A celebration of Saudi Arabia’s artisanal heritage 

A celebration of Saudi Arabia’s artisanal heritage 
Al-Khous. (Supplied)
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Updated 17 January 2025
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A celebration of Saudi Arabia’s artisanal heritage 

A celebration of Saudi Arabia’s artisanal heritage 
  • The Ministry of Culture has designated 2025 as The Year of Handicrafts. Here, Arab News highlights some of the Kingdom’s most significant traditional crafts 

Al-Khous 

While palm trees are famed for providing dates, which play such a significant role in traditional Khaleeji hospitality, the plants themselves are equally important in Arabic heritage. The tree trunks and leaves were commonly used to create temporary or permanent accommodation, and Al-Khous — the weaving of palm fronds — is one of the oldest regional handicrafts. Bedouins would use the technique to create baskets, bowls, mats, tablecloths, brooms, and bags to be carried by their camels. The palm leaves are dried out in the sun, then cut (to ensure all thorns are removed) and soaked before being dyed, if required, and then sewn together. It’s a painstaking process, that requires great attention to detail and a steady hand.  

Bisht  

This traditional long cloak, traditionally made from wool, was originally worn by Bedouins in winter, but is now an important part of the regional wardrobe for special occasions including weddings, graduations, and Eid. These days, most bishts are machine-made, and a high-quality, hand-tailored bisht is seen as something of a status symbol, having become the formal wear for politicians and other high-ranking individuals in the Gulf and beyond. 

Al-Ahsa, in Saudi Arabia’s Eastern Province is renowned for its bisht tailoring, and many of the products are known by the names of the families who have made them for generations, including the Al-Qattan, Al-Kharas, Al-Mahdi, and Al-Bagli. Each tailor has their own thread (zari) design. 

Speaking to Arab News a few years ago, one Al-Ahsa tailor, Abu Salem, said: “Black bishts with gold stitching are the most popular. In the early Nineties, new colors were introduced to the bisht market. Blue, grey and maroon are mostly worn by the younger generation. The older generation sticks to the traditional black, brown and cream.  

“Tailoring bishts is an art that requires accuracy and skill. The gold embroidery requires patience and takes many hours,” he continued. “Hand-making one of these bishts could take from 80 to 120 hours and four tailors, each with one specific task.” 

Sadu weaving 

This ancient tribal craft dates back centuries. Bedouin Sadu weavers would create tightly spun tent awnings, rugs and more in a variety of colored patterns for their tribes using dyed wool, hair or fur woven on a floor loom. These days, Sadu patterns are commonly seen on clothing and interior décor. Speaking to Arab News in 2021, Mohammed Khoja, founder of clothing brand Hindamme, said that Sadu and its range of patterns “reflects an element of storytelling because it says so much about the livelihoods of the early Arabs. It comes in many forms in various colors, so it’s incredibly inspiring. I knew that I wanted to reference it in my designs. I wanted to reflect its beauty in a more contemporary format.” 

Dr. Delayel Al-Qahtani, director of the studies and research department at Atharna, a social enterprise dedicated to Arabian culture and handicrafts, told Arab News: “Al-Sadu is a craft that requires innovative skills and a lot of effort, as the weaver has to work hard to transform the raw material into something new. It is an intricate craft that requires precise hand movements. The final product is always a beautiful design.”  

Henna tattooing 

The practice of applying henna — a reddish-brown dye made from dried, powdered leaves of the henna tree — to the body was recently added to UNESCO’s Intangible Cultural Heritage List, thanks in large part to the efforts of Saudi Arabia’s Heritage Commission. Henna has been used to dye skin, hair and fingernails since for millennia, dating back at least to the time of the ancient Egyptians.  

A report from the Saudi Press Agency at the time henna was added to the UNESCO list stated: “Henna has great cultural significance in Saudi Arabia, with the art mastered by women and passed down through generations. It represents ‘joy and optimism’ and is a social tradition that strengthens community bonds.” 

Pottery 

Midianite pottery dating back more than 1,500 years has been discovered in northwestern Saudi Arabia, and it’s clear that pottery has a long and distinguished history in the Gulf in general. Cooking pots, cups and utensils are among the most common items crafted by traditional potters, and clay pots, especially, play a vital role in the region’s culinary heritage. As a recent Saudi Press Agency report stated: “The slow and even distribution of heat enhances the dishes cooked in (them), such as madhbi and mandi.” Local authorities in Jazan and other regions have been organizing workshops and courses to encourage the younger generation to keep this tradition alive. 

Sword and janbiya making 

The crafting of weaponry is another centuries-old skill that is being preserved in various areas of the Kingdom. The Najran region, in particular, is famed for producing some of the most stunning ornamental swords and janbiya (short, curved daggers). What were once necessities for desert tribesmen are now generally for decoration only, but the artistry required to produce them remains the same and is a source of great pride in the Kingdom and the wider Arabian Gulf. The daggers are generally “made from iron, with handles of animal horn, often adorned with silver or gold,” according to a recent SPA report. Carvings on the hilts and sheaths are often used to depict the owner’s tribal background. The finest examples can cost thousands of dollars. 


MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence

MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence
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MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence

MENA’s 50 Best Restaurants 2025: A celebration of culinary excellence

ABU DHABI: MENA’s 50 Best Restaurants awards returned to Abu Dhabi for its 2025 edition on Tuesday night, celebrating the finest dining establishments across the Middle East and North Africa. The event, held at Erth Abu Dhabi, brought together the region’s most acclaimed chefs, restaurateurs, and industry experts for a night that highlighted innovation, craftsmanship, and cultural heritage in gastronomy.

The No.1 spot was awarded to Orfali Bros Bistro (Dubai) for the third consecutive year, recognizing its bold reinterpretation of Middle Eastern flavors with global techniques. The list featured restaurants from 11 cities, showcasing the diversity of culinary experiences across the region, from fine-dining institutions in Dubai and Cairo to rising stars in Riyadh, Beirut, and Amman.

The No.1 spot was awarded to Orfali Bros Bistro (Dubai) for the third consecutive year. (Supplied)

The United Arab Emirates led the rankings with 22 restaurants, followed by Egypt (7), Jordan (6), Saudi Arabia (5), and Morocco (5).

Marble: A journey from pop-up to culinary excellence

Founded in 2018, No. 16 on the list was Marble, which started as a humble pop-up on Prince Turki Road before evolving into one of Riyadh’s most sought-after dining destinations. The restaurant’s focus on high-quality meats, expert butchery, and open-flame cooking has cemented its reputation among steak lovers and food critics alike. It was the highest ranking restaurant in Saudi Arabia. 

Aseeb. (Supplied)

The restaurant is led by Chef Abdulrahman Al-Sowailem, along with CEO Meshal Al-Akeel and Creative Director Omar Al-Dayel, who have played pivotal roles in shaping Marble’s identity and culinary direction. 

Speaking to Arab News, Chef Abdulrahman Al-Sowailem expressed his pride in the achievement, “We are proud that Marble is the number one restaurant in Saudi Arabia, and we are delighted to see Saudi restaurants being recognized among the top 50 in the Middle East and North Africa.”

Lunchroom. (Supplied)

Al-Sowailem, known for his meticulous approach to meat selection and minimal seasoning techniques, credits Saudi Arabia’s evolving culinary landscape for creating opportunities for innovation.

“The influx of international restaurants has improved ingredient availability in Saudi Arabia, allowing us to source better products and refine our offerings,” he said.

Myazu. (Supplied)

Marble’s menu blends classic butchery with subtle nods to Saudi flavors, featuring Saudi coffee gelato and fried dates as part of its evolving lineup. Al-Sowailem also hinted at plans to further explore traditional Saudi cuisine in an elevated, modern context.

Kuuru. (Supplied)

In addition to Marble, four other Saudi restaurants were named on the list:
•    Kuuru (Jeddah) – No. 30: A contemporary fine-dining concept that fuses global culinary techniques with Saudi ingredients.
•    Lunch Room (Riyadh) – No. 31: A modern dining space blending casual elegance with high-end gastronomy.
•    Aseeb (Riyadh) – No. 39: A new entry to the list, offering a creative interpretation of traditional Saudi dishes with a modern twist.
•    Myazu (Riyadh) – No. 49: A high-end Japanese restaurant known for its refined take on traditional Japanese flavors, incorporating Saudi influences.

Marble. (Supplied)

The top 10 restaurants of MENA’s 50 Best 2025 list represent a mix of heritage, innovation, and global influence:
1.    Orfali Bros Bistro – Dubai (Best Restaurant in MENA)
2.    Trèsind Studio – Dubai
3.    Kinoya – Dubai
4.    Khufu’s – Cairo (Best Restaurant in Egypt)
5.    Ossiano – Dubai (Art of Hospitality Award)
6.    Fusions by Tala – Manama (Best Restaurant in Bahrain)
7.    Jun’s – Dubai
8.    Shams El Balad – Amman (Best Restaurant in Jordan)
9.    Em Sherif – Beirut (Best Restaurant in Lebanon)
10.    Moonrise – Dubai


Loli Bahia opens star-studded Chanel show in Paris

Loli Bahia opens star-studded Chanel show in Paris
Updated 15 min 12 sec ago
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Loli Bahia opens star-studded Chanel show in Paris

Loli Bahia opens star-studded Chanel show in Paris

DUBAI: French Algerian model Loli Bahia opened Chanel’s runway show during Paris Haute Couture Week in an ensemble that combined the house’s signature tweed with pastel quilting. 

The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. The jacket was detailed with front pockets and Chanel’s signature buttons.

The in-demand model also wore a white tweed mini skirt, paired with a slim black belt featuring a gold buckle. The outfit was completed with two-tone Mary Jane heels in black and white, secured with gold buckle-adorned ankle straps.

The look featured a jacket with a quilted front panel in soft shades of pink, blue, yellow and green, contrasted with white tweed sleeves. (Getty Images)

Bahia was joined by Mona Tougaard, a Danish model of Turkish, Somali and Ethiopian descent, who walked the runway in a white gown with layered textures and embellishments.

The sleeveless dress featured a beaded trim along the neckline and transitioned into a flowing sheer skirt with subtle embellishments. Her hair was styled in soft waves, and she showed off a deep red lip color.

Mona Tougaard walked the runway in a white gown with layered textures and embellishments. (Getty Images)

Other runway pieces struck a balance between whimsy and drama. Beyond the house’s bread-and-butter tweed skirt suits, leg-of-mutton sleeves brought historical grandeur, evoking a sense of Victorian elegance. Sequins and paillettes shimmered under the bright lights of the Grand Palais, the iconic Parisian museum. Silk trains in bold red injected a sense of drama. Playful neckties hinted at a 1970s influence.

But the devil at Chanel couture is in the detail — the buttons. 

Buttons in rock crystal, metal, and rhinestone ones adorned jackets, skirts, and dresses, adding a quiet brilliance to the vibrant collection.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by CHANEL (@chanelofficial)

The audience was a testament to Chanel’s unmatched global power, boasting one of the most prestigious guestlists of the week — and not just Kylie Jenner perched atop the double-C decor. Global ambassadors Jennie, the K-pop superstar from BLACKPINK, G-Dragon and Lily-Rose Depp sat alongside Dua Lipa, Marion Cotillard and actresses Elsa Zylberstein and Antonia Desplat.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Jwana Karim (@jwanagram)

Among the star-studded crowd, Pamela Anderson, who has been seen at shows all week was flanked by teams of menacing security guards.

From the Arab world, Iraqi influencer Jwana Karim, known for her appearance in season three of Netflix’s “Dubai Bling,” was also in attendance.


Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’

Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’
Updated 29 January 2025
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Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’

Dubai art exhibition ‘The Sublime Nature of Being’ explores ‘sense of wonder’

DUBAI: Set to run until Feb. 22, Dubai’s ICD Brookfield Place is playing host to an exhibition that explores the sense of wonder that accompanies being in awe.

“The Sublime Nature of Being” is curated by Ambika Hinduja Macker, who brought together the work of 15 international artists to lead visitors on a journey through moments of awe and reverence inspired by the grandeur of nature.

“The sublime is an overwhelming sense of wonder, a feeling that transcends words and logic, pulling us into a moment of pure awe and connection. It’s what happens when we encounter something so profound, so vast, that it stirs both our soul and our senses, leaving us simultaneously humbled and uplifted. ‘The Sublime Nature of Being’ is my attempt to offer a tangible glimpse of this elusive feeling,” Macker told Arab News.

Is it a reimagining of her 2022 immersive art experience of the same name and the curator — who is the founder and creative director of art and design firm Impeccable Imagination — describes the experience as an alchemic sonic environment, one that “blends ancient techniques of sound healing with cutting-edge technologies to create an immersive soundscape rooted in reflection and renewal.”

Specially commissioned artists include US contemporary artist Jacob Hashimoto, French designer Mathieu Lehanneur, Belgian sculptor and contemporary artist Fred Eerdekensm Lebanese multi-disciplinary artist Nadim Karam and Brazilian artist Janaina Mello, among others.

“As a curator, my role is to weave these diverse expressions into a cohesive yet ephemeral narrative, creating an environment where materials, mediums, and artistic visions engage in dialogue with one another,” Macker explained.

The exhibition features a celebration of the five elements — “water, fire, earth, air, and spirit permeate the venue, each with its own curated space and featured works, all within a larger, interconnected environment,” the curator noted.

Works include several sculptures by Lebanese artist Karam, including “Silent Thinker” (2024), a polished stainless steel piece.

“(Karam) has developed a distinctive artistic language rooted in memory, space, and collective identity,” Macker explained. “His work embodies profound, ongoing reflections on societal diversity and pressing global issues, yet he seamlessly juxtaposes these important themes with playful, even absurdist, touches.”

A short walk away is “The Aquifer” (2024) by Hashimoto, a wall-hanging work featuring bamboo, acrylic, paper, wood and dacron.

Colourful, pattern-printed discs are suspended by wire between pegs in the mesmerizing work that is just one of the many emotive pieces on show.

Despite the effort involved in bringing together 15 artists, Macker says the most challenging aspect of bringing “The Sublime Nature of Being” to fruition “was transforming a vibrant public hub without disrupting its accessibility or the daily rhythms of those who frequent it.”


Jordanian royal couple reunite with Brunei royals in London

Jordan’s Prince Hussein and his wife, Princess Rajwa, are pictured in London with Brunei’s Prince Abdul Mateen and his wife.
Jordan’s Prince Hussein and his wife, Princess Rajwa, are pictured in London with Brunei’s Prince Abdul Mateen and his wife.
Updated 46 min ago
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Jordanian royal couple reunite with Brunei royals in London

Jordan’s Prince Hussein and his wife, Princess Rajwa, are pictured in London with Brunei’s Prince Abdul Mateen and his wife.

LONDON: Jordan’s Crown Prince Hussein bin Abdullah II and Princess Rajwa Al-Hussein had a heartwarming reunion with longtime friends Prince of Brunei Abdul Mateen and his wife, Princess Yang Mulia Anisha Rosnah, in London this week.

The crown prince and Prince Abdul Mateen both trained at the Royal Military Academy Sandhurst.

 

 

Crown Prince Hussein took to Instagram to celebrate the reunion. In the photo, Saudi-born Princess Rajwa looked stylish in a sleek, all-black ensemble, while Princess Anisha was dressed in a pale blue tweed blazer and black trousers.

“With our dear friends Prince Abdul Mateen and Princess Anisha Rosnah of Brunei,” Crown Prince Hussein captioned the post.

The meeting took place during Crown Prince Hussein’s private diplomatic visit to the UK, where Prince William welcomed the Jordanian royal to Windsor Castle.

Crown Prince Hussein shared images of their reunion, writing: "With my dear friend His Royal Highness, The Prince of Wales, at Windsor Castle today." 

 

 

Prince William, 42, added: "Welcoming The Crown Prince of Jordan, Al Hussein bin Abdullah II, to Windsor this morning." 

Mateen, 33, and Anisha Rosnah, 30, tied the knot in a lavish 10-day wedding in Bandar Seri Begawan, the capital of Brunei, in January 2024. The princess wore a gown by Lebanese designer Zuhair Murad at the wedding reception.

Meanwhile, Crown Prince Hussein and Princess Rajwa tied the knot in June 2023. The royal couple welcomed a baby daughter, Princess Iman, last August.

In 2023, Prince Mateen and his father Sultan Hassanal Bolkiah attended Crown Prince Hussein and Princess Rajwa's wedding in Jordan.


Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah

Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah
Updated 28 January 2025
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Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah

Ithra showcases historic Islamic treasures at second Islamic Arts Biennale in Jeddah
  • Ancient edict, prayer carpet fragment, religious manuscript among artifacts
  • Event explores ways faith is experienced, celebrated

JEDDAH: Historic Islamic artifacts are being displayed by the King Abdulaziz Center for World Culture at the second edition of the Islamic Arts Biennale currently underway in Jeddah.

Running until May 25 at the iconic Western Hajj Terminal, this year’s biennale, titled “And All That Is In Between,” explores the profound ways faith is experienced, expressed and celebrated.

Pieces on display include an edict from the Ottoman Sultan Mustafa III, who reigned from 1757 to 1774, regarding the Prophet Muhammad’s tomb; a prayer carpet fragment; a tafsir (interpretation of the Qur’an) manuscript; a folding manuscript stand; a mosque lamp; and a large wooden minbar (pulpit).

Ithra, which is renowned as a global leader in Islamic arts and heritage, will feature its pieces in the biennale’s Al-Madar section. This exhibition brings together contributions from prominent local and international institutions, emphasizing the richness and diversity of Islamic culture.

Farah Abushullaih, the head of the museum at Ithra, said: “It is a privilege for Ithra’s Islamic collection to be featured once again at this prestigious biennale, which celebrates the diversity and depth of Islamic arts.

“Our participation underscores our ongoing commitment to preserving and sharing the rich heritage of Islamic art with a global audience while expanding knowledge of key concepts of Islamic traditions that have shaped and continue to shape Islamic identities today.”

The artifacts on display, which were carefully curated in collaboration with Heather Ecker and Marika Sardar from Al-Madar’s curatorial team, reflect the theme of waqf. This fundamental Islamic concept involves dedicating assets for communal benefit, supporting religious, educational, or charitable initiatives.

Ithra’s participation aligns with its mission to inspire, enrich and foster appreciation for Islamic heritage through various initiatives, including its triennial Islamic Art Conference and major exhibitions. Its current “In Praise of the Artisan" exhibition showcases over 130 historic and contemporary works, many of which are on public display for the first time.

With its robust programming of lectures, workshops, and live demonstrations, Ithra continues to honor the past and present, positioning Islamic craftsmanship as a living tradition. Its efforts underscore the institution’s role as a global champion of cultural exchange and creativity.

The Islamic Arts Biennale, hosted by the Diriyah Biennale Foundation, provides a platform for exploring Islamic arts and traditions.

The event’s first edition in 2023, at which Ithra also participated, attracted more than 600,000 visitors.