall-winter collection that reimagined streetwear.

Models strode around the set to marching music, parading chunky wool suits, short bomber jackets, leather bermudas and coats in pastels, autumn tones and psychedelic renditions of the brand’s signature logo patterns.

There were colorful speedy bags, lobster-claw charms, pearl embellishments, thick jewelry and utility pockets in suede leather.

Bahia shared highlights from the show on Instagram, offering her followers a glimpse of the night’s fashion and energy.

For this collection, Williams, who is also famous as a musician, teamed up with his longtime collaborator, Japanese fashion designer Nigo, currently creative director of another LVMH-owned label, Kenzo.

The pair have been active in street culture for decades, founding the label Billionaire Boys Club in 2003 and playing a role in streetwear’s rise to prominence with their blend of music and fashion.

In the front row, LVMH CEO Bernard Arnault sat between his wife, Helene Mercier, and NBA basketball player Victor Wembanyama, who was seen tapping his foot to the music.

The show was also attended by Hollywood stars Adrien Brody and Bradley Cooper, K-pop sensations J-Hope and Jackson Wang, and rap legends Travis Scott, J Balvin and Future.

Bahia last walked for Louis Vuitton in October, showcasing their spring/summer collection.

She graced the runway wearing a black jumpsuit with a relaxed, tailored fit and a deep V-neckline, allowing a metallic, iridescent top to peek through underneath. The shiny fabric of the top, visible on the sleeves and chest, contrasted with the matte texture of the jumpsuit.

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Beyond the runway, Bahia has also appeared in Louis Vuitton’s campaigns, including the Spring/Summer 2024 campaign released in February 2024.

In the promotional clip, she showcased the brand’s creations, pairing a vibrant orange Dauphine bag crafted from supple leather with an oversized blazer dress featuring multiple buttons.

The look was completed with white stockings and heels.


Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’
Updated 22 January 2025
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Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’

Omar Offendum reflects on identity ahead of Quoz Art Fest performance of ‘From a free Syria’
  • Syrian-American rapper blends classic hip-hop, Arab poetry
  • Trying to challenge ‘stereotypes’ of Arabs, Muslims, he says

DUBAI: Returning to the UAE after his debut performance in AlSerkal in 2009, Syrian-American artist Omar Offendum will take to the stage at the Quoz Arts Fest on Jan. 25.

Speaking to Arab News recently, the New-York based rapper said he was excited about performing in the Arab world, and being able to say he is “from a free Syria” for the first time.

Offendum is also a spoken-word poet and recently described himself as a theatrical storyteller.

“When I’m on stage, I’m not just singing songs or just reciting poetry, I’m bridging all of that with storytelling. And I find myself really comfortable in theater spaces now.

“As much as I love a big festival, I find what’s really unique about theater is people enter the space with the understanding that you are being sort of transported into an imaginary time and place,” he said.

Drawing inspiration from artists including Bob Marley, Sade, Sabah Fakhri and Feyrouz, Offendum’s music blends classic hip-hop and elements from traditional Arab culture.

“What was unique to me in my upbringing was that it wasn’t just musicians, it was poets. Nizar Qabbani, for me, was foundational. Every album I’ve made, there’s been translations of Nizar Qabbani’s work.

I’m always reciting his poetry on stage. I think what’s really special about being an artist is that when you do it with a desire to be authentic and genuine.”

Offendum’s music is often a form of social commentary reflecting on current or past events. He said sometimes “you need a spoonful of sugar to help the medicine go down” and his music does that.

“I think music speaks to a different dimension in our heart and in our mind. There’s emotion and there’s meaning in music just as much as there are in words,” he explained.

But success did not come easy for the Saudi Arabia-born rapper. Offendum said he faced many challenges as an Arab after moving to Los Angeles.

He recalled an experience where he was offered voice-over work that depicted harmful stereotypes of Arabs.

“My friend was shocked that I rejected a large sum of money but I said of course not. I’m actively trying to use my voice to change the perception of Arabs and Muslims in the media,” he said.

Offendum said he remains full of passion and drive. “The fact that I’m 43 and I’m still doing what I love and I’m excited and passionate about it ... tells me that I’ve made it.”

Although New York holds a special place in Offendum’s heart, he hopes to perform in his birthplace of Saudi Arabia and homeland of Syria.


Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity
Updated 21 January 2025
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Qatar exhibition explores relationship between AI and humanity

Qatar exhibition explores relationship between AI and humanity

DOHA: The Media Majlis Museum at Northwestern University in Qatar launched “Ai or Nay? Artificial vs. Intelligent,” a thought-provoking exhibition exploring humanity’s evolving relationship with machine learning. 

Running until May 15, the exhibition brings together over 20 works by international and regional artists.

Directed by Alfredo Cramerotti, the exhibition emphasizes interdisciplinary dialogue, he said. “For me, it’s important as a curator to combine arts with something else and have a foot in art and a foot in something like technology or media,” Cramerotti told Arab News.

Alfredo Cramerotti (L) is the director of the exhibition and Jack Taylor (R) is the curator. (Supplied)

“We’re embedded in an environment of communication, technology, and media and (in this exhibition) we bring in artistic elements… to tackle themes that are relevant for society now.”

On display are installations from international creatives such as Jan Zuiderveld (Netherlands), Patrick Tresset (France/Belgium), and Adnan Ayub Aga (UAE/Portugal), alongside interactive and visual works by Amr Alngmah (Yemen/Egypt), Farjana Salahuddin (Bangladesh), graphic designer Hind Al-Saad (Qatar), Hadeer Omar (Egypt) and Bilge Emir (Turkey/Germany).

“We thought, let’s bring in in different voices — from the region and internationally, from different sectors of society and cultures — to help us understand the different pinch points of AI to make the general public more aware of certain issues,” explained Cramerotti.

The exhibition brings together over 20 works by international and regional artists.(Supplied)

The exhibition also addresses the tension between digital and physical experiences, he added: “This hybridity is central to the show. It’s about being aware of how AI and information flows shape our identities and impact our lives.”

As an example, Cramerotti highlighted the work of Al-Saad and Omar, which features screen walls offering a glimpse into how AI works in our everyday lives.

“The idea of how computers see us is actually quite central, but it’s completely invisible — like facial recognition,” he said. “It is integrated in your life flow. You don’t notice it. But there is an incredible amount of ‘bio-politics’ behind it.”