Tamtam’s Goast Flower: Growing a vibrant Saudi music community

Tamtam’s Goast Flower: Growing a vibrant Saudi music community
Known mononymously as Tamtam, the artist chose early in her career to go by a single name — a decision that helped to maintain her privacy while allowing listeners to focus on her message and music. (Instagram)
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Updated 13 April 2025
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Tamtam’s Goast Flower: Growing a vibrant Saudi music community

Tamtam’s Goast Flower: Growing a vibrant Saudi music community

ALKHOBAR: With her signature curls and radiant smile, internationally acclaimed Saudi singer-songwriter Tamtam brought her boundless energy to Alkhobar this week, aiming to nurture and connect the Kingdom’s growing music scene from the ground up.

Known mononymously as Tamtam, the artist chose early in her career to go by a single name — a decision that helped to maintain her privacy while allowing listeners to focus on her message and music. Over time, the name became synonymous with her genre-blending sound and global appeal by singing in both English and Arabic, and her bold advocacy for creative freedom.

The event, hosted at Bohemia Cafe and supported by MDLBEAST Radio, was part of Goast Flower’s community activation — a grassroots initiative launched by Tamtam to support emerging artists and independent creatives. The gathering transformed the space into a pop-up creative hub, where artists exchanged merchandise, contacts and ideas over coffee — free to anyone with a hand stamp at the door. Entrance was free with sign-up, allowing MDLBeast Radio to collect people’s contact information to stay connected.

The event at Bohemia was hosted by MDLBEAST Radio’s Ninyaz Aziza along with Tamtam. 




The event, hosted at Bohemia Cafe and supported by MDLBEAST Radio, was part of Goast Flower’s community activation — a grassroots initiative launched by Tamtam to support emerging artists and independent creatives. (AN photo)

MDLBEAST Radio co-hosted their first such event in Tamtam’s hometown, Riyadh, a few weeks earlier — a sahoor at Beast House — and this was their second stop on this mission.

“Honestly, I’m so, so happy. This is really cool because we get to play the music,” Tamtam told Arab News.

During the Riyadh sahoor, they merely mingled but did not perform or listen to music.

“In Alkhobar, so many people showed up — people are excited. There aren’t many events going on in Alkhobar, so I really feel like everyone is super appreciative,” Tamtam said.




Zamzam with their merch exchange swag. (Photo by Goast Flower)

She added: “The whole point of this is for artists and people in the music industry to meet, and that’s what’s happening. Like literally everyone’s telling me, ‘I’ve met so many people, thank you so much.’ I’m so happy — we need it. The goal has been achieved again.”

Raised in Riyadh and now based between the Kingdom and Los Angeles, Tamtam’s music explores themes of identity, gender equality and cultural connection. She blends alternative R&B with pop and personal storytelling, and her independent streak led her to create her own platform for creative control.

“Goast Flower is an independent music label I started a couple of years ago,” she said. “I’ve been releasing my music through it — it was a way for me as an independent artist to have my own label because I don’t want to be controlled by anyone. It’s amazing to have that freedom as an artist. I’m very grateful.”

Beyond being a label, Goast Flower functions as a creative hub. Its first major project, the Saudi Music Community, is a public database designed to help local talent connect.

“I literally collected all the artists I knew. Fulana, another Saudi artist, collected all the artists she knew. We put together a Google document and made it live,” she explained. “Now there’s another document where people can join and add their information, and someone checks it. In this way, artists can find each other in Saudi Arabia. A lot of artists are like, ‘Hey, I’m looking for a female rapper,’ or ‘I’m looking for a guitar player for my live show.’ And now they can just go to the database and find people.”

In Alkhobar, the idea found fertile ground.

Singer-songwriter, architect, photographer and university professor, Yazeed Al-Amasi, who attended both the Riyadh and Alkhobar events, said: “I’ve been living here in Dhahran since 2011, and this is the first time I feel super connected to the music community,” he told Arab News. “I don’t want to say it, but I think people are friendlier and more open to collaborating in Alkhobar. Or maybe people in Riyadh were just tired from Ramadan.”




Tamtam meets Zamzam. (AN photo)

A key part of the gathering was the merchandise exchange, a concept introduced by Tamtam to encourage artistic support without the barrier of money. Participants brought T-shirts, lyric booklets, CDs, stickers and creative works to swap with one another — artist to artist.

“The idea is that instead of spending money, artists are supporting each other. It’s a gesture of support that this community is all about,” Tamtam said.

“I really, really believe in this community, and I don’t think anyone can grow without a community in any industry,” she added. “I just feel like the music industry in Saudi needs this push, and the foundation needs to be stronger.”

During the event, guests took the mic to introduce themselves and share what they were seeking — producers, vocalists, instrumentalists, collaborators. Photographers offering band headshots and live performance images also stepped forward, strengthening the bonds in the room.

“I actually discovered local musician Zamzam through the Saudi Music Community when I was putting this together,” Tamtam said.

Zamzam, a frequent Bohemia performer and lover of all music genres, walked in as Tamtam was speaking about her. Zamzam, who also goes by a mononym, found the database through Tamtam’s initiative and was excited to meet her in person.

Both shrieked in delight on noticing they were face-to-face.

“Maybe we will have a Tamtam and Zamzam collaboration in the future,” someone said in the background.

“I added myself to the database!” Zamzam told Arab News. “I follow Tamtam and I saw the (Instagram) story about Goast Flower. Whenever I see a label or something that could be a creative hub, I want to connect.”

The venue itself played a role. Bohemia Cafe has become something of a beacon for alternative and indie creatives in the Eastern Province.

One of them, Fatima Falath, shared that she had written a song inspired by her visit to Bohemia.

“Two years ago, I was sitting at Bohemia and got inspired by the drawing on their cup,” Falath told Arab News.

“I had some matcha — even in the song we mentioned matcha,” Falath said with a laugh. “I sang and wrote the lyrics, and my friend and producer, who goes by Hajj Alibaba, did the background music. I made all my friends and family listen to it — it’s a driving-around-in-the-car song. I haven’t published it yet, but I’m inspired to publish it tonight at this event because we wrote it here.”

Everyone at Bohemia had a chance to listen to Falath’s creation for the very first time, and many other musicians joined after and played their songs.

Rohit Jayakaran of MDLBEAST Radio drove in from Riyadh to support the event along with Tamtam and the team. For nearly four hours, they were fired up to be there. He was beaming as the songs were being played.

“We’re very excited to be part of the Saudi music community and support it as MDLBEAST Radio,” Jayakaran told Arab News. “We believe that great things will come out of this community. Bohemia — this is the place where people come for music in Sharqiya. What I discovered today is that there is a community — and it’s a growing community. It’s eclectic. It has all sorts of dynamic energies in here. And it’s just really nice to have this here because it didn’t exist before. It’s amazing. It’s awesome.”

Jayakaran hopes that connections made will showcase their collaborative talents at the next live show at Bohemia, in Riyadh, or just in general.

For now, Goast Flower remains Tamtam’s personal label — though she doesn’t rule out signing other artists in the future.

“I really, really respect the artist. Unless I know I can invest a lot of money in the artist — money, time and effort — I’m not going to sign them,” she said. “A lot of the big people in this industry take advantage of artists. Artists don’t make enough money from streaming. The music business has a lot of work to do.”

She hopes that Saudi Arabia can do things differently.

“Saudi is such a special place right now because it’s the beginning of the music industry. We are in a place where we can shape it in a different way — we don’t have to copy the West. We can learn from the mistakes happening in other industries.”

Next, Goast Flower is headed to Jeddah, where they will host a similar activation on April 16 at Hayy Jameel.

It will essentially go from the heart of the Kingdom to the two coasts, like a hug to the music community in Saudi Arabia.


Saudi comedy film ‘Ambulance’ to get sequel

Saudi comedy film ‘Ambulance’ to get sequel
Updated 19 April 2025
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Saudi comedy film ‘Ambulance’ to get sequel

Saudi comedy film ‘Ambulance’ to get sequel

DUBAI: A sequel is already in the works for “Esaaf” (“Ambulance”), the new comedy starring Saudi actor and stand-up comedian Ibrahim Al-Hajjaj and directed by British filmmaker Colin Teague.

The film premiered on Tuesday, making history as the first Arabic-language movie to be released by Imax. 

The plot revolves around two Saudi paramedics who discover a briefcase containing holding SR2 million (around $533,300) and find themselves caught up in a dangerous kidnapping scheme.

The movie is written by Alberto Lopez and produced by Al-Hajjaj’s House of Comedy, Saudi producer Talal Anazi’s Black Light Operations and former MBC Studios chief Peter Smith in tandem with Saudi Media Company. 

The film marks Al-Hajjaj’s first major release since “Sattar,” the 2023 wrestling film which grossed over $30 million, primarily from Saudi audiences.


Princess Rajwa, Prince Hussein visit historic site in Jordan

Princess Rajwa, Prince Hussein visit historic site in Jordan
Updated 19 April 2025
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Princess Rajwa, Prince Hussein visit historic site in Jordan

Princess Rajwa, Prince Hussein visit historic site in Jordan

DUBAI: Princess Rajwa Al-Hussein of Jordan opted for a relaxed look this week when she visited the archaeological site of Umm Qais with her husband, Crown Prince Hussein bin Abdullah.

Rajwa, who is of Saudi origin, wore beige Atelier canvas straight-leg cargo pants by Jacquemus, paired with a black fitted top and matching Prada re-edition 2005 nylon bag. She completed her look with Gentle Monster’s Musee 01 sunglasses.

The crown prince also kept it casual in a plain white T-shirt, olive green cargo shorts and sunglasses.

Bin Abdullah took to Instagram to share a heartwarming photo with his wife taken during their visit.

“There is nothing like spring in the north of Jordan,” read the caption.

The couple also made headlines this week as their eight-month-old daughter, Princess Iman bint Al-Hussein, marked a significant milestone when she accompanied them to the Kingdom of Bahrain on her first official overseas visit.

The young princess was received by Bahrain’s King Hamad bin Isa Al-Khalifa at Al-Sakhir Palace. (Instagram)

The young princess was received by Bahrain’s King Hamad bin Isa Al-Khalifa at Al-Sakhir Palace.

Princess Rajwa opted for a white-and-blue ensemble from London-based fashion label Erdem for the occasion. This included a floral midi pencil skirt and a draped short-sleeved top. She completed the look with white lace slingback pumps from Manolo Blahnik and a Jacquemus shoulder bag.

Last month, Crown Prince Hussein took to Instagram to mark Mother’s Day with a heartfelt tribute to his mother, Queen Rania, and Princess Rajwa.

In the first of two images, Queen Rania is holding her granddaughter, Princess Iman, as the crown prince watches on.

In the second image, Princess Rajwa, dressed in a plain white t-shirt, is seen holding her daughter.

“To my beloved mother and my loving wife, your presence fills our lives with joy, and your love is the true meaning of giving. Happy Mother’s Day,” he wrote.

The royal couple welcomed Iman in August last year.

They are also active in their humanitarian efforts. During Ramadan, they visited the Children’s Museum Jordan to attend an iftar event with orphans.

They spent time with the children, playing games, sharing a meal and engaging in conversation. The couple also posed for photos with the young attendees.


At Art Dubai, Pakistani artists find the space missing at home

At Art Dubai, Pakistani artists find the space missing at home
Updated 19 April 2025
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At Art Dubai, Pakistani artists find the space missing at home

At Art Dubai, Pakistani artists find the space missing at home
  • The Middle East’s leading art fair draws galleries and collectors from around the world
  • Pakistani artists say global interest is rising in their work, bringing international recognition

KARACHI: Pakistani artists have been receiving increasing international recognition, but many still grapple with limited opportunities and visibility at home, a participant at a major Gulf art fair said this week.
Her comments coincided with Art Dubai 2025, the Middle East’s leading contemporary art fair, where 10 Pakistani artists are exhibiting their work this year.
The event, running since 2007, draws galleries and collectors from across the globe and has become a vital platform for people with creative abilities in places like Pakistan.
“It’s wonderful that we as artists who have been invisible because of the greater struggles of [our] country are visible through this platform in the Gulf,” said Faiza Butt, a London-based Pakistani artist currently attending the fair, told Arab News over the phone.

Artist Faiza Butt poses against the backdrop of her artwork ‘The Male Figure’ during the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 17, 2025. (Photo courtesy: Handout/Grosvenor Gallery)

“It’s really a matter of pride that despite all the odds, Pakistani artists continue to appear, and work and make themselves visible, especially female artists.”
Butt maintained Pakistani artists are shaped by the country’s complex realities, adding that is what gives their work its depth.
“Our social and political struggles really feed the artists’ imagination,” she said. “Art doesn’t come from a happy place. So one of the reasons our artists are so strong is because our country has gone through a great deal of strife.”
She also credited the country’s mature art education institutions, such as the National College of Arts in Lahore and the Indus Valley School of Arts in Karachi, for nurturing generations of artists despite systemic challenges.

Artwork ‘The Male Figure’ by Pakistani artists Anwar Saeed and Faiza Butt on display by Grosvenor Gallery during the Art Dubai 2025 at Madinat Jumeirah in Dubai. (Photo courtesy: Handout/Grosvenor Gallery)

Karachi-based visual artist Sana Arjumand, who is also exhibiting at the fair, echoed similar views.
“There is now more and more interest coming into Pakistani art because we are really making very good art,” she said.
“Because of so many different experiences here [in Pakistan], we have that informed kind of making of art. It’s more vibrant and alive. It stands out as well — that is why more and more interest is coming here.”
Arjumand, who studied painting at NCA, said her early work focused on self-reflection but has since evolved to include themes of Sufism, mysticism and human interconnectedness with nature.
Her new work, presented at the fair, explores the idea that human behavior mirrors elements in the natural world.
“It’s for everyone,” she said. “It has a storyline that anybody can relate to.”
A total of ten Pakistani artists, including one posthumously, are featured in the fair’s Contemporary Art section. Among them is the late Sadequain, whose pioneering calligraphy and figurative works helped define Pakistan’s post-Partition art movement and continue to influence generations of artists.

Sana Arjumand’s painting ‘The Perfect Mirror’ on display by Aicon Gallery at Booth E5 as they set up for the Art Dubai 2025 preview at Madinat Jumeirah in Dubai on April 16, 2025. (Photo courtesy: Handout/Sana Arjumand Studio)

Also exhibiting are Rasheed Araeen, a Karachi-born conceptualist known internationally for his contributions to British minimalist and postcolonial art, and Imran Qureshi, whose fusion of classical Mughal miniature techniques with contemporary themes has earned him acclaim worldwide.
Other featured names include Anwar Saeed, celebrated for his explorations of identity and sexuality, and Shezad Dawood, a London-based multidisciplinary artist with Pakistani and Indian heritage.
Butt is being represented by Grosvenor Gallery in London, which is exhibiting her work alongside that of Anwar Saeed under a shared curatorial concept focused on representations of the male form.
“The female figure is represented enough in the arts,” said Butt. “Anwar and I both discuss the male form but with our own unique politics based on our unique ethnography. But we are both Pakistanis, and there are overlaps in our concerns.”
She will also deliver a talk on behalf of Saeed, reflecting on his practice and political engagement through art.
Despite global attention, Butt stressed that Pakistan lacks the institutional and financial infrastructure to support a thriving art scene.
“Art is a very priced project, and Pakistan cannot afford having art fairs or a very established art market,” she said. “Pakistani artists get absorbed by galleries from other countries.”
She described Art Dubai as a great opportunity for artists in her country.
“Dubai is a very stable financial hub of the Gulf region,” she continued. “It has welcomed a great deal of migration from India and Pakistan. You get a diverse audience. It’s a beautiful coming together, in a positive way, of ideas, culture and exchange of thought.”


Art Dubai’s 18th edition marks UAE’s rise as key market for contemporary art 

Art Dubai’s 18th edition marks UAE’s rise as key market for contemporary art 
Updated 19 April 2025
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Art Dubai’s 18th edition marks UAE’s rise as key market for contemporary art 

Art Dubai’s 18th edition marks UAE’s rise as key market for contemporary art 
  • Latest edition of the region’s leading contemporary art fair presented high-quality works from around the world, cementing the Gulf metropolis as a key market player 

DUBAI: The Madinat Jumeirah is alive once again with the invigorating buzz of collectors, artists, gallerists and art lovers all gathered for the 18th edition of Art Dubai, which runs until April 20. There is the familiar sound of a multitude of languages and accents, reflecting Dubai’s ever-growing international population as gallerists from around the world, including North America, China, South and Central Asia, Africa and from across the Middle East, showcase works that reflect the artistic breadth and culture of their respective countries.

Of note are the 30 new exhibitors at Art Dubai, hailing from around the world, forming part of the 120 galleries taking part this year. The quality of works on display, underlined artistic director Pablo del Val, are particularly noteworthy this year and, he says, evoke a sense of escapism and surrealism as if to provide refuge from the uncertainty of today’s times.

The quality of works and international range of galleries also reflect the changing nature of Dubai.

Mohasses, Untitled, 50 x 70 cm. (Supplied)

Rather than take up residence in Dubai for a short-term period of a few years, new residents are coming to the city with plans, it seems, to stay for longer. At the same time, there has been notable investment in cultural infrastructure within the UAE that is now paying off, resulting in a plethora of new museums, galleries, institutions and initiatives offering visitors to Art Dubai a wealth of cultural activities outside the fair.

“Today there is a change in the architecture (of Dubai), with residents desiring more state-of-the-art homes with more space,” del Val told Arab News. “When these people move to Dubai they are doing so with a long-term version. This gives a sense of stability to the city and necessitates a different kind of art collecting.”

Among the newcomers to the fair was Richard Saltoun Gallery, which has branches in Rome, London and New York.

Mohasses, Untitled, 70 x 100 cm. (Supplied)

“This will be our first participation at Art Dubai and we are thrilled to be participating. Dubai, and the UAE in general, is one of the most interesting and growing markets that we work with,” Niamh Coglan, sales director at Richard Saltoun Gallery, told Arab News. “The institutional collections, foundations and private collections are curious, active and engaging to work with. Having worked with several major museums and foundations over the past few years in the region, we knew we had to take a more active role and be more present.”

Among the artists the gallery will show at the fair is Mozambican modernist Bertina Lopes, whose work is on display in the exhibition Kings and Queens of Africa at the Louvre Abu Dhabi.

Among the notable works at the fair was a large 196 x 363 cm painting by the late Iranian artist Bahman Mohassess and New York-based Leila Heller Gallery’s booth portraying two abstract figures locked in a passionate embrace, one colored red and the other off-white next to a group of stones and an abstract black bird flying overhead. The work, which has garnered great interest among collectors, is being sold for $2,650,000.

Mohasses, Untitled.25 x 35 cm. (Supplied)

In the Bawwaba section of specially commissioned works for the fair, Saudi artist Abdullah Al-Othman is showcasing a solo project in the form of a large installation work of signs, symbols and photography from around Riyadh as part of his series Manifesto: the Language & the City (2011). The work is being displayed through Iris Art Projects, the only GCC gallery exhibiting in the section.

Showcasing works from the African continent and diaspora is Efie Gallery, a Dubai-based gallery that recently moved to Alserkal Avenue. The gallery’s booth presented a mixed media presentation that is thoughtfully and serenely curated featuring works by Abdoulaye Konate, Maria Magdalena Campos-Pons, Hugh Findletar and J.K. Bruce Vanderpuije.

“We love being in the Middle East and Dubai because it has offered us a clean slate as opposed to the West, where we need to deconstruct narratives,” said co-founder of the gallery Kwame Mintah. “Here we are offered the space to construct the narratives.”


11th Saudi Film Festival opens with a night of cinema, culture, stars

11th Saudi Film Festival opens with a night of cinema, culture, stars
Updated 18 April 2025
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11th Saudi Film Festival opens with a night of cinema, culture, stars

11th Saudi Film Festival opens with a night of cinema, culture, stars

DHAHRAN: The red carpet was rolled out for the 11th edition of the Saudi Film Festival on Thursday, as the event confirmed its role as a cornerstone of the Kingdom’s burgeoning movie culture.

Hosted by the dynamic duo — Saudi actors Aixa Kay and Khaled Saqer — the celebration at the King Abdulaziz Center for World Culture (Ithra) in Dhahran was brimming with glamor and drama.

Saudi opera singer Mohammed Khayran Al-Zahrani and renowned French soprano Fabienne Conrad serenaded the crowd, while a live orchestra performed a medley of classical renditions of popular film scores under the direction of maestro Gevorg Sargsyan.

The 11th Saudi Film Festival was hosted by Saudi actress Aixa Kay and actor Khaled Saqer. (Supplied)

The event was organized by the Cinema Association in strategic partnership with Ithra — an Aramco initiative — and was supported by the Saudi Film Commission of the Ministry of Culture.

This year’s festival, with the theme “Cinema of Identity,” delves into the power of storytelling to reflect and shape cultural, personal and collective narratives.

At the opening, Cinema Association chairwoman Hana Al-Omair emphasized the theme’s significance.

“We present this year’s edition at a time when Saudi film production is undergoing noticeable growth. Saudi films are no longer rare appearances; they are now competing for prime slots in Arab cinemas. This reflects an artistic momentum worth pausing and reflecting upon,” she said.

She also highlighted the festival’s special focus.

Saudi opera singer Mohammed Khayran Al-Zahrani and renowned French soprano Fabienne Conrad. (Supplied)

“In addition to the usual festival activities, we are shining a spotlight on the Japanese cinema experience, which has had a profound impact on world cinema, thanks to its artistic schools, rich experience and global history,” she said.

Opening night saw visitors treated to the premiere of “Siwar” by Osama Al-Khuraiji.

The program, which runs until April 23, is packed with events including a steady stream of stars, film screenings, seminars, workshops, masterclasses and the coveted Golden Palm awards.

Since its founding in 2008, the Saudi Film Festival has become the Kingdom’s longest-running cinematic event.

This year, 36 out of 68 screenings are Saudi and Gulf films, comprising eight narrative features, 21 shorts and seven documentaries. Parts of the proceedings, and some other festival events, are being live-streamed.

For more information about buying tickets, visit the Ithra website.