World Monuments Fund strengthens its presence to support heritage in Arab countries

World Monuments Fund strengthens its presence to support heritage in Arab countries
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The World Monuments Fund (WMF) conducted an exploratory tour of several Arab countries. (Supplied)
World Monuments Fund strengthens its presence to support heritage in Arab countries
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The World Monuments Fund’s representative to Arab countries Dr. Elie Flouty. (Supplied)
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Updated 7 min 52 sec ago
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World Monuments Fund strengthens its presence to support heritage in Arab countries

World Monuments Fund strengthens its presence to support heritage in Arab countries
  • Organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s
  • Dr. Elie Flouty: We can now say that the WMF has an official presence in the region, which is rich in world heritage sites

RIYADH: The World Monuments Fund, which celebrates its sixth decade this year, has strengthened its official presence in Arab countries, organizing an exploratory tour in several countries including Saudi Arabia.

The organization has made significant contributions to the preservation of tangible heritage and has carried out 68 projects in 13 Arab countries since the mid-1990s.

At the end of last month, WMF organized an exploratory tour in several countries, including Kuwait, Bahrain and Saudi Arabia.

The delegation, composed of 45 individuals, was led by the fund’s president and CEO, Benedicte de Montlaur, with the attendance of Shaikha Mai bint Mohammed Al-Khalifa, board member of the fund, and Dr. Elie Flouty, the fund’s representative in the Arab countries, along with other members of the organization.

This tour marked the beginning of a stronger official presence of the WMF in the Arab region, coinciding with increasing official and unofficial Arab interest in heritage issues, preservation, and integrating this into economic, tourism and social development plans. This aligns with the WMF’s 60th anniversary celebration.

Dr. Elie Flouty said: “We can now say that the WMF has an official presence in the region, which is rich in world heritage sites. We will work with all Arab governmental and non-governmental entities and international institutions to safeguard our ancient Arab heritage. WMF is currently active in 14 sites across various Arab countries and collaborates with both governments and local communities to implement these projects, providing funding and expertise.”

Among the most significant initiatives of the WMF is the World Monuments Watch, a list of endangered sites issued every two years, which includes 25 historic places.

For the 2025 list, three sites from the Arab region were included — the Jewish heritage in Debdou in Morocco, the historic urban fabric of Gaza, and the water reservoirs (majels) in the Old City of Tunis.

The delegation’s tour in the Gulf region included several stops, starting in Kuwait where it visited the Arab Fund for Economic and Social Development and Dr. Mohamed Al-Rumaihi discussed the history of Kuwait and its major economic and social milestones. The delegation visited the Soof Center for Spinning and the Grand Mosque, designed by architect Mohamed Saleh Makiya.

In Saudi Arabia, it visited the Islamic Arts Biennale in Jeddah, explored the Old City of Jeddah, and toured the home of architect Sami Angawi, which reflects the architecture of Hijaz.

They also visited Madinah and its major religious landmarks and concluded their visit to AlUla, a site rich in human heritage, natural and cultural landmarks.

In Bahrain, the delegation visited the city of Muharraq and the UNESCO World Heritage-listed Pearling Path, the Bahrain National Museum, and several houses within the Sheikh Ibrahim bin Mohammed Al-Khalifa Center for Culture and Research. They also visited Bahrain Fort and its museum, the Dilmun Burial Mounds listed on UNESCO’s World Heritage list.

WMF is the world’s leading non-governmental organization for heritage preservation. Headquartered in New York, the fund has offices in Peru, London, Paris, Spain, Portugal, India and China, with projects in 112 countries. It has worked on more than 700 heritage sites. WMF’s mission is to save the most threatened landmarks, whether from war or climate change.


Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh
Updated 26 min 35 sec ago
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Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

Saudi filmmaker Ali Kalthami, Kuwaiti photographer Abdullah Alshayji give iPhone photography workshop in Riyadh

RIYADH: Photography enthusiasts in Riyadh had the opportunity to refine their skills at an exclusive iPhone photography workshop on March 5 at Sima Creative Space.

The event, organized in celebration of Ramadan, featured renowned Kuwaiti photographer Abdullah Alshayji and acclaimed Saudi film director Ali Kalthami, offering attendees a unique learning experience.

The workshop explored the advanced features of iPhone photography, equipping participants with innovative techniques to enhance their social media content. The event fostered a dynamic and collaborative environment, bringing together creatives eager to develop their visual storytelling skills.

One of the highlights of the workshop was Kalthami’s talk on his recent experience filming an iPhone advertisement. Speaking to Arab News, he recalled his initial surprise when tasked with directing the project using an iPhone 16 Pro instead of traditional camera equipment.

Kalthami said: “When I was assigned to create the iPhone ad I asked about the camera lenses, and they told me I would be using the iPhone 16 Pro instead.”

He noted that the smartphone’s compact size helped create a more relaxed atmosphere on set, adding: “The actors acted naturally, which made the filming process enjoyable.”

Kalthami — known for his film “Mandoob” and as the co-founder of Telfaz11 — expressed enthusiasm for integrating iPhone technology into future projects, particularly those requiring a raw, immersive feel.

He said: “Using the iPhone is much more convenient than heavy camera equipment as it can be easily placed anywhere. Some projects benefit from an organic feel, which the iPhone can deliver.”

He also shared insights into the preproduction process, revealing that the ad was filmed in the desert during the golden hour to achieve a cinematic aesthetic. To maximize the capabilities of the iPhone, he incorporated professional filmmaking tools such as a large monitor and stabilizer, proving that smartphone technology can deliver high-quality results.

Alshayji led hands-on demonstrations, showcasing the iPhone camera’s features and sharing expert tips on capturing high-quality images. Using models and objects, he guided participants through techniques to elevate their photography skills, ensuring they left the workshop with practical knowledge to apply to their creative pursuits.


REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales

REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales
Updated 06 March 2025
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REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales

REVIEW: Arab Australian debut cultivates hope, solidarity in rural New South Wales

JEDDAH: Escaping personal strife, a Muslim single mother carves a space for herself in the heart of rural Australia in “Translations,” an engrossing debut novel by Australia-born Palestinian-Egyptian writer Jumaana Abdu.

Set in New South Wales in the period just after the COVID-19 era with the threat of bushfires looming, the novel explores one woman’s efforts to cultivate not only the land but also a sense of belonging and identity on foreign soil.

In this story of self-discovery and resilience, Abdu intricately weaves in the broader theme of solidarity between First Nations of Australia and Palestinians — two nations grappling with colonization, dispossession and cultural erasure.

The novel’s title could be a reference to not just the transformation of the land through re-vegetation and restoration, but also the translations that characters undertake to bridge linguistic, cultural and emotional gaps between them — translation in this sense is portrayed as the language of solidarity and resistance.

Hidden within the trope of new beginnings in a small town, Abdu paints a powerful picture of mutual recognition and respect, of shared struggles, and the healing potential of intercultural bonds.

This is unveiled through Aliyah’s interactions with the community into which she slowly, and sometimes reluctantly, begins to integrate, including her conversations with Shep, the reserved Palestinian man from Gaza who she hires as a farmhand, and Billie, the wise and nurturing Kamilaroi midwife.

Love and faith are also focal elements in the story. Love in its many forms — romantic, familial, and communal — acts as a balm to past wounds for the Arab and Aboriginal characters, while faith, both in the divine and in human resilience, guides Aliyah, and her childhood friend Hana, through despair toward hope.

“Translations” is a profound exploration of not just the complex interplay between identity and trauma, but also a look at how love can bridge divides, and how shared histories of resistance can unite different peoples in their quest for peace and understanding.

In one pivotal moment in the story that carries a deep message, Shep discusses displacement and the “chain of loss and expulsion” with Billie’s husband Jack, an Aboriginal character, who poignantly says: “You want to wish for something, wish for the return of the land’s dignity.”


Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’

Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’
Updated 04 March 2025
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Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’

Beirut’s Nuhad Es-Said pavilion aims to ‘unite all Lebanese people’
  • Dedicated to memory of Lebanese art connoisseur and curator
  • Nation has ‘beautiful’ culture, says heritage expert Lama Salam

DUBAI: The recently inaugurated Nuhad Es-Said pavilion at the National Museum of Beirut is envisioned as a space where Lebanese from all walks of life can unite to celebrate culture and art.

Dedicated to the memory of Lebanese art connoisseur and curator Nuhad Es-Said, it occupies a special area within the museum, creating an environment that encourages artistic and cultural conversations.

“We want to reiterate the museum’s position in society and the pavilion will be viewed as a cultural hub and unite all Lebanese people,” Lama Salam, a member of the National Heritage Foundation in Lebanon, told Arab News.

“As Lebanese people, our culture and heritage unite us. The more we sit down, research and discuss our heritage and see that we have so much to be proud of the more we realize how beautiful our culture is,” she added.

The pavilion features a restaurant and multi-purpose seating area that can be rented out and used for galleries, showcases and events.

Salam said the design of the pavilion features large gates and archways as an ode to the museum’s architecture.

“Gates were already part of the museum’s foundation but we chose to incorporate them more to symbolize something more significant,” said Salam.

“The gates act as symbolic portals from the past leading to the present and hopefully into the future. As you pass through all these gates you walk through the past, the present and, God willing, through to the beginning of the future.”

Salam described visiting the pavilion as a unique experience unlike offerings at traditional museums.

“When you sit in the restaurant, you are surrounded by history, the preserved iron gates, the historic wall, and a beautiful view of Beirut’s green racetrack with pine trees in the background.

“Since this pavilion is an annex to the national museum, which we consider a cultural treasure, it offers a unique experience,” she said.


 


Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  

Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  
Updated 04 March 2025
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Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  

Georgina Rodriguez teams up with Mayyas dance troupe for new campaign  

DUBAI: Argentine model Georgina Rodriguez has joined forces with Lebanese dance group Mayyas, who won the 17th season of “America's Got Talent,” for a new campaign.

They starred in an advertisement for Egyptian real estate company Horizon Egypt Developments, where Rodriguez and the Mayyas promote Saada, a real estate development in New Cairo in Egypt.

The video opens with a formal outdoor gathering in a desert setting, where guests dressed in evening attire socialize under draped golden canopies and soft candlelight. 

Rodriguez arrives in a shimmering gold, form-fitting gown, drawing attention as she walks through the crowd.

She stops and watches as the Mayyas perform a choreographed routine to orchestral music. The dancers were dressed in black and gold outfits, paired with gold eye masks, moving in the synchronized formations they have become famous for.

During the event, a waiter hands Rodriguez a letter. After reading it, she makes a phone call and says in Spanish, “Pack my bags. She reached before me.” The scene then transitions to her getting into a luxury car and when the driver asks for their destination, she responds: “It’s always Saada.”

This is not Rodriguez’s first campaign for Saada. In October, she led a campaign for Saada Sahel, another real estate development on Egypt’s North Coast.

In the video, she was seen speaking on the phone, saying: “I already got the tickets, we are going next summer.”

For the campaign, she wore a white lace-trimmed sundress with spaghetti straps and a fitted bodice featuring intricate lace detailing.

The look was accessorized with a necklace from Egyptian brand Nado’s Jewelry’s Perle collection, which includes large, rounded links alternating between polished gold and diamond-encrusted surfaces. 

Teaming up with Rodriguez and winning “America’s Got Talent” are not the only global milestones for the Mayyas.

In 2023, Nadim Cherfan, the founder and choreographer of the dance troupe, reached a major career milestone when he choreographed part of Beyonce’s performance at the grand opening of Atlantis The Royal in Dubai.

“To the artist of my life Beyonce, thank you for making my dream come true. Thank you for being the humblest, most professional and phenomenal human that you are,” he shared on social media at the time.


Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 

Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 
Updated 03 March 2025
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Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 

Art Week Riyadh to celebrate Saudi Arabia’s dynamic cultural scene 
  • Curatorial team includes local, regional and international contemporary art specialists
  • Vittoria Matarrese: Art Week Riyadh represents an extraordinary opportunity to engage with a city and region undergoing profound cultural transformation

RIYADH: The Visual Arts Commission has announced the curatorial team for the inaugural Art Week Riyadh, scheduled to take place from April 6 to 13 under the theme “At the Edge.” 

The team features artistic director and curator Vittoria Matarrese, associate curators Basma Harasani and Victoria Gandit Lelandais, and public program curator Shumon Basar. 

Matarrese, the former director of the Bally Foundation in Switzerland and the performing arts department at the Palais de Tokyo in Paris, praised the initiative.

“Art Week Riyadh represents an extraordinary opportunity to engage with a city and region undergoing profound cultural transformation. It is a platform to explore these shifts and reveal how tradition and acceleration coexist and evolve.”

Harasani said the project “is a testament to the remarkable progress the country has made in establishing itself within the global cultural narrative, while still preserving its authenticity and showcasing the very best the Kingdom has to offer.” 

Art Week Riyadh will take place at Jax district, featuring activities across the city. And a curated selection of artworks from more than 30 local, regional and international galleries and collections.

Additionally, it will have panel discussions, interactive sessions, and special events designed to showcase Riyadh’s cultural vitality, its evolving artistic landscape, and growing influence on the global stage.

Gandit Lelandais, a specialist in contemporary art from the Arab world, said the “fact that Art Week Riyadh exists demonstrates the intentional development of a thriving art ecosystem.”

There was “a clear vision to foster a healthy environment for growth among all the key players — galleries, artists, institutions, scholars, collectors, and more.

“This initiative is invaluable, offering a city-wide platform for critical discussions, dialogue, and reflection under one roof.” 

Basar said: “Art Week Riyadh offers a moment to frame everything that has happened in the arts in Riyadh, in the Kingdom, and in the region over the last years and decades. 

“And to dialogue that with global-scale conversations in an increasingly multipolar world.” 

The curators have broadened the concept of the theme “At the Edge” to create a program uniting leading cultural institutions, renowned artists, art patrons and enthusiasts, top galleries, and prestigious art collections.