Dubai exhibition reflects on Syria’s post-Assad transition 

Dubai exhibition reflects on Syria’s post-Assad transition 
This exhibition features the works of eight talented artists, photographers, sculptors and painters, who collectively explore the complex aftermath of more than a decade of civil war. (Supplied)
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Dubai exhibition reflects on Syria’s post-Assad transition 

Dubai exhibition reflects on Syria’s post-Assad transition 
  • In ‘6:18, The DAWN,’ eight artists explore the aftermath of a bloody civil war and a brutal regime 

DUBAI: From Feb. 9 to March 2, Atelier 14 in Dubai will host “6:18, The DAWN,” a powerful collective exhibition that delves into the cultural and artistic landscape of the Syrian Arabic Republic following the fall of the former president, Bashar Assad.  

This exhibition features the works of eight talented artists, photographers, sculptors and painters, who collectively explore the complex aftermath of more than a decade of civil war. 

“6:18, The DAWN” provides a poignant insight into how art can reflect the scars and hopes of a country in transition.  




'Home' by Majd Henawi. (AN photo)

The exhibition is a platform for dialogue and reflection on the fragility of post-conflict societies and the struggle for identity. It is anchored in the tumultuous months following the fall of Assad’s regime and shows how, amid this chaos, art has remained an essential outlet for expression and renewal, charting the emotional and social evolution of a country now faced with the task of rebuilding both physically and spiritually, and depicting the tension between destruction and rebirth, chaos and renewal. 

One of the show’s standout features is the work of renowned French-Syrian photographer Ammar Abd Rabbo, known for his emotionally charged and politically moving work. He presents three photographs that capture the significant shift in Syria’s political and cultural landscape. They were taken in Damascus in December, just after the regime’s sudden collapse, and each image a unique perspective on those moments of upheaval. 

The first features two astronaut suits abandoned on a Damascus pavement.  




A charcoal artwork by Mohannad Orabi. (Supplied)

“These suits were left after an incident where citizens tried to steal items from the president’s residence, symbolizing the desperation of a population grappling with the aftermath of years of oppression,” Abd Rabbo told Arab News on opening night. “The photo captures a surreal scene.” 

The second shows a man holding the Syrian flag — a moment of both defiance and of hope for the future. The third depicts a group of people toppling a statue of Assad, a vivid representation of the collapse of the regime and the collective desire for a fresh start. 

The work by the other seven artists in the show also point to the possibility of healing and reconstruction, without ignoring the horrors of the past. Through abstract forms, vivid color palettes, and intricate textures, the artists explore the emotional complexities of life in a post-conflict society — grappling with loss, rebuilding, and forging a new collective identity. 




From Ammar Abd Rabbo's 'Damascus, December 2024' series. (Supplied)

Their diverse styles ensure that the exhibition offers a multifaceted view of Syria’s cultural evolution. It speaks to the varied experiences of individuals affected by the war, from those who witnessed the conflict first-hand to those abroad who have found creative ways to make sense of the country’s developments. 

The exhibition also provides a vital opportunity for audiences to engage with the ongoing changes in Syria, offering an understanding of the personal and collective dimensions of war and recovery.  

Art, as highlighted in “6:18, The DAWN,” serves not only as a form of healing but also as an essential medium for documenting history and inspiring hope. 


Jeddah spans tradition and modernity in new book exploring themes of cultural preservation

Jeddah spans tradition and modernity in new book exploring themes of cultural preservation
Updated 27 February 2025
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Jeddah spans tradition and modernity in new book exploring themes of cultural preservation

Jeddah spans tradition and modernity in new book exploring themes of cultural preservation
  • Novel examines balance between cultural preservation and urban transformation
  • ‘The cats of Jeddah serve as a metaphor for the city’s enduring spirit’

RIYADH: While the falcon and camel are the creatures most associated with Arabia’s skies and deserts, cats have long captivated the hearts of the people, historically and religiously.

In his new novel, “City of Cats,” Rafael Hernandez de Santiago sets his narrative in Jeddah, Saudi Arabia, exploring where the past and future collide during urban transformation.

“City of Cats” follows Amir, an architect torn between the love he has for his city’s heritage and the push toward modernization. He and his allies face resistance from powerful, money-hungry developers as they propose a cultural park to protect one of Jeddah’s historic districts.

Hernandez draws the comparison that cats represent the soul of a city. Speaking to Arab News at his book launch hosted at the Spanish Embassy on Tuesday, he said: “The cats of Jeddah serve as a metaphor for the city’s enduring spirit, quietly witnessing and adapting to its ever-changing landscape.”

The novel delves into themes of preservation versus progress, communal unity, and resilience of tradition in the face of relentless modernization.

Hernandez is a director and senior researcher at the Gulf Research Center and a prominent newspaper columnist who regularly writes on matters relating to politics, international relations, and data and AI.

Of his reasons for delving into the world of fiction writing, Hernandez said, contrary to the straight edge of fact and policy analysis that his columns require, fiction allows for a more interactive curiosity on complex issues and more emotional engagement.

“Instead of debating urban development and cultural preservation through articles, I wanted readers to feel the impact of these changes through the eyes of characters living through them.”

The Spanish citizen, who has lived in Saudi Arabia for almost 25 years, said that from the ancient Nabatean city of AlUla to the rise of modern metropolises such as Riyadh, the Kingdom balances rich traditions and heritage stories with an ambitious vision for the future, making it a compelling setting for a novel.

“My time here has given me a deep appreciation for its history, traditions, and the unique identity of its cities.

“The experience of witnessing Jeddah’s evolution firsthand played a significant role in shaping the story of ‘City of Cats,’” he said.

Hernandez said that Jeddah is a city where history and modernity coexist side by side. Al-Balad, its historic district, carries stories of merchants, travelers, and families through the generations, who give it a distinct identity. Yet it is constantly evolving, with new skyscrapers and developments.

“While Spain has its own rich history and cities undergoing similar transformations, Jeddah’s story feels particularly urgent. It’s a city at a crossroads, and I wanted to capture that moment.”

Hernandez spoke about how Jeddah acting as Makkah’s gateway gives it a unique character. And that characteristic furnishings, from coral stone houses to intricate mashrabiya windows, reflect the story of the Red Sea and its maritime trade routes.

Contrary to Jeddah’s openness and free-flowing nature, Riyadh’s soul mirrors that of a wise and progressive leader who still stands strong in his structure and heritage, according to Hernandez.

“Like the stray cats that roam both cities, their souls are defined by their ability to survive, adapt, and persist despite the changes around them,” he said.

“City of Cats” is available in English, with Arabic and Spanish translations expected to follow.

Hernandez hopes to turn the novel into a musical one day, as the arts and entertainment scene in the Kingdom rapidly grows.

“The story lends itself beautifully to the format … Musicals are a celebration of storytelling, culture, and emotion — and Saudi Arabia is overflowing with stories and traditions waiting to be expressed in new, creative ways.”

He said that if Saudi Arabia were to start producing musicals, it would open the door for local talent; composers, lyricists, set designers, and actors who are eager to share their creativity with the world.


‘Souk Wonders’ to give final performances as show nears end

‘Souk Wonders’ to give final performances as show nears end
Updated 27 February 2025
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‘Souk Wonders’ to give final performances as show nears end

‘Souk Wonders’ to give final performances as show nears end
  • Ghada Sheri: ‘We have been doing it for a month now and we have done 33 shows and it’s been amazing’
  • Sheri: ‘I get to sing to people every day and see their reactions and I share the stage with amazing performers’

RIYADH: Diriyah Season’s “Souk Wonders,” featuring trampolines, circus acrobatics, musical entertainment, balancing acts, and a variety of culinary experiences will come to a close on Friday.

“We have been doing it for a month now and we have done 33 shows and it’s been amazing — honestly, I love it here and I am really sad for it to be over,” Ghada Sheri, a singer and songwriter, told Arab News.

“I get to sing to people every day and see their reactions and I share the stage with amazing performers as well so that has been amazing,” she said.

“Souk Wonders” features traditional Najdi architecture, tents, a majlis, and an oversized marketplace scale that spins as guests are seated on it.

The performances kick off with a daring show featuring performers jumping off the edges of the traditional Najdi structures towards the crowd and onto a trampoline.

The routines come back-to-back, leaving audience members anticipating which way to turn next.

Carina Pires, a nurse from Portugal, has lived in the Kingdom for 12 years, and attended “Souk Wonders” with her friends.

“It’s been amazing. We have just been mesmerized. We don’t know where to look, it’s been so many things with so many emotions, it’s really good,” Pires told Arab News.

“It was amazing, I have been experiencing things here that I didn’t in my country,” she added.

When asked what her favorite part of the show was, Pires said: “Everything was amazing, I cannot point to one, it was everything.”

A unique feature of “Souk Wonders” is the currency. Although real money can be used, visitors are taken back in time as they are presented with gold Diriyah Season coins to make their purchases.

For example, a water bottle would cost guests 1 coin, with each coin valued at SR5 ($1.33). A regular ticket gives visitors 18 coins, and the platinum ticket allows for 24.

Along with live performances, “Souk Wonders” has restaurant and cafe booths that feature unique dishes that pay tribute to traditional flavors with modern-day twists all crafted by Saudi chefs especially brought in to design the menu for the event.

Saudi chef Samira Jan was the mind behind the Sand of Zaatar booth, featuring flavors from the Levant region, including a Palestinian musakhan tart as well as a sweet Syrian basbousa tart.

Other Saudi-crafted creations included soft drinks and mixed mocktails at Al Bar booth.

One unique feature of “Souk Wonders” is the interactive performances from the actors of the who remained in character throughout whilst interacting with guests.

“Souk Wonders” will put on its final shows on Feb. 28 at 7:45 p.m. to 9:45 p.m. and then at 10:45 p.m. to 12:45 a.m. in Venue before coming to a close for Ramadan.


Saudi contemporary artist Manal AlDowayan discusses collaborative performance piece

Saudi contemporary artist Manal AlDowayan discusses collaborative performance piece
Thikra_ Night of Remembering by Manal AlDowayan and Akram Khan. Courtesy of the Royal Commission for AlUla (1)
Updated 27 February 2025
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Saudi contemporary artist Manal AlDowayan discusses collaborative performance piece

Saudi contemporary artist Manal AlDowayan discusses collaborative performance piece

RIYADH: Saudi contemporary artist Manal AlDowayan unveiled her latest work, “Thikra: Night of Remembering” at the AlUla Arts Festival in late January. 

The site-specific dance piece, designed by AlDowayan in collaboration with renowned English dancer and choreographer Akram Khan — who is of Bangladeshi descent — and residents and artisans from AlUla, was one of the festival’s main highlights. It will now go on to be adapted for various theaters around the world. 

The dance pays homage to the long line of civilizations that have inhabited the land around AlUla over centuries. (Supplied)

AlDowayan told Arab News: “The fact that it’s a fictional story, not tied to a specific time or civilization — it could be none or all at once — makes it something people can easily connect with. There’s a mix of cultures, stories, symbols, and rhythms. Of course, the AlUla landscape had a big influence, along with the collaboration with local musicians, dance elements, crafts, and symbols, but there are also essential elements from other cultures around the world, especially traditional Indian dance reimagined through Akram’s performance, and sound elements from various cultures and even from nature.”  

Over the past few years, AlDowayan has gravitated towards exploring the idea of “othering” in her practice. As she has become more well-known internationally, she says, she’s looking to open up conversations to bridge cultures.  

And she is no stranger to responding to AlUla’s landscape in her work: she’s showcased in the historic city as part of Desert X with her artwork “Now You See Me, Now You Don’t,” and staged a show titled “Their Love is Like All Loves, Their Death is Like All Deaths,” and a participatory exhibition titled “Oasis of Stories: Manal AlDowayan and the People of AlUla” with over 1,000 community participants for Wadi AlFann.  

“Thikra” was inspired by, among other things, AlDowayan’s memories of gathering around a campfire under the starlit sky to tell stories. The performance took place on a circular stage between cliffs. 

“Thikra” was inspired by, among other things, Manal AlDowayan’s memories of gathering around a campfire under the starlit sky to tell stories. (Supplied)

“The audience sits around on traditional Sadu weaving carpets, occupying one half of the circle, while the community occupies the other. In the center, the dancers perform a story about ancestral knowledge,” AlDowayan said.  

The dance pays homage to the long line of civilizations that have inhabited the land around AlUla over centuries, as evidenced by the symbols engraved on rock formations and its varied architecture. 

“I incorporated some of these symbols into the costumes and props to represent the overlapping of different timeframes and the coexistence of rituals and traditions,” AlDowayan explained.  

She based the color pallet of the fabric on the tones of the surrounding landscape and culture; the sandy beige, the red-brown of henna, the pink rocks, night black, and the green of small plants that “emerge between the sand, almost as an act of resistance,” she said.  

AlDowayan worked with the Madrasat Addeera School of Arts and Crafts to produce local, natural pigments for the fabric, adding to her longstanding tradition of collaborating with local artisans.  

The collaboration with Madrasat Addeera had two main aspects: design and fabrication.  

The site-specific dance piece was designed by Manal AlDowayan in collaboration with renowned English dancer and choreographer Akram Khan. (Supplied)

In a participatory workshop with the students, she presented her vision for the visual direction, portrayals of different characters, and her incorporation of local symbology and storytelling in the project. She was also keen to represent the community directly on stage through their designs.  

She said: “I encouraged them to work with these symbols — ones deeply present in their daily lives and crafts — and together we brainstormed the designs. Their input and self-representation was an essential aspect to me.  

“They created more than 50 flag designs, incorporating traditional techniques such as palm weaving, Sadu, embroidery, and clay. The results were incredibly creative and beautiful. I selected a set of designs and slightly reworked them to fit the overall vision.”  

Her studio then commissioned the school to make the flags. “Many of the school’s studios and senior crafters worked together to bring them to life,” AlDowayan said. “I am honored to bring to the global stage not only local stories, but also their own traditional crafts.” Members of the community then paraded these flags as part of the performance. 

AlDowayan described working with Khan as a “gift,” saying: “I have followed and admired his work for a long time. So when I received the invitation to collaborate with him, I was thrilled — but I also wondered how open the creative process would be. 

“From our first research visit to AlUla, the creative connection between us was instant. We immediately understood each other’s vision and actively collaborated on all aspects of the performance with openness and trust, I think because we both admire each other’s work.” 

Forty local participants of all ages volunteered via open call to work with Khan’s legacy team Jumana Al-Refai and Bilal Allaf, who led community movement workshops. They eventually became part of the performance.  

The narrative of the show is “based on the idea that without a past, there is no future. It’s a call for remembrance, told through the story of a community of women and how they preserve and pass down ancestral knowledge,” AlDowayan said. “This is something I first realized during my early visits to AlUla. My education ignored the ancient civilizations of this region, and when these historical sites were finally opened to the public, I was suddenly exposed to all this knowledge through the architecture and rock inscriptions. It was incredibly inspiring to learn that we have deep roots and to discover the traditions, symbols, and way of life of those who came before us.” 


Meet Saudi-Irish DJ-producer Moving Still ahead of the release of his new EP 

Meet Saudi-Irish DJ-producer Moving Still ahead of the release of his new EP 
Updated 27 February 2025
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Meet Saudi-Irish DJ-producer Moving Still ahead of the release of his new EP 

Meet Saudi-Irish DJ-producer Moving Still ahead of the release of his new EP 
  • Jeddah-born Jamal Sul talks to Arab News ahead of the release of his new EP 

JEDDAH: DJ-producer Jamal Sul, aka Moving Still, was raised in Jeddah by a Saudi father and Irish mother, and his music combines both sides of his heritage.  

At 14, he moved to Dublin, a shift that shaped both his identity and musical journey. Now, after a decade in the industry, he’s making waves internationally. 

“For every song that I’ve ever recorded, I always try to embody an emotion—whether it’s unconditional love, fear or excitement,” he tells Arab News. “Most of the time, I never really get a chance to explain the emotion in a song — it just happens through people dancing.” 

The birth of his daughter last year profoundly influenced Sul’s latest EP, “Close to the Shams,” which will be released March 7. On it, he captures the intense emotions of parenthood and the quiet heartbeat of his child, which he used as inspiration. “The first time I got to hold my daughter in my own house, she was just sleeping on me and I had my earphones on. I could sense her heartbeat,” he says. “Weirdly, there’s a lot of studies about how your heart rate can influence your child’s and vice versa. So I feel like I captured that moment in song, and it was really nice.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Fidelity (@fidelitydublin)

It was Sul’s mother who first got him into dance music, sparking his deep connection to house and disco beats. “I was very lucky that my mom was very, very into music,” he says. “I remember (her) cassettes, is like ‘Now 41’ or ‘Now 42’ — basically all the (chart toppers) for dance music. A lot of the stuff I make now is nearly resembling this era.” 

He also has a love for rock, inherited from his Irish uncles. “I listened to (Led) Zeppelin, Jimi (Hendrix), Korn, Slipknot, all those type of bands,” he says. “But even though I liked rock music, I still had this feeling towards dance music; it was kind of like a guilty pleasure, the same with pop music — like Backstreet Boys.” 

His father also shaped Sul’s diverse taste, being a fan of Bob Marley and Michael Jackson, as well as Arab artists. But Sul says his father’s relationship with music was complicated.  

“My father was in and out of music; either he loved it or hated it. And I don’t blame him; he had a very tough upbringing. His father was quite religious — he was an imam. So obviously (my father) was very torn between the life of what people would like in the West versus his actual life.” 

That’s not a struggle Sul has faced. Music is a constant in both his personal and professional life. He works in the field of immunology, and while his day job is rooted in science, music remains his own way of healing and expression. 

His sound spans genres, blending house, disco and Arabic influences. “When people ask what kind of music I make, it’s so hard to pinpoint,” he says. “It’s a mix of genres.” 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Moving Still (@moving0still)

His tracks have gained support from respected industry figures like Palms Trax, Hunee and Laurent Garnier, and he has performed at the likes of Boiler Room and Electric Picnic. Mixmag named him among its Ones to Watch for 2025. 

His first EP was “With Oud,” inspired not by the instrument at the heart of classical Arab music, but by the scent of the dark resin of the agar tree. “In order to write the music, I would put oud on my hands, just to experience that full memory of my granny’s house. I couldn’t believe that a smell could ignite that type of memory so quickly,” he says. The EP was a success, and spawned a follow-up, “Ouddy Bangers.” 

In 2024, Sul hosted ‘Sukar,’ an event of contemporary Arabic music. “I wanted to showcase our beautiful culture,” he says. He plans to take the idea further with Klub Sukar this April, inviting international acts to Ireland while providing opportunities for emerging artists — especially young Arabs. 

Sul’s moniker, Moving Still, was inspired by his hometown. “I used to love swimming and snorkeling and I used to see a lot of jellyfish there,” he says. “I remember my wife asking what I wanted to be called and I was, like, ‘Something about jellyfish really resonates with me, because it reminds me of Jeddah.’ I just really love that they’re moving all the time, but they almost look like they’re still. That’s what generated the name. I wanted to have something that was like a love letter to Jeddah.” 


Cheetah, lion and buffalo sculptures unveiled in Riyadh park

Cheetah, lion and buffalo sculptures unveiled in Riyadh park
Updated 26 February 2025
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Cheetah, lion and buffalo sculptures unveiled in Riyadh park

Cheetah, lion and buffalo sculptures unveiled in Riyadh park
  • Italian sculptor partners with Riyadh Art and Italian embassy to bring contemporary art to public park
  • Installation aims to bring attention to conservation efforts for species that were once prevalent in the region

RIYADH: Striking animal sculptures were unveiled in Riyadh’s Al-Nafal Park in the Diplomatic Quarter in a collaboration between Riyadh Art and Italian artist Davide Rivalta.

The installation features depictions of a cheetah, lion, lioness and buffalo, and was created in partnership with the Italian Embassy.

Under the theme, Echoes of Land, the sculptures encourage public engagement and contemplation of environmental and cultural heritage.

Omar Al-Braik, senior director of public art at the Royal Commission for Riyadh City, said that the collaboration with Rivalta was an “enriching process.”

“Art has the power to transform public spaces, spark conversations and connect people with their surroundings in ways that are both profound and unexpected,” he said.

“By bringing Rivalta’s work to Riyadh, we continue to expand the city’s artistic landscape, ensuring that diverse voices and creative perspectives are accessible to all.”

This installation also brings attention to conservation efforts, particularly for species such as the cheetah, which once thrived in the Arabian Peninsula.

By introducing these sculptures to Riyadh, Rivalta’s work serves as a reminder of the delicate balance between human development and natural ecosystems.

Born in 1974, Davide Rivalta is renowned for his striking, life-sized sculptures of animals, distinguished by their raw, textured surfaces.

Rivalta’s sculptures have been exhibited in cities across the world, with this latest installation marking his first contribution to Riyadh Art’s public art program.

Since its launch in 2019, Riyadh Art has installed in excess of 550 public artworks, engaged more than 500 local and international artists, and hosted 6,500 community engagement activities, attracting 9.6 million visitors and spectators.

One significant initiative by Riyadh Art is the recent Tuwaiq Sculpture Symposium, in which 30 sculptures were created in live sessions, and will be displayed at public spaces around the city.

The organization’s efforts contribute to Saudi Vision 2030’s goal of enhancing culture and creativity in the Kingdom.