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DUBAI: Model Mona Tougaard showed off the new Versace collection this week as she starred in the luxury fashion house’s latest campaign.

Tougaard, who has Danish, Turkish, Somali and Ethiopian ancestry, was seen on video reclining on a deep orange sofa, her hair styled in a sleek, straight look with blunt bangs.

She wore a two-piece ensemble combining various textures and patterns.

A lilac-toned sequined crop top featured delicate yellow floral embroidery, thin straps and a plunging neckline. The skirt, in rich brown satin, had an intricate overlay of cream floral lace.

Accessories include oversized engraved gold rings with motifs such as the Versace Medusa emblem and baroque-inspired designs. Others had sculpted leaves and swirling patterns.

Also highlighted was a bold red handbag with intricate silver embroidery and a gold medallion clasp, with the Versace logo prominently displayed.

Tougaard’s footwear included a pair of sparkling crystal-embellished heels in a soft mint green shade, with a delicate ankle strap featuring a silver buckle and a sharply pointed toe.

Tougaard started her modeling career in 2017 after winning the Elite Model Look Denmark competition at the age of 15. Since then, she has become a well-known figure in the fashion industry, working with top designers and luxury brands including Prada, Louis Vuitton, Fendi, Chanel and Valentino.

The catwalk star has had a whirlwind month, gracing the runway during New York Fashion Week in the Tory Burch Fall/Winter 2025 show.

She sported a look in rich navy, including a shaggy-textured coat draped over matching velvet pants.

A structured scarf was wrapped around her shoulders, secured with a gold pin. The look was completed with glossy pointed-toe shoes and she carried a slouchy black leather handbag with soft folds and a long strap.

In January, she was part of the Schiaparelli Haute Couture Spring/Summer 2025 show at Paris Fashion Week, when she wore a halter-neck dress with a sheer, form-fitting bodice that transitioned into a voluminous skirt with meticulously folded fabric. The gunmetal shade accentuated the texture of the design.

“This dress is a literal masterpiece,” she wrote on Instagram, sharing a video of herself on the runway. “I’m completely lost for words.”

RIYADH: A fusion of tradition and innovation stole the spotlight at the Traditional Handcrafts Revival in Saudi Fashion competition on Sunday, where local designers used age-old techniques to craft high-fashion pieces.

Held at Mansard Hotel – The Gallery in Riyadh, the event celebrated 10 winners whose designs honored the Kingdom’s rich cultural identity through embroidery, natural dyeing, leatherwork, and even 3D printing.

The winning designs will be showcased at the Fashion Commission’s exhibition during the Saudi Cup 2025 this weekend.

Burak Cakmak, CEO of the Fashion Commission, highlighted the initiative’s role in promoting Saudi Arabia’s culture.

“The ‘Traditional Handcrafts Revival in Saudi Fashion’ initiative is a program designed to promote traditional Saudi attire within the contemporary fashion industry.

“It emphasizes Saudi cultural heritage, enhances and preserves Saudi cultural identity, and fosters local talent in creative design,” he told Arab News.

Cakmak added: “By emphasizing Saudi culture at the forefront of the competition, we were able to foster creative talent to create new designs showcasing the vast heritage of Saudi in alignment with the Ministry of Culture’s ‘Year of Handicrafts.’”

Rand Al-Saif’s winning design, “Saudiya,” is a five-piece ensemble showcasing intricate hand embroidery, natural dyeing, and traditional leatherwork — techniques deeply rooted in Saudi Arabia history.

“My design, ‘Saudiya,’ is inspired by the desert of Hijaz and Tihama,” Al-Saif said.

In second place was “Sidrat Najd” by Maha Al-Qahtani. Her ethereal gown integrates sidr fruit kernels, covered with silver leaves and Swarovski crystals.

“The name of my design is ‘Sidrat Najd,’ inspired by the sidr tree, which holds deep cultural significance in Saudi heritage,” she explained.

Third was “Bride of the Arabian Peninsula” by Ghaida Majdali, who took a bold and innovative approach.

“The fabric was worked on for 350 hours of hand embroidery, without any machine. The skirt is made of metal with 3D printing, covered in natural camel leather,” she said.