Diriyah Islamic Arts Biennale: The making of ‘On Weaving’ — winner of the inaugural AlMusalla Prize 

RIYADH: The travelling exhibition of Saudi contemporary art, “Art of the Kingdom: Poetic Illuminations,” will open at the Saudi Arabia Museum of Contemporary Art on Feb. 24 following its successful debut in Rio de Janeiro, where it had more than 26,000 visitors. The show includes works by 17 prominent Saudi artists.  

Curator Diana Wechsler told Arab News: “Few people know what is happening in the artistic field in Saudi Arabia. Information circulates — everywhere and about any topic — in a very fragmented way and this affects the image that people have of a country or a society.”  

The show’s Rio debut, she said, was a great success. “Why? Because it opened up views and perspectives, it surprised colleagues, specialists in art history and contemporary art, as well as surprising and greatly interesting the general public. It must also be said that the artists and works of art selected are very interesting and powerful and, at the same time, quite different from other contemporary proposals.”  

Wechsler carried out exhaustive research when selecting the featured artists. She visited workshops, conducted interviews, and explored the artists’ cultural references. 

“From this research emerged the concept of ‘poetic illuminations,’ which shows how art is capable of participating in a cultural tradition and, at the same time, forms part of the present,” she said. “The exhibition — and, in particular, the selected artists — are part of the process and continuity of a dynamic construction of cultural identity, with a great commitment to their roots and, at the same time, with an interesting contemporary perspective.” 

There are certain elements of Saudi culture that run through the exhibition. Perhaps the most powerful, Wechsler suggested, is the image of the desert, which “appears in different ways in practically all the selected artists’ works.”  

Another theme is the tension between the past and the present. “The imagination of the future is found in these artists,” Wechsler said. “This is one of the most fascinating aspects offered to me by the exploration of the Saudi artistic and cultural (scene).”  

The Riyadh exhibition will feature newly created site-specific works as well as some pieces from the Ministry of Culture’s collection. Its main challenge is to adapt to the local public, who will have a better understanding of the culture explored by the artists.  

“In Rio the challenge was to show how Saudi Arabia manages its cultural processes and how artists work between different pasts and presents. In Riyadh, the situation is different,” said Wechsler. “The challenge is to capture the attention of the public and reflect on their cultural traditions from a current perspective. I think this is one of the objectives of contemporary art in general.”  

As Saudi artists continue to face new frontiers, through this exhibition and their growing prominence in the global art sphere, it is necessary, Wechsler believes, “to be attentive to the experiences of contemporary life, to be able to contribute their perspective to point out invisible aspects, to highlight imaginary dimensions which, as we know, are often those that allow us to think about the present from a new perspective.” 

The Riyadh show will run until April 25 before the exhibition makes its way to the National Museum in China, marking the 25th anniversary of the establishment of Saudi-Chinese diplomatic relations.  

DUBAI: Model Mona Tougaard showed off the new Versace collection this week as she starred in the luxury fashion house’s latest campaign.

Tougaard, who has Danish, Turkish, Somali and Ethiopian ancestry, was seen on video reclining on a deep orange sofa, her hair styled in a sleek, straight look with blunt bangs.

She wore a two-piece ensemble combining various textures and patterns.

A lilac-toned sequined crop top featured delicate yellow floral embroidery, thin straps and a plunging neckline. The skirt, in rich brown satin, had an intricate overlay of cream floral lace.

Accessories include oversized engraved gold rings with motifs such as the Versace Medusa emblem and baroque-inspired designs. Others had sculpted leaves and swirling patterns.

Also highlighted was a bold red handbag with intricate silver embroidery and a gold medallion clasp, with the Versace logo prominently displayed.

Tougaard’s footwear included a pair of sparkling crystal-embellished heels in a soft mint green shade, with a delicate ankle strap featuring a silver buckle and a sharply pointed toe.

Tougaard started her modeling career in 2017 after winning the Elite Model Look Denmark competition at the age of 15. Since then, she has become a well-known figure in the fashion industry, working with top designers and luxury brands including Prada, Louis Vuitton, Fendi, Chanel and Valentino.

The catwalk star has had a whirlwind month, gracing the runway during New York Fashion Week in the Tory Burch Fall/Winter 2025 show.

She sported a look in rich navy, including a shaggy-textured coat draped over matching velvet pants.

A structured scarf was wrapped around her shoulders, secured with a gold pin. The look was completed with glossy pointed-toe shoes and she carried a slouchy black leather handbag with soft folds and a long strap.

In January, she was part of the Schiaparelli Haute Couture Spring/Summer 2025 show at Paris Fashion Week, when she wore a halter-neck dress with a sheer, form-fitting bodice that transitioned into a voluminous skirt with meticulously folded fabric. The gunmetal shade accentuated the texture of the design.

“This dress is a literal masterpiece,” she wrote on Instagram, sharing a video of herself on the runway. “I’m completely lost for words.”