REVIEW: ‘Donkey Kong Country Returns’ offers classic retro platform fun

REVIEW: ‘Donkey Kong Country Returns’ offers classic retro platform fun
“Donkey Kong” is platformer ballet, requiring a combination of timing of directional jumps and a small variety of attacks to proceed. (Supplied)
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REVIEW: ‘Donkey Kong Country Returns’ offers classic retro platform fun

REVIEW: ‘Donkey Kong Country Returns’ offers classic retro platform fun

LONDON: Way back in 1999, “Donkey Kong 64” was a genre-defining release for the Nintendo 64. It was the first 3D Donkey Kong game, a generation apart from the first time the gorilla appeared in computer games in 1981.

The return of “Donkey Kong” in this newly released high-definition title for the Switch, offers nothing as groundbreaking as some of his previous titles but is rather core fun for a new generation of younger players.

Indeed, it offers a rehashed, polished and enjoyable platformer for a console that is about to welcome its first major upgrade in the coming months.

At its essence, “Donkey Kong” is platformer ballet, requiring a combination of timing of directional jumps and a small variety of attacks to proceed. Set against the lush backdrop of a tropical island that takes you across nine worlds: from jungles to ruins, underground mines to factories.

With jaunty music and a storyline no more complicated than trying to rescue stolen bananas, Donkey Kong is very much a pick and play rather than a brain teaser.

The game’s simple premise has a degree of depth within it when it comes to the search for perfection. Completing one setting straight through is one thing, doing it whilst collecting all jigsaw puzzle pieces, Donkey Kong letters and bananas is another entirely.

Charming music and enemies and allies alike make up part of your journey. Diddy Kong is your key ally, in single-player mode he rides on DK’s back providing that extra jump boost, in two-player mode he can take down enemies with his banana throws.

Puzzles are straightforward enough for the younger gamer (the game is advertised as age 3 and over) and the biggest frustration is how far you have to go back if you are felled by a bad guy or in a bottomless pit.

Racing minecarts or buccaneering rhinos offer more variety away from the core jumping and the end-of-level bosses are imaginative.

A nice new touch is the use of perspective, accessed through blasting barrels, to conquer more distant parts of each world. Something that is slightly harder on the handheld versus the console as your character vanishes into a miniature.


Actress Jamila Awad stars in Armani Beauty campaign

Actress Jamila Awad stars in Armani Beauty campaign
Updated 19 March 2025
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Actress Jamila Awad stars in Armani Beauty campaign

Actress Jamila Awad stars in Armani Beauty campaign

DUBAI: Egyptian actress Jamila Awad is the face of Armani Beauty’s latest campaign for the perfume Si Passione Intense. 

In the campaign videos and shots, directed by French filmmaker Woodkid, the actress wore a black suit while holding the perfume bottle. 

Speaking about the collaboration, Awad reflected on the campaign’s central theme in a released statement.

“What makes your heart beat? This question resonates deeply with me — passion is what drives everything I do,” she said. “Si Passione Intense is more than just a fragrance; it’s a reminder to embrace what sets your heart on fire and live boldly.” 

The new scent builds upon the original Si fragrance with a composition that opens with blackcurrant and pear, transitions into a floral heart of rose and jasmine, and concludes with base notes of vanilla and cedarwood. The fragrance is presented in a red ombre bottle.

In the campaign videos and shots, directed by French filmmaker Woodkid, the actress wore a black suit while holding the perfume bottle. (Supplied)

Awad gained widespread recognition for her breakout role in the 2015 television series “Taht El Saytara” (“Under Control”), in which she portrayed the character of Hania, a troubled teenager struggling with addiction. 

Following her debut success, she starred in several acclaimed projects, including the drama series “La Totfe’ Al Shams” in 2017 and the popular film “Hepta: The Last Lecture” in 2016, which further solidified her status as one of Egypt’s rising stars.

Awad is not the only Arab star to collaborate with Italian label Armani Beauty. Lebanese Jordanian actress Andria Tayeh was named the brand’s new Middle East beauty ambassador in February.

Tayeh, known for her roles in Austrian filmmaker Kurdwin Ayub’s “Mond” and Netflix’s hit series “Al Rawabi School for Girls,” expressed her excitement on Instagram at the time and wrote: “I am thrilled and honored to embark on this new journey with Armani beauty.

“This marks a real milestone for me, as the brand embodies values I have always cherished: timeless elegance, dramatic simplicity, and women empowerment,” she added. “Armani beauty reveals one’s charismatic personality in the most subtle and natural way. It’s this pure simplicity that creates an impact, and this is exactly what I hope to bring to the Arab cinema world.” 


Saudi-shot action thriller ‘Seven Dogs’ drops first-look images

Saudi-shot action thriller ‘Seven Dogs’ drops first-look images
Updated 18 March 2025
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Saudi-shot action thriller ‘Seven Dogs’ drops first-look images

Saudi-shot action thriller ‘Seven Dogs’ drops first-look images

DUBAI: First images for Adil El Arbi and Bilall Fallah Saudi-shot action thriller “Seven Dogs” have dropped as the production shoots outside the capital of Riyadh.

The $40 million project from the “Bad Boys for Life” directorial duo is being shot at the newly inaugurated Alhisn Big Time Studios in Riyadh, one of the Middle East and North Africa region’s biggest film and television production facilities, with additional filming at Riyadh Boulevard. Riyadh will also serve as a stand-in for multiple international cities, including Mumbai and Shanghai.

Karim Abdel Aziz and Ahmed Ezz on set. (Supplied)

The thriller is based on an original story by Turki Alalshikh, chairman of Saudi Arabia’s General Entertainment Authority.

Egyptian stars Karim Abdel Aziz (“The Blue Elephant,” “Kira & El Gin,” “Abu Ali”) and Ahmed Ezz (“Kira & El Gin,” “The Cell,” “Welad Rizk”) headline the action film.

Ezz plays Interpol officer Khalid Al-Azzazi who apprehends Ghali Abu Dawood (Aziz), a high-ranking member of the clandestine global crime syndicate known as Seven Dogs. A year later, the organization resurfaces, trafficking a dangerous new drug — Pink Lady — across the Middle East.

With time running out, Khalid reluctantly joins forces with Ghali, the only person with intimate knowledge of the syndicate’s operations. Their uneasy alliance propels them on a high-stakes mission across multiple global cities as they strive to dismantle the organization and prevent the drug from flooding Arab streets.

“Seven Dogs” is slated for a late 2025 release.
 


Zuhair Murad unveils Marina Rinaldi collection inspired by the Tang dynasty

Zuhair Murad unveils Marina Rinaldi collection inspired by the Tang dynasty
Updated 18 March 2025
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Zuhair Murad unveils Marina Rinaldi collection inspired by the Tang dynasty

Zuhair Murad unveils Marina Rinaldi collection inspired by the Tang dynasty

DUBAI: Lebanese designer Zuhair Murad has unveiled his latest collaboration with Italian label Marina Rinaldi. Murad designed the brand’s Spring/Summer 2025 capsule collection inspired by China’s Tang dynasty. 

Drawing from the dynasty’s introduction of peony cultivation in imperial gardens, Murad infused the collection with images of the flower.

The collection focuses largely on eveningwear.

The collection focuses largely on eveningwear. (Supplied)

“Grand evening gowns go beyond the pure object, they are a way of investing in one’s personal history,” the designer said in a released statement. True to his signature style, the collection features hourglass silhouettes and intricate hand-embroidered details.

The collection’s color palette mirrors another element of Tang dynasty artistry — delicate chinaware. Soft shades of cream, sky blue, aquamarine green and pink infuse the flowing chiffon gowns, pleated bodices and long plisse skirts. 

“These looks wrap and enhance all women,” said Murad, highlighting the collection’s inclusive and flattering designs. The pieces are crafted from a mix of luxurious fabrics, including cady, pure silk georgette and shimmering sequins hand-sewn onto tulle to create a wave effect.

This is Murad’s second collection for Marina Rinaldi. (Supplied)

The silhouettes range from semi-fitted bodices that gently flare out to rich, flowing kaftans adorned with peony motifs. The collection also features long-sleeved gowns with deep V-necklines that emphasize the waist, along with sleek trouser suits for a modern touch.

The Tang dynasty ruled china from 618 to 907, with an interregnum between 690 and 705. The period was known for its flourishing arts and culture scene, with imperial ceremonies reviving the practice of hosting orchestras and companies of dancers. China in this period was also open to outside influences as as Arabian and Persian seamen did trade in the area.

This is Murad’s second collection for Marina Rinaldi that merges historical influences with contemporary fashion. 

The designer has been recognized for his detailed craftsmanship in haute couture and bridal fashion. Since founding his brand in 1997, he has gained international attention. His creations have been worn by celebrities such as Jennifer Lopez, Beyonce, Priyanka Chopra Jonas, Taylor Swift, Celine Dion, Sofia Vergara, Blake Lively, Kristen Stewart, and Scarlett Johansson on major red carpets. 

He is also one of a handful of Arab designers on the official Paris Fashion Week and Paris Haute Couture Week calendars.


May Calamawy promotes indie film ‘The Actor’

May Calamawy promotes indie film ‘The Actor’
Updated 17 March 2025
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May Calamawy promotes indie film ‘The Actor’

May Calamawy promotes indie film ‘The Actor’

DUBAI: Egyptian Palestinian actress May Calamawy took to social media this week to promote her latest film, “The Actor.”

The actress, who previously took on a leading role in Marvel series “Moon Knight,” stars alongside US actor Andre Holland and English actress Gemma Chan in the indie film.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by May Calamawy (@calamawy)

“Had the BEST TIME with everyone on #TheActor, showing in select theatres today  (sic),” Calamawy wrote on Instagram alongside a carousel of behind-the-scenes images from the set of the film.

The movie follows fictional actor Paul Cole who is beaten and left for dead in 1950s era Ohio.  He loses his memory and finds himself stranded in a mysterious small town where he struggles to get back home to New York and reclaim what he has lost.

The film was directed by Duke Johnson, co-produced by “Suits” alum Abigail Spencer and executive produced by Ryan Gosling. The film was scripted by Johnson and Stephen Cooney and is based on the bestselling novel “Memory” by Donald E. Westlake.

Calamawy is known for her roles in US Netflix series “Ramy” and “Moon Knight” (2022), where she plays dual characters Layla El-Faouly  and the Scarlet Scarab.

She made headlines in late 2024 when almost all her scenes were cut from Ridley Scott’s “Gladiator II,” with fans taking to social media to complain.

Her casting in the film was first announced in May 2023.

At the time, Deadline reported that Scott had cast Calamawy after a lengthy search, writing: “While many of the leading roles were straight offers, Scott wanted to do a similar search he did for the (Paul) Mescal part for the role that Calamawy ultimately landed.

“Given the importance of the character to the story, Scott wanted a thorough search, and following multiple auditions Calamawy landed the part,” Deadline added.

However, fans noticed that in the final cut, which hit cinemas in November, Calamawy is only seen in passing and she has no dialogue. Scott did not comment on Calamawy’s removal from the two hour and 28-minute film.


Farjana Salahuddin explores AI, tradition through interactive installation in Qatar

Farjana Salahuddin explores AI, tradition through interactive installation in Qatar
Updated 17 March 2025
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Farjana Salahuddin explores AI, tradition through interactive installation in Qatar

Farjana Salahuddin explores AI, tradition through interactive installation in Qatar

DOHA: Artists from around the world are showcasing their work in Qatar at “Ai or Nay? Artificial vs. Intelligent,” an exhibition running until May 15 at Doha’s Media Majlis Museum at Northwestern University.

The show features more than 20 installations by international artists exploring themes of artificial intelligence, creativity and identity. Among the contributors is Doha-based Bangladeshi artist Farjana Salahuddin, whose interactive installation “Patterned Deserts: Where AI and Traditions Meet” is a key highlight.

The experiential piece invites visitors to run their fingers through sand, encouraging them to reflect on the dynamic relationship between human creativity and technological advancement, Salahuddin said. As they move their fingers, shapes and lines form in response to their touch.

“It’s an interactive, sensory experience where people can connect with the piece and move their fingers through the sand,” Salahuddin told Arab News. “It’s a way to contemplate how much impact we’re really having, or whether technology is taking over all aspects of our lives.”

Inspired by natural elements such as desert roses and shells, the installation blends human-made forms with tech-driven designs. “Sometimes the sand follows your movements, but other times it moves on its own,” Salahuddin said. “This reflects how technology is evolving, sometimes complementing us and other times taking its own course.”

The interactive media artist, who was raised in Doha, drew inspiration from the city’s changing landscapes. “Doha is my home and it is transforming so much. In some places, you'll see that their identity is completely changing, and it’s all steel and glass,” she explained. 

“But then in some other places, we are trying to preserve the meaning in so many different ways, like the National Museum. It is such a contemporary place. So, we can build contemporary things, while keeping our identity in place as well.”