Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems

Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems
Hiroshima, with Hiroshima Castle in the foreground. (Shutterstock)
Short Url
Updated 08 March 2024
Follow

Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems

Discovering the dual history of Hiroshima and Nagasaki: From tragedy to cultural gems
  • The two cities were almost wiped out in 1945. They remain sobering but rewarding destinations for visitors 

TOKYO: Hiroshima and Nagasaki will forever be infamous as the first cities to be targeted by atomic weapons. Nearly 80 years since the world entered the nuclear age, however, both are keen to promote the more positive parts of their histories and some of their unique attractions. 

There is no getting around the fact, however, that Hiroshima and Nagasaki are on travelers’ maps today largely because they were nearly wiped off them completely in 1945. 

Hiroshima — less than five hours south-west of Tokyo by bullet train — is spread across the delta of the Ota River. A distinctive T-shaped bridge on the northern tip of one of the delta’s long, slender islands was the target of “Little Boy,” the bomb dropped by the Enola Gay B-29 Superfortress at 8.15 am on August 6, 1945. 




Nagasaki Skyline at night from Mount Inasa. (Shutterstock)

It detonated almost directly above the Hiroshima Prefectural Commercial Exhibition Hall, a steel-and-concrete structure that, while almost everything within the blast radius of several kilometers was destroyed, withstood the explosion. Its skeletal remains are today known as the A-Bomb Dome. 

Just across one branch of the river is the Peace Memorial Park, home to the sobering Peace Memorial Museum where survivors’ tales are interspersed with artifacts such as melted glass or thick steel that was folded by the force of the blast. An eternal flame burns in a cenotaph in the gardens where commemorations are held every August. 

Nearby is the famous Children’s Peace Monument, which depicts a girl with her arms outstretched and an origami paper crane above her. The model for the statue was Sadako Sasaki, who survived the bomb but was diagnosed with leukemia in 1954. In hospital, before her death in 1955, she folded more than 1,000 paper cranes which, according to Japanese lore, would grant her a wish.  

Hiroshima Castle, once the base of local warlord Terumoto Mori, is well worth visiting, even if it is a reconstruction, the original having been destroyed by the bomb. Its spacious grounds are the best place in the city to enjoy the cherry blossoms during the brief spring “hanami” season. 

A short boat journey away is the island of Itsukushima, a UNESCO World Heritage Site dotted with shrines and pagodas dating back centuries. It is most famous for the bright orange “torii” gate that stands in front of Itsukushima Shrine and appears to float above the water at high tide. 




The 'floating' gate in front of Insukushima Shrine. (Shutterstock)

Around 400 kilometers to the west of Hiroshima, on the island of Kyushu, is Nagasaki, which — under the national-isolation policy of the Tokugawa shogunate — was once the only port in Japan where Portuguese and Dutch traders were permitted to come ashore and trade. This enabled Christian missionaries to gain a foothold in the mid-1500s, which led to hundreds of Japanese converts being executed.   

As trade grew, so did Nagasaki’s importance. When Japan emerged from a second bout of isolation in the mid-1850s, Western concepts, engineering and technology flowed through the city and it became Japan’s center of shipbuilding, thanks in part to Scottish merchant Thomas Glover, who arrived in 1859, and swiftly became involved in the construction of ships and railways, and the import of, among other commodities, guns. 

Glover’s luxurious former home sits on a bluff overlooking the harbor and the Mitsubishi Heavy Industries dockyards that are direct descendants of his ventures. A number of other historic buildings from the city’s foreign community have been preserved, giving a glimpse into the luxury in which expats lived at the time. 

Nagasaki also has a thriving Chinatown district, which gets particularly raucous during New Year festivities, while Dejima has undergone extensive archeological investigation and reconstruction to return it to the fan-shaped isle that was built on the orders of the shogun in 1636, linked to the mainland by a footbridge to limit the early foreign traders’ interactions with locals. 

A cable car can take you the 333 meters to the top of Mount Inasa, on the west side of the inlet, where the view is particularly spectacular at night. Further along the inlet, after it has become the Urakami River, is the spot that will forever connect Nagasaki to Hiroshima. Here stands a towering 10-meter statue of a man with his left hand extended in a gesture of peace while his other hand points to the skies. 

The plutonium bomb, “Fat Man,” detonated 500 meters above this spot just after 11 a.m. on the morning of August 9, 1945. The man’s eyes are closed. The sculptor wanted him to appear to be in prayer for the dead. 


Loli Bahia, Mona Tougaard walk at Tory Burch’s Fall/Winter 2025 show in New York  

Loli Bahia, Mona Tougaard walk at Tory Burch’s Fall/Winter 2025 show in New York  
Updated 3 min 15 sec ago
Follow

Loli Bahia, Mona Tougaard walk at Tory Burch’s Fall/Winter 2025 show in New York  

Loli Bahia, Mona Tougaard walk at Tory Burch’s Fall/Winter 2025 show in New York  

DUBAI: Regional models Loli Bahia and Mona Tougaard took center stage at the Tory Burch Fall/Winter 2025 show during New York Fashion Week, walking the runway in layered, textured ensembles.

Bahia, who is French Algerian, wore a navy pullover sweater with an oversized white collar, paired with brown trousers featuring a panel running down the sides. The sweater’s sleeves were rolled back to reveal a lighter lining, and a small gold pin fastened the collar. She carried a structured black leather bag with a long strap and wore polished brown leather shoes. 

Meanwhile, Tougaard — who has Danish, Turkish, Somali and Ethiopian ancestry — wore a rich navy look, featuring a shaggy-textured coat draped over matching velvet pants. 

Bahia wore a navy pullover sweater with an oversized white collar, paired with brown trousers featuring a panel running down the sides. (Supplied)

A structured scarf was wrapped around her shoulders, secured with a gold pin. The look was completed with glossy pointed-toe shoes and she carried a slouchy black leather handbag with soft folds and a long strap.

Tory Burch’s latest collection played with the familiar, offering a “twisted” take on classic sportswear, according to show notes. 

Pieces that might traditionally be considered wardrobe staples — such as cardigans, sweatpants and blazers — were reimagined. Banker shirts flared at the cuffs, cardigan sleeves were slashed and pinned at the shoulder, and shirt dresses followed a spiral construction, giving them a sculptural drape. 

Tougaard wore a rich navy look, featuring a shaggy-textured coat draped over matching velvet pants. (Supplied)

“A wardrobe collected over time, where each piece becomes irreplaceable: the perfect blazer, a favorite dress, a worn-in sweatshirt,” Burch said in a released statement.

The fabrics reflected the collection’s focus on deconstruction and transformation. Corduroy shaped cut-out dresses, needle-punched wool resembled fleece, and Japanese brushed jersey refined sweatpants and rugby tops.

Footwear incorporated details like heels, zippers and seams that appeared asymmetrical. The Twisted Pump from Spring/Summer 2025 returned in a distorted T-strap and slingback sandal.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by TORY BURCH (@toryburch)

For the jewelry, the designer introduced a hint of ’70s glamour. Shoulder-dusting chain earrings, oversized crystal flower brooches, and gold-tone sunglasses brought a vintage sensibility to the collection. Notably, the whimsical animal-inspired jewelry seen in recent seasons continued. 

The show took place at the Museum of Modern Art, and was attended by guests including Amanda Seyfried, Jodie Turner-Smith and Alexandra Daddario, who shared a bench with singer-songwriter Ciara and media icon Martha Stewart. 

The event was set to a soundtrack curated by Wladimir Schall. 


Jan Zuiderveld blends AI and creativity in interactive installation in Qatar

Jan Zuiderveld blends AI and creativity in interactive installation in Qatar
Updated 24 min 41 sec ago
Follow

Jan Zuiderveld blends AI and creativity in interactive installation in Qatar

Jan Zuiderveld blends AI and creativity in interactive installation in Qatar

DOHA: Dutch artist Jan Zuiderveld has repurposed a standard office photocopier into an interactive AI-powered tool for his installation “Machine-Aided Creativity,” currently on display at Qatar’s “Ai or Nay? Artificial vs. Intelligent” exhibition at the Media Majlis Museum. 

The exhibition, running until May 15, 2025, explores the relationship between artificial intelligence, creativity, and identity through more than 20 works by regional and international artists.

With Zuiderveld’s installation, visitors can sketch on paper, insert their drawings into the machine, and press a red button to watch as it prints vibrant, intricate AI-generated images.

Jan Zuiderveld has repurposed a standard office photocopier into an interactive AI-powered tool for his installation “Machine-Aided Creativity.” (Supplied)

Initially, Zuiderveld presented the drawings on a computer, but he found the response underwhelming. “A lot of people were not as impressed as I thought they would be,” he told Arab News. 

“People often don’t find what happens on a computer screen special anymore. Because it is a computer, you are used to it. It does special things, magic things,” he said. 

This realization led Zuiderveld to rethink his approach. “I wanted to take machine learning algorithms out of the computer and embody them physically, so they feel more tangible for people,” he said.

He deliberately chose a photocopier as the interface for its familiarity. “I wanted to create something intuitive, where people don’t need instructions. It allows them to focus on the interaction itself,” he said. 

The artist also believes that the installation fosters social engagement as participants share their creations. “It works really well at events—people play with it, share their outputs, and it becomes a nice social lubricant,” he added. 

Zuiderveld spent months refining the installation so it could operate entirely offline, with all algorithms running locally on the machine. “That was the most significant update,” he noted, adding that real-time interactivity remains central to his work despite the challenges. 

“For me, the most enjoyable part is watching people interact with the machine. It always brings in elements of surprise and new ways of thinking,” he said.


Cartier exhibition brings regional celebrities to Dubai

Cartier exhibition brings regional celebrities to Dubai
Updated 11 February 2025
Follow

Cartier exhibition brings regional celebrities to Dubai

Cartier exhibition brings regional celebrities to Dubai

DUBAI: French luxury label Cartier this week hosted its “A Journey of Wonders” high jewelry exhibition in Dubai, drawing a star-studded lineup of regional celebrities. 

Among the attendees were Egyptian Montenegrin actress Tara Emad, Tunisian actor Dhafer L’Abidine, TV presenter Raya Abirached and entrepreneur and host Anas Bukhash. Each guest showcased Cartier’s signature pieces.

Emad wore pieces from the Trinity Collection, featuring a mix of pink, yellow and white gold. Her ensemble included Trinity earrings with black lacquer and diamonds, a matching Trinity necklace and bracelet, and a Trinity ring incorporating the same materials.

The actress, who recently debuted a new short haircut on Instagram to her three million followers, paired her jewelry with a tailored black pantsuit by Lebanese designer Elie Saab. The ensemble featured a structured blazer with sharp lapels and intricate gold stitching along the edges and pockets.

Abirached wore a black Magda Butrym midi-length dress. (Supplied)

Abirached wore a black Magda Butrym midi-length dress featuring a strapless, structured bodice and an asymmetrical draped detail at the waist. She accessorized with Cartier’s Grain de Café collection, known for its intricate detailing. Her jewelry included Grain de Café earrings, a necklace and a ring, all crafted in yellow and white gold and set with diamonds. She completed the look with black open-toe heels adorned with floral embellishments. 

Meanwhile, L’Abidine, who sported a black suit, chose a refined selection of classic Cartier designs, wearing a Santos de Cartier watch in steel paired with a Love bracelet in white gold. 

L’Abidine sported a black suit. (Supplied)

Bukhash, on the other hand, opted for a mix of the brand’s signature pieces, including a Santos Dumont watch in yellow gold, a Juste un Clou bracelet in white gold, and a Love ring in white gold. 

Bukhash opted for a mix of the brand’s signature pieces. (Supplied)

These stars, who also serve as ambassadors for the brand, have previously collaborated with Cartier and attended its events.

In 2023, Emad, L’Abidine and Bukhash walked in the brand’s runway show in Dubai. 

That same year, in April, Emad starred in a Cartier campaign alongside L’Abidine, Tunisian-Egyptian actress Hend Sabri and Egyptian actor Ahmed Malek.


Review: Hulu’s ‘Muslim Matchmaker’ has heart, but not enough spark

Review: Hulu’s ‘Muslim Matchmaker’ has heart, but not enough spark
Updated 11 February 2025
Follow

Review: Hulu’s ‘Muslim Matchmaker’ has heart, but not enough spark

Review: Hulu’s ‘Muslim Matchmaker’ has heart, but not enough spark

TORONTO: “Muslim Matchmaker” premiered on Hulu this week. The series is directed and produced by Smriti Mundhra (of Netflix’s “Indian Matchmaking” fame).

But this time around it’s not Sima Aunty and her outrageous comments, but rather two older sister types – Hoda Abrahim and Yasmin Elhady – who are helping eight Muslim Americans find love.

The premise of their matchmaking business is the “Rules of Three: Three dates, three months, and three hundred questions.” In an era of dating apps and superficial swipes, the duo urges couples to approach their search for love with intention. They emphasize the importance of giving the relationship time and space to grow while asking the right questions.

The eight-episode show provides a fresh perspective on Muslim Americans as they navigate both their Muslim and cultural identities in the West. It offers captivating discussions on topics like cultural expectations when dating an older woman, the appropriate timeline to “date,” and finding a partner with an equal “halal-to-haram ratio.” These discussions are sure to resonate with many. And perhaps, offer a glimpse into a Muslim world that’s rarely seen in mainstream Western media.

The show comes with good intentions. For one, it acknowledges dating app fatigue. It offers a refreshing take with matchmakers who approach singles’ choices without judgment or sacrilegious remarks about “wanting too much” (looking at you, Sima Aunty).

But that’s also probably the biggest failing of the show. Dating shows thrive on drama – and there’s none here.

Tension doesn't surface until episode four. A Bengali-American woman is older than the man she’s dating, and cultural norms deem this unacceptable. We’re left on a cliffhanger, wondering how the Bengali-American man will disclose the relationship to his family.

It shouldn’t take that long to get us hooked.


Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign

Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign
Updated 10 February 2025
Follow

Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign

Saudi creative Sarah Taibah stars in Loewe’s Ramadan campaign
  • Taibah shared behind-the-scenes photographs from the campaign shoot on Instagram, jokingly captioning the post “GCCCCC. The Gulf Cooperation Council Countries’ Cutest Creatives Crew, brought together by @loewe”

DUBAI: Spanish luxury fashion house Loewe has unveiled a Ramadan campaign directed by Lebanese Sudanese auteur Dana Boulos and starring Saudi actress and filmmaker Sarah Taibah and Saudi Olympic rower Husein Alireza.

The cast is rounded out by Omani artist Mays Almoosawi, Kuwaiti visual artist Najd Al-Taher, Emirati film director Sarah Al-Hashimi, Kuwaiti DJ Cascou and Bahraini contemporary artist Salman Al-Najem.

Taibah shared behind-the-scenes photographs from the campaign shoot on Instagram, jokingly captioning the post “GCCCCC. The Gulf Cooperation Council Countries’ Cutest Creatives Crew, brought together by @loewe.”

The campaign promotes the brand’s Silver Capsule Collection, its first-ever release for Ramadan by designer JW Anderson. With the concept, creative direction, casting and production by Between Us Boys Studio, and post-production handled by DAHOUL Studio, the clip focuses on a clock ticking down until iftar, the meal that breaks a Muslim’s fast during Ramadan.

The Silver Capsule Collection released at select stores the Middle East and at Harrods in London, on Sunday.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Dana Boulos (@danaboulos)

The collection sees the brand’s signature bags get a Ramadan makeover; the Puzzle bag appears in vetiver crocodile, while the Flamenco clutch and Squeeze bag are offered in metallic textures with intricate beading. The ready-to-wear selection boasts silky belted pajamas, soft nappa leather sets, and day-to-night silk dresses.

Los Angeles-based Boulos, who directed the campaign, has worked on short films, music videos, and fashion commercials for the likes of Mercedes Benz, Glossier, and Farfetch.

For her part, Taibah shot to fame for her show “Jameel Jeddan,” the first Saudi show starring, written, and created by a Saudi woman.

The plot of the 2022 release was anything but typical. Strong-headed Jameel wakes up from a five-year coma and is forced to finish her last year in high school and rejoin a society she no longer associates with. As a coping mechanism, she begins to experience glitches in the form of an animated alternative reality.

Taibah is currently working on off-beat Saudi romcom “A Matter of Life and Death,” which she wrote. The film is being directed by Anas Batahaf and will star Taibah and Yaqoub Al-Farhan.