Film Review: ‘Wicked’

Film Review: ‘Wicked’
(L-R) Director, Jon M. Chu and Producer, Marc Platt speak as Universal Pictures presents special New York City WICKED Screening at Metrograph on December 03, 2024 in New York City. (AFP/File)
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Updated 25 December 2024
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Film Review: ‘Wicked’

Film Review: ‘Wicked’

The cinematic adaptation of the beloved Broadway musical, “Wicked,” which is based on the Gregory Maguire novel, takes us on an enchanting journey through the backstory of the Wicked Witch of the West, Elphaba, and her friendship with Glinda.

From the outset, I found the story’s premise captivating. It cleverly reimagines the classic tale from “The Wizard of Oz,” providing depth and context to characters often seen as mere villains.

Elphaba, played with fierce determination and vulnerability by Cynthia Erivo, grapples with her identity in a world that judges her for her green skin. Glinda, portrayed with charm and humor by Ariana Grande, offers a contrasting perspective, embodying the complexities of friendship and loyalty.

One of the film’s strengths lies in its stunning visuals. The vibrant colors, elaborate costumes, and breathtaking set designs transport one to the whimsical land of Oz. Each scene is a feast for the eyes, making it hard not to get swept away by the magic of it all.

The cinematography captures the grandeur of Oz while maintaining an intimate feeling during character-driven moments.

However, while the visuals are remarkable, I felt that some aspects of the storyline fell short. At times, the pacing felt uneven, particularly in the second act. Certain plot points were rushed, leaving me wanting more character development and emotional resonance.

For instance, Elphaba’s transformation into the Wicked Witch felt somewhat abrupt, and I wished for deeper exploration of her motivations and struggles.

The music, a hallmark of “Wicked,” also deserves mention. Iconic songs including “Defying Gravity” resonate with empowerment and hope, leaving a lasting impact. Yet, I found myself wishing for more original compositions to enhance the film’s narrative depth.

What is particularly exciting is that this film is part of a larger story. The second and final installment, titled “Wicked: For Good,” is set for release in November 2025. The news, shared in a joint Instagram post from the stars and director, has me eagerly anticipating what comes next.

In conclusion, despite some narrative shortcomings, “Wicked” explores friendship, identity, and societal judgment, making it a worthwhile experience. As someone who has long cherished the story of Oz, I appreciated this new take, even if it did not fully meet my expectations.

Ultimately, “Wicked” is a testament to the power of storytelling and the complexities of good and evil, leaving one with much to ponder long after the credits roll.


Cynthia Erivo kicks off Grammys in Ashi Studio look as Beyonce wins top award

Cynthia Erivo kicks off Grammys in Ashi Studio look as Beyonce wins top award
Updated 03 February 2025
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Cynthia Erivo kicks off Grammys in Ashi Studio look as Beyonce wins top award

Cynthia Erivo kicks off Grammys in Ashi Studio look as Beyonce wins top award

DUBAI/ LOS ANGELES: The 2025 Grammys in Los Angeles saw “Wicked” star Cynthia Erivo kick off proceedings in a gown by Saudi couturier Mohammed Ashi.

Accompanied by Herbie Hancock on piano, Erivo sang Frank Sinatra’s “Fly Me to the Moon” while wearing a sculpted gown from the Paris-based designer’s Fall/ Winter 2024 collection.

Cynthia Erivo showed off a gown by Ashi Studio at the Grammys. (AFP)

She complemented her Ashi Studio dress with Messika jewelry and Christian Louboutin heels.

Erivo’s look hailed from Ashi Studio’s Fall/Winter 2024-25 collection, titled “Sculpted Clouds.”

At the ceremony on Sunday night, Beyoncé won album of the year for “Cowboy Carter,” delivering her — at last — the show’s elusive top award.

The superstar, who is both the most awarded and nominated artist in Grammys history, has been up for the category four times before.

In winning album of the year with “Cowboy Carter,” Beyoncé became the first Black woman to win the top prize in the 21st century. The last was Lauryn Hill with “The Miseducation of Lauryn Hill” 26 years ago. Before her was Natalie Cole and Whitney Houston. That means Beyoncé is only the fourth Black woman to win album of the year at the Grammys.

Beyonce accepts the Album of the Year award with Blue Ivy Carter onstage. (AFP)

Members of the Los Angeles Fire Department presented Beyonce with the trophy Sunday, one of several times the show reflected the recent wildfires that burned thousands of homes.

“It’s been many, many years,” Beyoncé said in her speech. “I want to dedicate this to Ms. Martell,” she said, referencing Linda Martell, the performer who became the first Black woman to play the Grand Ole Opry, a music venue in Nashville, Tennessee.

“We finally saw it happen, everyone,” host Trevor Noah said, nodding to the long overdue achievement for one of music's transcendent artists.

Kendrick Lamar won song and record of the year for his diss track “Not Like Us” at the 2025 Grammys, taking home two of the night's most prestigious awards.

Kendrick Lamar, winner of the Record of the Year, Best Rap Performance, Best Rap Song, Best Music Video, and Song of the Year Awards for "Not Like Us" poses in the press room during the 67th Annual Grammy Awards. (AFP)

“We're gonna dedicate this one to the city,” Lamar said before shouting out Los Angeles area neighborhoods.

It is the second hip-hop single to ever win in the category. The first was Childish Gambino’s “This Is America."

 


Review: Carttel Entertainment

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Updated 31 January 2025
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Review: Carttel Entertainment

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  • The mini-golf course offers eight levels, catering to both beginners and seasoned players. Other games include basketball, shuffleboard, air hockey, and snooker

JEDDAH: Jeddah has recently introduced a range of diverse entertainment concepts for kids, but why should adults miss out on the fun?

Carttel Entertainment, which opened this month, offers an exciting mix of elevated entertainment, games, food, and shisha — making it the perfect place to unwind and play.

Carttel spans two floors and features a bowling alley, interactive football simulators, and an F1 racing experience that takes gaming to the next level.

The mini-golf course offers eight levels, catering to both beginners and seasoned players. Other games include basketball, shuffleboard, air hockey, and snooker.

The wooded interior, with rich red curtains and classic theatre-style seating creates an inviting and elegant atmosphere.

Whether you’re playing a game or relaxing with some food, the space’s retro charm with modern touches make it a unique spot in Jeddah’s nightlife.

On the ground floor there is a bar serving fresh juices, mocktails, and a variety of hot and cold beverages as well as food. I sampled the lobster tacos, Wagyu beef tacos, and smashed truffle burgers, which were delicious. For dessert, the hazelnut chocolate cake was so rich and indulgent that I ordered two portions. The menu also features a tempting selection of international sweets, salads, pizzas, and main courses.

For a more exclusive gathering, Carttel offers a VIP Room — a private space equipped with the same games but on a smaller scale. Ideal for celebrations with friends or family, the room accommodates around 20 guests.

Carttel also hosts live music and dance performances from around the world.

It is located at La Prestige Mall, Ash Shati and is open daily from 4 p.m. to 1 a.m. For more information and booking visit @carttelentertainment on Instagram.

 


Huda Kattan launches ‘Huda Hotline’ — a podcast for honest talking 

Huda Kattan launches ‘Huda Hotline’ — a podcast for honest talking 
Updated 31 January 2025
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Huda Kattan launches ‘Huda Hotline’ — a podcast for honest talking 

Huda Kattan launches ‘Huda Hotline’ — a podcast for honest talking 

DUBAI: Huda Kattan, the mogul behind Huda Beauty, is breaking new ground with the launch of her “Huda Hotline” podcast.

Launched on Jan. 30, the podcast marks her first major project outside her beauty empire, offering a space for candid discussions about self-worth, beauty standards and personal growth.

Speaking about her motivation, Kattan told Arab News: “I wanted to do this for so long, it’s been a dream of mine for so many years, because I just had so many people from my community asking me to do a podcast, telling me they wanted to see a place where I could share some of my experiences.”

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Huda (@huda)

She added that her community has always been deeply connected by a shared passion for development and hard work, something she has learned from statistics and surveys conducted on her META platforms. They revealed a significant percentage of her followers are women striving to start their own businesses.

With “Huda Hotline,” Kattan said she was aiming to give back by being more vulnerable and open about her journey.

“I also have realized that my vulnerability and accepting that I don’t know the answers is something that people also have appreciated from me,” she said.

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

A post shared by Huda Hotline (@hudahotline)

Initial episodes will explore topics such as entrepreneurship, overcoming fear and redefining traditional beauty standards.

Kattan also talked about the impact her beauty brand has had on diversifying the industry. She said: “I definitely think we were a big part of leading this conversation, and it was difficult at first. It was very, very difficult to be based in the Middle East and trying to break through to the US, break through Europe, and that was extremely, extremely challenging.”

As for the podcast’s future, Kattan envisions she will eventually bring in guests.

“I definitely think there may be some people, but not right away,” she said. She said she was interested in featuring experts in health, self-improvement and biohacking, giving her audience a glimpse into her personal passions beyond beauty.

“I’m so ready for this,” she added. 


REVIEW: Timothée Chalamet dazzles as Bob Dylan in ‘A Complete Unknown’

REVIEW: Timothée Chalamet dazzles as Bob Dylan in ‘A Complete Unknown’
Updated 31 January 2025
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REVIEW: Timothée Chalamet dazzles as Bob Dylan in ‘A Complete Unknown’

REVIEW: Timothée Chalamet dazzles as Bob Dylan in ‘A Complete Unknown’

DUBAI: There’s a scene roughly two-thirds of the way through “A Complete Unknown” when Bob Dylan (played by Timothée Chalamet) and Joan Baez (Monica Barbaro) sing “It Ain’t Me Babe” on stage at the Newport Folk Festival. It’s an extraordinary, electrifying performance — one that encapsulates the mesmerizing musical clarity and emotional power of this brilliant yet flawed biopic.

The opening quarter of James Mangold’s film is rich with such moments: a young, carefree Dylan singing “Song to Woody” for his hero Woody Guthrie; his first encounter with Baez at Gerde’s Folk City in 1961; the visible joy of Pete Seeger (played by Edward Norton) as Dylan performs “The Times They Are A-Changin’” at Newport in 1963; and the rapt attention of Seeger’s children as Dylan sings one morning in their family home. These scenes may play footloose and fancy-free with historical fact, but they brim with atmospheric splendor.

“A Complete Unknown” — co-written by Mangold and screenwriter Jay Cocks, and based on Elijah Wald’s book “Dylan Goes Electric!” — follows Dylan from his arrival in Greenwich Village in 1961 to his seismic performance at the Newport Folk Festival in 1965. The latter, replete with a braying crowd and hostile projectiles, acts as the film’s explosive finale, as Dylan rejects the straitjacket of traditional acoustic folk in favor of electric experimentation.

Monica Barbaro and Timothee Chalamet in ‘A Complete Unknown.’ (Supplied)‘A Complete Unknown’

Chalamet captivates as Dylan, capturing the singer-songwriter’s nonchalance and charisma, although the artist himself remains mostly a mystery. Sure, we see his ruffled hair, his quirky mannerisms, and his love of cigarettes, and Chalamet nails his distinctive, raspy, grittily raw voice, but Dylan the man is as doggedly elusive as ever. Outside of the musical set pieces, the songwriting, and a few intimate moments with Baez and his long-suffering girlfriend Sylvie (Elle Fanning, playing Dylan’s real-life partner Suze Rotolo), what remains is a moody, mumbling, and largely unpleasant artist grappling with the burden of celebrity.

That said, the movie’s faithful recreation of Greenwich Village and the New York folk scene of the early 1960s, its supporting performances — especially Norton’s Seeger and Barbaro’s Baez, and the addictive nature of the soundtrack not only make this a tribute to Dylan’s enduring influence, both as an artist and as a cultural icon, but a beautifully rendered period piece.


Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
Updated 30 January 2025
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Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh

Ustad Amjad Ali Khan to enthrall audience with sarod recital in Riyadh
  • Ambassador of India Dr. Suhel Ajaz Khan: The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh
  • Dr. Suhel Ajaz Khan: The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom

RIYADH: The internationally acclaimed sarod maestro Ustad Amjad Ali Khan will give a virtuoso performance of the stringed instrument at the Cultural Palace, Diplomatic Quarter in Riyadh on Feb. 6, 2025.

The Embassy of India, in collaboration with the Diplomatic Quarter Office at the Royal Commission for Riyadh City, is organizing the musical performance of “Three Generations, One Melody,” featuring the renowned Indian sarod quintet led by the acclaimed composer Amjad Ali Khan.

Ambassador of India Dr. Suhel Ajaz Khan told Arab News: “The Embassy is honored to co-host the upcoming Sarod quintet concert by the legendary musician Amjad Ali Khan in Riyadh. This unique musical performance being organized for the first time in Saudi Arabia is going to showcase the richness of Indian classical music.”

“The strong interest among Saudi friends toward this concert is a testimony to the popularity of Indian music, arts and cinema in the Kingdom that has only become more profound in recent years,” he said.

A few months ago, Indian artists and cultural troupes performed at the ten-day Indian cultural festival at Suwaidi Park in Riyadh under the Global Harmony Initiative of the Saudi government, he said.

“The event was hugely popular among the Saudi guests. Indian art and music always had a huge fan base in Saudi Arabia, and we are happy to see our Saudi friends showing great interest in attending Indian cultural events. This not only shows the strength of our people-to-people ties, but also the immense potential of cultural exchanges between the two countries.”

Speaking to Arab News from India, Amjad Ali Khan said: “I feel very happy, highly honored, that I got the opportunity to perform in Riyadh, to regale the people of Saudi Arabia. I am grateful to the Indian Embassy in Riyadh who made it possible.

“We are invited to the Western world and get a lot of opportunities to perform. Recently the London Philharmonic Orchestra played my composition. I had a concert at the Royal Festival Hall of London.”

The sarod grand master joined the London Philharmonic Orchestra in a concert that spanned continents and cultures.

“A Saudi orchestra can also play my composition, ‘Samaagam,’ but it needs to be planned,” he said.

“To perform with your children and grandchildren is only possible with the blessing of the Almighty Allah, and the prayers of fans. I am lucky to perform with our three generations in the concert in Riyadh.”

The sarod grand master was born to a family steeped in Indian classical music and is regarded as one of the icons of the music world, bringing a new and yet timeless interpretation to the playing of the sarod.

The sarod is a fretless stringed instrument with a teak frame, a goatskin soundtable and a metal fingerboard, with six to eight strings as well as additional sympathetic strings. The instrument lends itself to improvization and graceful expression because of the ability of the musician to slide and glide between notes, much like a human voice.

His sons, Amaan Ali Bangash and Ayaan Ali Bangash, are virtuoso performers in their own right, and will accompany the sarod grand master at the concert in Riyadh.